Amelie Kiefer

Young Berlin schoolteacher Charlie no longer wants to continue as usual on her chosen path and asks herself what she really wants and needs.

Hannah and Julian have separated and meet for a last time to empty out their shared apartment. But nothing goes as planned, and their last night together becomes a turbulent roller-coaster ride.

세상에 눈 감은 천재 작가 그리고 현실에 눈을 뜬 여자 사고로 아내와 시력을 잃은 베스트셀러 작가 ‘빌’ 그 이후 집필을 중단하고 더 까칠해진 그에게 만만치 않은 새 봉사자 ‘수잔’이 배정된다. 펜트하우스, 다이아몬드 반지, 상류층 파티 화려한 삶을 사는 ‘수잔’은 범죄에 연루되어 사회봉사를 선고받고 그곳에서 ‘빌’을 마주하게 된다. 고집 센 그에게 지지 않고 당차게 맞서는 그녀 서로에게 점차 다가가는 두 사람은 삶의 빛을 되찾기 시작하는데…

Young Danny has left his home town in the middle of nowhere (="Nirgendwo") behind and moved to Berlin to study business. The twentysomething enjoys big city life and independence. When his father dies unexpectedly, however, Danny has to return to the Bavarian hinterlands for better or worse. He reunites with friends from his youth, Kirsten, Rob and Fresi, and the eternal couple of Tom and Mischa. Moreover, Danny's feelings for his first love Susu are rekindled. Everything seems like it used to be. It soon turns out, however, that Danny's friends are all still searching and have not found their places in life yet.

전 여친이 자신의 아파트를 불지른 이후 오스카는 새로운 여자친구에게 다음의 조건을 내건다: 키스 금지, 섹스 금지. 관연 이 조건이 제대로 지켜질 수 있을까?

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Inherently political, the three films that constitute Muster (Rushes) (2012) visually link to one another, with each roughly half-hour narrative (79 minutes combined for the single-channel version) taking place at a former Benedictine monastery outside of Kassel, Germany. This monastery functioned as a concentration camp during the Nazi era, a reformatory for girls in the 1970s, and later a psychiatric clinic.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Die Heldin in „Die Hebamme – Auf Leben und Tod“ ist eine Reisende zwischen den Welten und den Zeiten. Zwischen den Autoritäten anno 1813, der Kirche und der Wissenschaft, bleibt Rosa Koelbl eine Fremde. Die Zeit ist noch nicht reif für die Werte, die diese Frau verkörpert. (Quelle: http://www.tittelbach.tv/programm/fernsehfilm/artikel-1422.html)

A bride's biggest fears regarding her wedding materialize in a bizarre nightmare.

줄거리고교 교사인 벵어는 자신이 원하던 무정부주의 수업 대신 프로젝트 수업으로 전체주의 수업을 맡게 된다. 전체주의의 여러 모습을 수업시간에 적용하는 것을 통해 그 허구와 부정적 부분을 드러내려 한 벵어의 시도는 점차 그의 의도를 넘어서 파국으로 치닫는다.