Gustav Waldau

The third part of Paul May′s "08/15" trilogy based on the novel by Hans Hellmut Kirst takes place shortly before the end of World War II: In the spring of 1945, the German troops are practically defeated, and the battalion of Kowalski, major general von Plönnies and Asch who had risen to the rank of lieutenant in the meantime is left to its own devices to a large extent. They hope to be able to wait for the end of the war without having to encounter any combat operations. At the same time, Asch tries to prevent high-level Nazi officers from disappearing unnoticed and from cashing in on the chaotic circumstances.

The count Egge is barely a visitor in his Alpine family castle Hubertus, being preoccupied with hunting. He's furious when his young adult sons miss an annual municipal hunting concession auction, being both in love with local commoner girls, deemed undesirable although their mother was an actress herself, as is their sister's lover, painter Forbeck. So comital heir Tassilo marries in secret, spare heir Willy courts 'discretely'. Then tragedy strikes, with further consequences for the whole comital family.

Two nine-year-old girls—rude Luise Palfy and respectful shy Lotte Körner—meet on a summer camp. Apart from their different hair-do, they look alike. They have never seen each other before, but soon find out that they are identical twins. It turns out that their parents divorced, each keeping one of the girls. They decide to trade places at the end of the summer. Lottie curls her hair, Lisa braids hers, and both go off to where they have never been before. The adventure begins.

Shown in Cannes 1949.

Biopic about Ludwig van Beethoven.

A long time-span of Austrian history (from the late 19th century to the years after world war II) is reflected in the ups and downs of a family of piano-makers in Vienna.

A young girl nicknamed Snow White is part of the French ski team. She is courted by four international champions who challenge each other on the snow to win her heart. But everything gets complicated with the arrival of an Austrian champion.

a movie by Heinz Paul

1944 film.

Wanting a lavish production to mark the 25th anniversary of UFA, the German film studio, Joseph Goebbels, director of the Nazi propaganda machine, commissioned an adaptation of Baron von Münchhausen‘s “autobiographical” stories. Baron von Münchhausen (1720-97) was an eccentric figure in European history, whose tall tales about his adventures rival anything to be found in the legends of Paul Bunyan or classic figures like Odysseus. This film recounts some of the episodes from the Baron’s sensational stories, which are set in the world of the 18th century.

A drama about marriage in a small town, which takes place at the turn of the 19th into the 20th Century.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

A love story, which takes place in an Upper Bavarian mountain village: the young teacher Mathias is very popular among his students for his progressive methods of teaching, but his methods have aroused the displeasure of the head teacher. Stasi, the future heiress of the Rosenhof, loves Mathias. But her grandparrents have a different man in mind for her: were she to marry Sepp, the son of the mayor, who resides on the neighboring farm, the two estates could be joined together as one. When the head teacher's daughter begins to get the hots for Mathias, Stasi quickly gets prepared to marry Sepp. But then, Mathias tells her of his love for her.

Nazi propaganda film showing the development of the German navy's submarine fleet.

Two German soldiers in the Norwegian Campaign.

Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.

In 1910, the landlord's daughter Agnes from the Steiermark gets to know the diplomat Hans. They have a short love affair and then part from one another. Hans gets sent to Beijing, where he marries and American and has a son with her. Agnes, too, has a son by Hans and moves to Vienna, where she works in a restaurant. She is still in love with Hans ...

In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.

The residents of the villages Strasslach and Rott are anything but friends. The residents of the “enemy” town are ridiculed at every chance the residents of the other village can get to do so. And it’s no different, when Rott is getting ready to celebrate the 300th anniversary of its founding. The residents of Strasslach ridicule their neighbors, because the Rotters don’t want to celebrate the anniversary, because it’ll cost money. Even the church doesn’t have an organ, because that would cost money, too.

This is essentially a "Kraft durch Freude" propaganda film though the organization is never mentioned. A company's three day outing might very well be the last because bankruptcy is just around the corner. The people on the trip have all their individual problems and wishes, too. This episodic film might sound quite promising considering the basic idea but its script is determinedly optimistic and leads everything and anything to a happy end. The dramatic parts are finished in a rather implausible way, the comedic are terribly predictable. There's a badly misjudged singing scene in the bus, some bavarian shtick, the Regensburger Domspatzen are singing in Augsburg and so on...

Yvette is the daughter of a courtesan who serves men of wealth and status. She is unaware of how her mother makes money and why they are always in the presence of princes, dukes and barons. Only when Yvette goes away on a holiday she realizes that the Banker Saval is engaging her mother in such activities, she suddenly feels dirty.

Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?

After her Prime Minister Lord Melbourne arranges a marriage for her with the German Prince Albert, the young Queen Victoria decides to leave London and spend some time in Kent. While there she meets a handsome young German and falls in love, unaware that he is her intended husband Albert.

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

The political advisor to the French emperor Napoleon, and the Austrian emperor Franz I, arrange a marriage between Napoleon and the Austrian archduchess Marie-Luise in order to prevent another war.

A young woman working as a secretary for a Berlin car business tries to impress a rich Australian visitor by pretending she is a foreign countess.

Period romance set in Bismarck's Second Empire about a nobleman who wants to marry the daughter of a lowly pharmacist.

Comedy with an Egyptian backdrop: Businessman Tobby and the Countess Stafanie wish to take all the fun away from their single parents and make them marry each other. Their parents have the same plan, too ... but with regards to their nosy kids. And so it happens, that Tobby wants to surprise the parents with the announcement of their -- the parents' -- engagement at a party (so nice to let them know), but is one-upped by Stefanie's father, the old Count, who announces the engagement of the kids. To avoid a scandal, they have to get married, but will divorce later.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.