Screenplay
A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.
Director
A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.
Screenplay
In a family-run hotel, by the Portuguese northern shore, lives a group of women from different generations of the same family, whose relationships with each other have grown poisoned by bitterness. They try to survive in the declining hotel, as the unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments.
Director
In a family-run hotel, by the Portuguese northern shore, lives a group of women from different generations of the same family, whose relationships with each other have grown poisoned by bitterness. They try to survive in the declining hotel, as the unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments.
Director
Castro Laboreiro, in the far north of Portugal, is a place whose hills lead to a dead-end street. They call it the end-of-the-world’s pit. Men and wolves live abreast. Wolves leave their lair to freely attack the preys of men locked in their burrows. Both trapped in this huge pitfall called life from where no-one gets out alive.
Director
A journey through the Beiras region. The houses, the cafes, the streets, the people still living in them. What the lands were and are, and the testimonies of those still living there. The day-by-day of some of those people – less and less, and increasingly aged. And alone.
Screenplay
The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.
Director
The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.
Director
The film follows the adventures of a bride and her family on the verge of a nervous breakdown on her wedding day.
The film follows the adventures of a bride and her family on the verge of a nervous breakdown on her wedding day.
An actress travels to Lisbon representing a film where she has a secondary role, regarding nobody else was available to go. In the Q&A in the Cinematheque she doesn't know how to answer the audience questions.
Director
A journey that begins in the far north of Portugal, and visits a dozen of villages and places in Trás-os-Montes and Alto Douro. The houses, the cafés, the streets and the people who still live there. It is the picture of the day-to-day of some of these people, who are ever fewer, and ever more elderly. And lonely. People who live their lives one day at a time.
(segment "Los Barcos")
영화제 때문에 방문한 리스본에서 평범한 듯 예외적인 시간을 보내는 배우, 두 명의 리스본 관광 가이드들 사이에 벌어진 일, 타인의 꿈에 들어갈 수 있는 이상한 기계, 인어와 가면을 쓴 남자들이 벌이는 비현실적 모험 이야기가 차례로 펼쳐진다.
Writer
In Caxinas, a fishing neighborhood in Vila do Conde, a city on the north of Portugal, the relationship between the fishermen and their wives is based on vital trust and reciprocal and absolute dependence, in order to assure their families survival.
Director
In Caxinas, a fishing neighborhood in Vila do Conde, a city on the north of Portugal, the relationship between the fishermen and their wives is based on vital trust and reciprocal and absolute dependence, in order to assure their families survival.
Director
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
Screenplay
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
Writer
In Caxinas, the relationship between the woman and the fisherman is founded on trust, born of their mutual and complete dependence, which is vital for the survival of the family. The wife and the fisherman trust and depend on each other, one to survive, the other to manage his life.
Director
In Caxinas, the relationship between the woman and the fisherman is founded on trust, born of their mutual and complete dependence, which is vital for the survival of the family. The wife and the fisherman trust and depend on each other, one to survive, the other to manage his life.
Writer
A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.
Director
A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.
Sound
Throughout a year's work, a group of ten actors and a film director will work together on the creation of the characters and on the structure of the plot of a new film to come. Long sessions of discussion, rehearsals and endless repetitions serve to develop the most important scenes of that plot until it takes its ultimate form, in the film which results from this work.
Director
Throughout a year's work, a group of ten actors and a film director will work together on the creation of the characters and on the structure of the plot of a new film to come. Long sessions of discussion, rehearsals and endless repetitions serve to develop the most important scenes of that plot until it takes its ultimate form, in the film which results from this work.
Writer
Images and sounds expose the duality of Portugal during the days of WW2: a peaceful, god-loving, rural country, providing an escape route for over one hundred thousand European refugees to the Americas; and a political and cultural elite that disguised their Nazi inclinations just enough to play its neutral role in international politics.
Director
Images and sounds expose the duality of Portugal during the days of WW2: a peaceful, god-loving, rural country, providing an escape route for over one hundred thousand European refugees to the Americas; and a political and cultural elite that disguised their Nazi inclinations just enough to play its neutral role in international politics.
Writer
Lúcia is misbegotten, unloved and the eternal widow of her own father. A cry of rage in bodily form, she is mad, maltreated and humbled. She wears mourning in remembrance of her mothers crime and betrayal, and gives vent to her inconsolable pain to make sure theres no rest or respite for the killers of her father. She lives in hope of her brothers return so she can fulfil her promise of avenging her fathers blood.
