Jeremy Pollard

참여 작품

March of The Living
Director of Photography
The moving story of the last generation of Holocaust survivors who travel to Poland with thousands of teenagers from around the world to retrace the Death March from Auschwitz to Birkenau.
The NEW Shock of the New
Camera Operator
Twenty-five years ago the renowned art critic Robert Hughes made The Shock of the New, a landmark television series that examined the key cultural movement of the 20th Century. Now he's back to look at more recent work and to question whether modern art can still be shocking in its originality and understanding. In an age of media saturation it's perhaps even harder to tell what is good art and what is bad; but Hughes cuts through the marketing and the hype to reveal the art that is vital and will last; the art which defines the times in which we live. In a film which features interviews with David Hockney, Paula Rego, Jeff Koons and Sean Scully, Robert Hughes makes the case that painting, drawing, and the search for beauty matter more than ever before.
The Sweatbox
Cinematography
Trudie Styler, a documentarian, had been allowed to film the production of Kingdom of the Sun/The Emperor's New Groove as part of the deal that originally brought her husband Sting to the project. As a result, Styler recorded on film much of the struggle, controversy, and troubles that went into making the picture (including the moment when producer Fullmer called Sting to inform the pop star that his songs were being deleted from the film). Styler's completed documentary, The Sweatbox, premiered at the Toronto Film Festival on September 13, 2002. Disney owns the rights to the documentary and has not released it on home video or DVD.
Goya: Crazy Like a Genius
Director of Photography
Join art historian Robert Hughes for a fascinating journey into the life of Spanish painter Francisco Goya. Using the artist's works as the benchmarks in this biographical profile, Hughes follows Goya from his role as painter to the royal court through his maturity as a war reporter and into his troubled final years. Hughes reveals how the upheaval of Goya's life can be traced through his paintings that range from the fanciful to the insane.