Franz Doelle

Married couple Willy and Therese go separate ways. Willy leaves town and returns years later as a famous singer. But Therese is about to marry her best friend Peter. Little does Willy know that he and Therese now have a teenage daughter.

The marriage of the celebrated operetta diva Vilma and the chamber singer Peter has come to an end. Peter, however, is intent on winning back his now ex-wife. So he’s come up with the idea of a guest performance in Venice, where the two will both appear. Vilma, however, has already found a new man – Niki. He’s a salesman and she wants to marry him. With the help of Annemarie, a friend, who has won a trip to Venice, Peter succeeds in diverting Niki, for he falls in love with Annemarie. Now the way is free for Peter to win back the ex-wife, who couldn’t care if he lived in a hole six feet underground.

Nazi propaganda film showing the development of the German navy's submarine fleet.

National-Socialist propaganda film that serves to memorialize one of the early representatives of colonialism: the German philologist Carl Peters. He is, at the end of the 1900′s, a noted advocate of the establishment of a German colony. Without support from Germany, he struggles on his own account against the English in East Africa. Later he is named Reichskommissar and promotes the expansion of a German colony. But Jewish and Social-Democrat opponents order him back to Germany and force him to resign.

Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.

Four orphaned friends move after the Abitur, supported by the janitor of her school, together in a flat and look for work to be able to finance her study. Two make the acquaintance of a frivolous young baron. One shoots in her outrage at him, nevertheless, is acquitted in court. - Stereotyped Jung's girl's cheap sensationalism, broken up by popular comic. Hans Moser stands out by his delightful character comic. The last in Austria produced film before the invasion of the armed forces ('Wehrmacht').

Baroness Marika von Korossy dresses up as a man, in order to compete in a horse race. Her victorious horse, Satan, will only allow her to ride him and throws everyone else off of him. That includes the dandy lieutenant Tibor von Denes, who immediately recognizes that Marika isn't a man. It isn't long before he makes friends with her and even gets her to dance with him. It's then that Marika takes off her hat and shows she's a woman, which causes jealous Ilonka von Peredy to go into a rage. When Marika is forced to sell her estate to raise money, Ilonka is able to get Marika's beloved Satan.

In 1852, the young Austrian emperor Franz Joseph persuades his friend, Count Michel de Thalberg, to act as a go-between in his love affair with the Bavarian duchess Elisabeth. Not long after his arrival in Munch, Thalberg has an embarrassing encounter in a public garden with an attractive young woman. The innocent incident is misinterpreted by a passer-by who, recognising the woman as the youngest daughter of Ludwig Tomasini, a highly respected caterer, persuades her father that she should marry the man who flirted with her to avoid a scandal (FilmsdeFrance).

Alternate-language version of Amphitryon (1935).

Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. Failing in this, he disguises himself as Amphitryon (Alkemene's husband) and tries again. Next morning Amphitryon and his men come back from war; he suspects adultery and wants a divorce. Jupiter's wife Juno now also comes to earth and clears things up.

Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).

Aimless Bohemians are encouraged to find their salvation in Arbeit (Work) in this propagandistic Nazi era German production.

A young woman working as a secretary for a Berlin car business tries to impress a rich Australian visitor by pretending she is a foreign countess.

Aspiring singer Susanne takes over one night for her sick colleague, the slap-stick actor Viktor, at a small cabaret in Berlin where he works as a female impersonator. By chance, Susanne is then "discovered" by an agent, who thinks she′s really a man. She becomes famous and goes on tour to London. But when the local womanizer Robert catches on to her game, Viktor then has to jump in for Susanne as "Viktoria".