Ivana Roščić

Antonio and Nikola are inseparable friends who live across the road from each other, and share a love of pyrotechnics and mobile phones. Their families have been in dispute for years over an easily resolvable problem: the water that flows from the top house to the bottom house. The boys’ friendship, as they are about to enter puberty, is put to the test at Christmas time when their families uncover much more dangerous secrets and interests, and the water just carries the hate of the adults to the children. Debut film.

Yugoslavia, late 1980s. Parents and son are hastily making the final preparations for Christmas Eve dinner. Their beloved uncle will be turning up from Germany any minute now. But, hang on, are things really as they seem? An unnerving debut à la Haneke that cleverly balances on the edge of farce and oppressive thriller while ingeniously toying with narrative structure.

After several miscarriages, Tereza's gynecologist, in an attempt to cheer her up, jokes she should try to conceive with a different partner. This remark shakes up her monotonous life and steers it in a new direction.

마레는 남편과 세 명의 십대 아이들과 함께 공항 부근에 살지만 비행기를 타본 적은 없다. 그녀는 가족을 사랑으로 돌보지만 때로는 집에서 본인이 이방인처럼 느껴진다. 그녀와 함께 사는 사람들은 대체 누구인가? 마레는 머리 위의 비행기를 바라보면서 변화와 미지의 것을 갈망한다. 그리고 어느 날, 한 청년이 옆집으로 이사 왔을 때, 그녀는 본인의 삶을 시험해 본다.

In the mid-20th century, in a forested valley between Italy and Yugoslavia, a stingy widower befriends a young woman and helps her depart across the ocean to find there a better life. A chance encounter gives rise to a dreamy parable on loss, loneliness and the power of imagination.

"Srbenka" is a film about peer violence toward children of different nationality in Croatia. It examines how the generation born after the war copes with the dark shadows of history.

Siniša Mesjak, an arrogant and ambitious politician on the rise, finds himself in the middle of a scandal. To hide him from the public, the president appoints him as the commissioner of Croatian government on the furthest settled island Trečić, where he is tasked with the organization of local elections. The previous seven commissioners haven't succeeded.

While researching or playing a role, an actor decides to quit acting and live the life of their character instead.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

The movie "Swineherds" is a satirical anti-musical which deals with the phenomena of the media sensationalism that trivializes even the most serious and the most painful subjects. The movie depicts the phenomenon of media manipulation, mass hysteria, thirst for fame and people that will, more than ever, do whatever it takes to keep their fifteen minutes of fame.

Man finds himself stuck in the moment between his wife's disappearance and new life created by his daughter and a new woman.

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

A sequel to omnibus "Zagreb Stories" tells about love and families in present-day Zagreb.

Iris is ingenious neo-noir comedy set in Croatia 90, in the gloomy post-war era dominated by tycoons, corruption and war profiteers.

When Mia and Sara move into their new apartment their love gets cracks and communication through post-its becomes a serious problem.

Five yuppies go on a paintball session up in the hilly area of Zagorje where they soon lose contact to one another, but they've been discovered by a family of native villagers who make a home-made delicacy. They soon find out what are the ingredients of their hosts' recipee.

During a reality show a war starts, but the producer will do anything to hide it from the contestants.

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

Nine short films are connected into one whole, and they describe life in Croatia's capital of Zagreb.

It is no wonder for a son to have the miraculous powers of his father, but when he discovers love, that's the true miracle.

A successful but also hedonist young man gets afflicted with HIV by accident, eventually being abandoned by everybody around him. He becomes a problem for society until meeting another unfortunate person like him.

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.