Sylvie Gadmer

After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. A feminist counterpoint to current reporting from the Sahel region.

In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward.

An archival road trip with Stevan Labudović, cameraman to Yugoslav President Tito and cinematic eye of the Algerian revolution, investigating the role of cinema in the liberation struggles of the Third World and reconstructing the birth of the Non-Aligned Movement.

Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.

After the brutal massacre of his family in Haiti, Francis Desrances resettles in the Ivory Coast. Years later Francis, his wife Aissey and 12-year-old daughter Haila await the birth of a son, who to Francis' excitement and Haila's irritation is immediately regarded as the worthy heir to the Desrances name. As the birth looms, civil war erupts in Abidjan and amidst the melee Aissey goes missing. Haila courageously steps forward in ways that challenge her father's notion of what constitutes a rightful heir. Cementing her status as a bold voice in contemporary filmmaking, Apolline Traoré's domestic drama escalates into an intense thriller that mounts a passionate challenge to commonly-held gender roles, whilst also highlighting the human cost of civil strife.

For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.

Julie, a woman who is unlucky in love despite her bubbly demeanor. Her job at a bookstore takes an interesting twist when she discovers a book titled "Happiness Can Be Learned," and she sets out to fix her love life once and for all.

A sprawling, masterful depiction of a day in the life of Algiers by arguably Algeria’s greatest living filmmaker, Merzak Allouache.

After the death of her mother, Anne makes a shocking discovery: an old photograph casts doubt on her origins and leads her to discover a mysterious uncle who lived with her parents after the war. As she lifts the lid on a long forgotten family secret, the young woman learns that her mother once succumbed to an amorous passion that was as intense as it was short-lived...

Algeria region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law « of pardon and national harmony », he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a « repenti ». But the law cannot erase his crimes and for Rachid it's the beginning of a one-way journey of violence, secrets and manipulation.

Two young men, one Israeli and one Palestinian, discover they were accidentally switched at birth.

바쁜 업무에 일 밖에 모르는 남편 휴고(대니 분)는 전형적인 사업가 체질의 남자. 그의 아내 아리안(소피 마르소)은 낭만적이고 가정 생활에 충실한 현모양처지만 집안 일과 자신의 외판 일까지 소화하는 자신에게 남편 휴고가 “하루 종일 뭘 했냐?”고 질타를 하자 마침내 폭발하고 만다. 남편의 잘나가는 사업을 아내가 맡아보기로 하고, 집안 일과 아내의 보석 외판 일을 남편이 맡아 1년 동안 지내보기로 합의를 하며 부부 역할 변신에 서로 동의한다. 서로 완벽하게 입장을 바꾼 아리안과 휴고. 남편의 사업을 맡아 업무를 처리하면서 가족과 멀어지는 아리안과, 아이들을 얻었지만 아내의 고충을 이해하기 시작한 휴고. 좌충우돌 서로의 입장을 이해하기 시작하지만 사업장에서 또 집안밖으로 여러 문제들이 발생하게 되는데...

A biopic of famous French writer Françoise Sagan, best known for her groundbreaking first book, Bonjour Tristesse.

A Himalayan legend of a love struggling against the inevitability of death, an astonishing tale spanning from the early 19th century mountain existence, to hectic, bustling modern day Tokyo.

The challenge of the "Truth and Reconciliation Commission" set up by Nelson Mandela in South Africa is to achieve a truly democratic society. Composed of 17 members and Desmond Tutu, this Commission will be relayed throughout the country by groups called "Khulumani" (literally: "Free the Word"). For a little over a year, it will invite victims, perpetrators and witnesses of apartheid to tell the truth about the past. The filmmakers have been authorized to follow this incredible process, which should lead to the re-founding of the nation, for its entire duration. The film focuses on the collective character of the Commission, crossed by ethical, political and philosophical questions, as well as on a few characters, victims and executioners, linked by a common history. They are filmed in their interrogations and their steps to re-establish a link between a past and a possible future.

Augustin Dos Santos is a benign simpleton with a slight stammer. He's serious about his part-time job as a clerk for an insurance company, and he also acts, with small parts under his belt in commercials and experimental films. An agent finds his serious innocence perfect for a part as an odd bellman. Before his screen test, he volunteers for a day at a hotel. At his screen test, his inability to see the comic center of the scene makes him perfect for the part. Back at work, women co-workers tease him, and then he's off to the countryside to play a vet in a government film about myxomatosis in rabbits. Can anything break through his serious view of reality?

1983년 텔아비브. 차 한대가 인적이 드문 거리에 고장이 나서 서 있다. 두 명의 젊은이가 장관 공관을 감시하는 모사드 예비시험을 치르고 있는 중이다. 그러나 그들은 경찰에 연행되고 구타당하며 고문받고 곧 석방된다. 그 중의 한 명이 프랑스인 아리엘 브레너다. 그는 그의 18살 생일을 지내자 마자 그의 누이동생과 가족 그리고 파리에 있는 집에 말 한마디 없이 이스라엘로 온다. 그의 목적은 전설적인 모사드의 요원이 되는 것이다. 4년 동안 그는 교관인 '요씨'로부터 힘든 훈련을 끝내고 파리에서 이스라엘에 위협이 되는 핵 연구를 하는 핵물리학자를 포섭하는 임무를 책임지고 공작을 했지만 실패를 하고 결국 공작을 음모와 모략에 뛰어난 선배 공작원 '요씨'에게 넘기고 만다. 요씨는 유명한 뮌헨 복수조의 ?? 요원이었는데 그는 아리엘을 계속 곤경에 빠뜨린다. 이 공작에서 아리엘은 실패를 하지만 애틋한 사랑의 감정을 미인계로 썼던 콜걸 '마리'에게서 느끼게 되고 공작 실패 후 사라져버린 '마리'를 그리워 하게 된다. 미국 워싱턴으로 온 아리엘은 미국에서 정보수집을 하는 미국인 '펠만'과 공작을 하지만 '펠만'의 뜻하지 않은 실수로 정체가 노출되면서 이 공작 마저 실패하게 된다. 실패한 미국정보원 '펠만'을 이스라엘은 잔인하게 외면하게 된다. 많은 음모와 계략이 판을 치는 첩보 세계의 모든 기술에 익숙해진 아리엘은 이미 모사드의 뛰어난 전문가가 되어 있었다. 점점 그는 실수가 용납되지 않으며 신이 아니라 운명이 지배하는 세계에 대해 회의를 느끼기 시작한다. 운명이었는지 그는 그토록 그리워 했던 여인 '마리'를 공항에서 우연히 만나게 되는데.