Roland Silbernagl

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

Sabine Nemez is now studying at the BKA academy with the eccentric forensic scientist Sneijder. Although she is shocked by the death of her boyfriend, her lecturer puts the young investigator on three unsolved murders. Second case of the duo after Andreas Gruber.

A female corpse was found in a Alpine lake. Inspector Lisa Kuen cancels her vacation, and takes over the case, because she grew up in the next village and is familiar with the area and the people. To the displease of her college Alex.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

A rather regular state official, who works at the building authority, becomes a puppet of a few super rich. They want to make quite a lot of profit from a planned large-scale building project. Quicker than anticipated, the father-to-be gets surprised by a couple of amenities and notices that life isn’t too bad in the sphere of these semi-legal affairs. Soon, however, he has a prosecuting attorney on his tails and has to decide himself for a side.

The employee of a pharmaceutical company and lover of the managing director should provide for the medical release of a new contraceptive pill with dangerous side effects.

Film by Jan Bonny, also known as "Endlich Leben".

Tyrol/South Tyrol 1950. After being on the run, the rapist and murderer Guido Zingerle is arrested and taken to the police station in Brixen. Ida Hofer works as a secretary at the police station. Unexpectedly confronted with Guido Zingerle she is assailed suddenly by dark memories of her own past.

The dead body of a tourist is found in the mountains of Tyrol. The murder investigation focuses on the residents of a seemingly quiet village.

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

What happens if a child, which is after 27 years still connected with its mother by the umbilical cord, refuses to leave her?