Director
Lúcia is misbegotten, unloved and the eternal widow of her own father. A cry of rage in bodily form, she is mad, maltreated and humbled. She wears mourning in remembrance of her mothers crime and betrayal, and gives vent to her inconsolable pain to make sure theres no rest or respite for the killers of her father. She lives in hope of her brothers return so she can fulfil her promise of avenging her fathers blood.
Producer
A moment in the life of a grievieng mother with the identity crisis of her teenage daughter. The mother insists on wanting to understand what she only should accept, the daughter can not explain what should be accepted.
Director
A moment in the life of a grievieng mother with the identity crisis of her teenage daughter. The mother insists on wanting to understand what she only should accept, the daughter can not explain what should be accepted.
Screenplay
A disturbing film about the Portuguese underworld of prostitution.
Director
A disturbing film about the Portuguese underworld of prostitution.
Director
Director
Writer
During one winter night, a Portuguese teenager, Alvaro, loses his life in a fight between a youth gang and the cops in a suburb of Paris. Cidalia, a 36 year old cleaning woman, his mother, decides to defy the code of silence of the Portuguese community and tries to find the truth. She losses her friends, her job and her family but gains a life.
Director
During one winter night, a Portuguese teenager, Alvaro, loses his life in a fight between a youth gang and the cops in a suburb of Paris. Cidalia, a 36 year old cleaning woman, his mother, decides to defy the code of silence of the Portuguese community and tries to find the truth. She losses her friends, her job and her family but gains a life.
Writer
A touching and tragic real life story about a group of Portuguese fishermen who get caught in the middle of a storm in the Tejo river (Lisbon) and struggle to survive.
Writer
In today's Alentejo, a story of love and death based in a real criminal case.
Director
In today's Alentejo, a story of love and death based in a real criminal case.
Production Manager
The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: Shakespeare was born in Spain; not in England.
Crook
음향 기사인 필립은, 리스본에서 독립영화 제작 중 예술가로서의 막다른 골목에 처한 동료 프리드릭의 의 도와달라는 요청에...그는 포르투갈을 향해 중고차를 몰고 친구의 구조 여정을 떠난다. 힘든 여정 끝에 도착한 프리드릭의 아파트에 본인은 잠적하여 없고, 필립이 접하게되는 것은, 프리드릭이 찍다만 흑백 무성영화, 읽다만 책, 그가 사귄 동네 아이들, 배경음악을 담당할 지방 음악인들이다. 이들을 단서로 프리드릭의 이미지에 맞는 음향 편집을 위해, 필립은 도시를 돌아다니며 소리 채집을 시작한다. 이 영화의 마지막 20분을 남겨 놓고 필립이 드디어 만나게 된 프리드릭은, 컴퓨터 시대의 오염된 쓰레기 이미지를 한탄한다. 그는, 영화사의 재출발을 위해 자신이 시도했던, 원천적 "카메라를 든 사나이"로의 재귀마저도 충분치 않았다며, 순수한 이미지 포착를 위해선, 시각의 주체를 완전히 배제한 촬영 방식 (등에 카메라를 맨 방식)을 시도해야 한다고 선언한다. 이미지 집착이 아닌, 영화 매체의 포괄적인 성격에 이미 익숙해온 필립은, 컴퓨터 시대의 원천적 '녹음기를 든 사나이'로 좀 더 여유가 있다. 그는, 프리드릭에게 남긴 녹음 메세지를 통해, 쓰레기 이미지를 탓하기 보다, 마음의 소리에 귀를 기울이라고 충고한다.
Line Producer
음향 기사인 필립은, 리스본에서 독립영화 제작 중 예술가로서의 막다른 골목에 처한 동료 프리드릭의 의 도와달라는 요청에...그는 포르투갈을 향해 중고차를 몰고 친구의 구조 여정을 떠난다. 힘든 여정 끝에 도착한 프리드릭의 아파트에 본인은 잠적하여 없고, 필립이 접하게되는 것은, 프리드릭이 찍다만 흑백 무성영화, 읽다만 책, 그가 사귄 동네 아이들, 배경음악을 담당할 지방 음악인들이다. 이들을 단서로 프리드릭의 이미지에 맞는 음향 편집을 위해, 필립은 도시를 돌아다니며 소리 채집을 시작한다. 이 영화의 마지막 20분을 남겨 놓고 필립이 드디어 만나게 된 프리드릭은, 컴퓨터 시대의 오염된 쓰레기 이미지를 한탄한다. 그는, 영화사의 재출발을 위해 자신이 시도했던, 원천적 "카메라를 든 사나이"로의 재귀마저도 충분치 않았다며, 순수한 이미지 포착를 위해선, 시각의 주체를 완전히 배제한 촬영 방식 (등에 카메라를 맨 방식)을 시도해야 한다고 선언한다. 이미지 집착이 아닌, 영화 매체의 포괄적인 성격에 이미 익숙해온 필립은, 컴퓨터 시대의 원천적 '녹음기를 든 사나이'로 좀 더 여유가 있다. 그는, 프리드릭에게 남긴 녹음 메세지를 통해, 쓰레기 이미지를 탓하기 보다, 마음의 소리에 귀를 기울이라고 충고한다.
