Emile Abossolo M'bo

1981. Hubert Bonisseur de la Bath, aka OSS 117, is back. For this new mission - more delicate, more dangerous and more torrid than ever - he is forced to team up with a young new colleague, the promising OSS 1001.

12 year-­old Adama lives in a remote village in West Africa, sheltered by the cliffs. Out beyond lies "the world of wind," the kingdom of wicked spirits hungry for war. When his elder brother Samba suddenly vanishes from the village, Adama decides to set off in search of him, crossing into a Europe in the grip of World War I.

When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Finally Marie is forced to come to terms with how much a human life truly weighs and which measurements she intends to live by.

On the eve of his fiftieth birthday, an actor discovers that he's got stomach cancer. He must now face his shattered life.

60대 전직 수영 챔피언인 아담은 차드의 한 호텔의 수영장 관리자로 일하고 있다. 호텔이 새로운 중국 사업자에게 넘어가면서, 그는 직업을 그의 아들은 압델에게 억지로 넘기게 되었고, 아담은 이를 수치스러워하며 분노를 느낀다. 한편, 차드에서는 내전이 계속되고 있다. 반군은 정부를 공격하고, 행정부에서는 사람들에게 돈이나 싸울 수 있는 사람으로 ‘전쟁 분담’을 요구한다. 아담은 계속해서 기부할 것을 종용받지만, 그는 무일푼이다. 약해진 이 순간, 아담은 영원히 후회할 결정을 내리고 마는데... 아프리카의 죽은 심장이라고 불리는 차드 공화국의 절박한 현실을 담은 영화. 한때 수영챔피언이었던 호텔 수영장 직원 아담은 아들에게 자신의 자리를 뺏기게 되고, 내전중인 국가는 전쟁부담금을 내거나 아들을 군대에 보내라고 내몬다. (2011년 제12회 전주국제영화제)

검은 정장, 하얀 셔츠, 붉은색 넥타이가 트레이드 마크이며 한치의 오차도 없는 정확함과 단호함, 그리고 긍지를 가지고 있는 프로페셔널 킬러 ‘에이전트 47’. ‘니카’라는 여자를 암살하라는 지령을 받지만 이내 그를 음모에 빠뜨리기 위한 계략이라는 것을 알게 되고 러시아 군대와 인터폴에 쫓기는 신세가 된다. 이에 ‘에이전트 47’은 배후를 밝혀 내기 위해 고군분투를 벌이는데 이런 과정에서 ‘니카’를 향한 낯선 감정에 혼란을 겪게 된다.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

France, 2033. Olivier, an engineer, and Pauline, a teacher, decide to emigrate to the United States of Africa because they can no longer live in their country.

Ezra, jeune ex-soldat Sierra-Léonais, essaie tant bien que mal de retrouver des repères pour revenir à une vie normale après la guerre civile qui a ravagé son pays. Son quotidien est partagé entre un centre de réhabilitation psychologique et un tribunal de réconciliation nationale organisé sous l'égide de l'ONU. Durant le procès en réhabilitation auquel Ezra participe, il doit affronter sa soeur qui l'accuse du meurtre de leurs parents. Ezra, qui a traversé cette violente guerre civile complètement drogué et alcoolisé, ne se souvient de rien. Ezra reconnaîtra-t-il l'horreur et par ce fait, permettra-t-il à sa soeur et à sa communauté villageoise d'accéder au pardon ?

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Best friends Majolie and Chouchou are two beautiful young women trying to get ahead in a near-future Cameroon. After accidentally killing a powerful politician during sex, the two come up with a plot to dispose of the body, and get into the glamorous wakes that have taken over the local nightlife.

Diane, a young woman in search of a child, is looking for money to go to the sperm bank. She crosses paths with Arthur, a bank robber.

Max wakes up one morning and discovers that his wife Hélène has left him in his sleep, without a word, taking their two children with her. He doesn't understand. The nights drag on, his demons get involved, he chooses to face them and to anchor himself in reality. He probes his feelings, revisits from top to bottom the artifice of his life. Max ends up rediscovering his love for Hélène and decides to win her back. But isn't it already too late?

Antoine is a social wannabe who drops an elusive aristocrat's name to get into an exclusive party. The name - Jordan - gets him whisked by two burly bodyguards into the office of the host, von Bulow, who won't accept Antoine's admission of lying, gives him $100,000, and promises $900,000 more when led to Jordan. Enticed by the money, Antoine, with the help of his friend Étienne, begins his search. He follows trails through Paris's night scene, gets beaten up and bitten, and meets Jordan's sister, Violaine. After a surreal night, he's hooked on her charms but leery of continuing his pursuit of Jordan. Von Bulow insists. Can he find Jordan, get his reward, and attract Violaine?

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

In the eleventh film in the series, in December 1916, Indy, still stationed in Africa, is promoted to Captain and then ordered to cross the jungle with Remy and Captain Boucher to pick up a shipment of weaponry. Along the way, Ubangan Sergeant Barthélèmy picks up the sole surviving child from a disease-ravaged village despite Boucher's orders against it. On the way back, Indy and company succumb to disease themselves, and are picked up by Albert Schweitzer and the orderlies from his jungle hospital. At first resistant to being treated by a German, Indy soon begins to realize that Schweitzer is not interested in war, only attempting to cure people against all odds.

Outwardly a chilling portrait of the aimless lives of unemployed inner city youths living on society's fringe, the underlying message of this volatile drama seems to call for violence to rectify social injustices. The film centers on two teenaged gangs who basically terrorize their neighborhoods with their anarchic behavior. There are few limits to their unpleasant philosophy of "desire equals acquisition." The loosely structured tale reaches its climax at a concert where the two rival groups collide.

Back home one evening, Nathalie finds a man in her bathtub, a stranger who claims to be a pygmy. He is there, alone, and just wants to talk... Gradually Nathalie forgets her fear, seduced by the strange and lyrical vocabulary of this intruder, this deceptively naive poet. Despite the arrival of her companion, Nathalie begins to dream of a trip to distant shores

LA, 뉴욕, 파리, 로마, 헬싱키. 같은 날, 같은 시간, 각기 다른 5개 도시 속 택시 안에서 벌어지는 소동을 그린 옴니버스 영화.

Four racists plan to assault a local Arab man, but soon things get out of control.