Mathias Prause

참여 작품

Horst Lichter - Keine Zeit für Arschlöcher
Director of Photography
Based on the bestselling biography: Entertainer Horst Lichter has barely had time to relax on his holiday when his mother calls him. In her own dry way, she tells him that she has been diagnosed with cancer and that things are not going well for her. Immediately Horst returns to his hometown with his wife Nada. Returning home brings back childhood memories - of a loving father and a mother who held the reins firmly in difficult situations. Horst tries his best to support his mother Margret - he organises doctor's appointments and tries to provide a little variety into her daily life, even though the relationship between mother and son has been strained for a long time: he counters his mother's edgy, frosty manner as he had learned to do when he was young. He emphasises the positive side of any situation and is always ready to respond with a snappy retort. When Margret learns how serious her illness really is, Horst begins to rethink his own life as well.
Der Alte und die Nervensäge
Camera Supervisor
Volt
Director of Photography
Germany in the not-too-distant future: The borders are closed, refugees are collected in camps and turned away or accepted. The mood is charged, a police detachment is responsible for keeping the crowd in check. Volt is one of the cops. He accidentally kills a French refugee. The violence spirals out of control. Volt starts up a relationship with the sister of the man he killed and winds up between the fronts.
Africa Light / Gray Zone
Director of Photography
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
Nacht vor Augen
Director of Photography
Act of Violence
Cinematography
After finishing school, a group of three guys and three girls set off to spend their last holidays together in a remote cottage. What started as a great adventure soon turns into a nightmare of explosive violence. Once you start taking the game seriously, it is not a game anymore...
Hochhaus
Cinematography