Production Manager
A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.
Production Manager
This European thriller, set in Sri Lanka, attempts to expound upon the philosophical implications of life, death, and memory. JB, an academic famed for his studies of oriental culture and alcoholic who has never recovered from his wife's suicide, returns to Sri Lanka to translate a book written on glass. It is supposed to contain Buddha's discourse upon memory. While he is there, an attractive nurse, Julia asks him to assist a young boy who wants to locate his father who is now living in a Tamil-occupied area. The Tamil terrorists will kill any trespassers. Compounding JB's conflict in deciding to go is that his former home where he lived with his wife is in that area. Unbeknownst to him, the boy is really a Tamil spy.
Writer
Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.
Director
Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.
Nogueira, a man in his fifties, is a relic of times long past. While the youngsters at the school where he works as a caretaker still think the world is their oyster, Nogueira knows that, for him, most doors have long closed.
Writer
Associate Producer
A young woman, working as sales-girl at a shopping center's music shop, wants someone with whom to share her secrets. A distant mother separating from her father, an aunt who emigrated to France, and her pre-adolescent sister, can't do - neither the boyfriend. Such a confident arrives unexpectedly - but then there are three of them, one too much. One leaves, but then another young man arrives, and there are three again. One must go. A sad young adult love story, told in the first person, singular - and ultimately alone, under the rain.
Writer
A young woman, working as sales-girl at a shopping center's music shop, wants someone with whom to share her secrets. A distant mother separating from her father, an aunt who emigrated to France, and her pre-adolescent sister, can't do - neither the boyfriend. Such a confident arrives unexpectedly - but then there are three of them, one too much. One leaves, but then another young man arrives, and there are three again. One must go. A sad young adult love story, told in the first person, singular - and ultimately alone, under the rain.
Director
A young woman, working as sales-girl at a shopping center's music shop, wants someone with whom to share her secrets. A distant mother separating from her father, an aunt who emigrated to France, and her pre-adolescent sister, can't do - neither the boyfriend. Such a confident arrives unexpectedly - but then there are three of them, one too much. One leaves, but then another young man arrives, and there are three again. One must go. A sad young adult love story, told in the first person, singular - and ultimately alone, under the rain.
Assistant Director
This visually striking drama is taken from the classic Japanese novel Tales Of Genji by Marasaki Shikibu. Set in modern Portugal, Joao (Luis Miguel Cintra) is a left-wing political leader and ladies man with a bright future. His ex-wife Isabel (Manuela de Freitas) both loves and hates him as Joao plays on her wavering emotional state. He is sent to Italy to retrieve wayward family member Antonia (Caroline Chaniolleau), the beautiful young woman with a terrorist boyfriend. Joao is forced to recognize his feelings as the political and amorous climate changes around him.
Assistant Director
A mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.
Screenplay
Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.
Producer
Editor
Screenplay
Director
Second Assistant Director
화물선의 선원인 폴은 리스본의 항구에 홀로 내려 아무것도 하지 않는 시간을 보낸다. 그는 우연히 발견한 호텔에 묵으면서 8mm 카메라로 주위의 풍경과 자신의 모습을 기록해 아내에게 영상 편지를 보낸다. 실제로 화물선에서 일한 경험이 있는 감독이 담아낸 리스본의 아름다우면서 건조한 풍광이 인상적인 작품.
Assistant Director
영화감독 프리드리히는 리스본에서 "세계가 멸망한 날(Day the World Ended)"(로저 코먼, 1955)의 리메이크 작업을 진행하던 중 제작비가 다 떨어져 잠시 촬영을 중지한다. 미국에 있는 제작사의 연락을 기다리는 동안 프리드리히는 스태프들과 무료한 시간을 보내며 도시 곳곳을 돌아다닌다. 1982년 베니스영화제 황금사자상 수상.
Assistant Director
Assistant Director
강박적이고 이기적인 사랑의 광기를 절제된 형식 속에 밀어붙이는 극단의 러브스토리. 브라질의 독립으로 포르투갈 국정이 불안한 시절, 호세 아우구스토와 카밀로는 프란시스카를 두고 삼각관계를 이룬다. 프란시스카는 귀족 호세 아우구스토와 결혼하지만 정작 그의 사랑은 고문에 가까운 치기 어린 것으로 드러난다.
