Sylvia
Mario Esposito, who sings in a Neapolitan restaurant, is in love with Assunta, the niece of Teresa, the owner of the place. He shares his apartment with Michel, his best friend. This one has fallen under the spell of Lolita, a gorgeous adventuress he met at the cathedral where he officiates as the organist. But things go awry as, while Michel intercedes with Aunt Teresa for Assunta's hand in his favor, Mario in turn falls in love with Lolita. On the very day of his wedding with Assunta, Mario runs away with Lolita, thus betraying both his love and his friend. But it does not take long before the young singer realizes the big mistake he has made.
Adolphe and his daughter Gisèle successfully run a fashion house. Left behind, Gisèle's husband decides to open his own business .
A problem forces a plane carrying passengers bound for the Far East to land on a desert island. Couples forms and they are happy. They are finally located, rescued and repatriated. A few months of 'civilization' are enough to pit them against each other. Then they decide to return to their paradise lost.
Talkie remake of a 1927 silent about the adventures of the notorious womaniser and venetian adventurer Chevalier Giacomo Casanova. Action starts in Venice and then the plot takes Casanova to France and Russia.
A Russian exile, believing herself to be a widow, remarries in Paris and sees her first husband appear.
Italy, 1736. Count Raniero, brother of Maria, refuses that Pergolese, a modest composer, marry his sister. Pergolese and Maria leave clandestinely. But Raniero finds them and locks Maria up in the castle while Pergolese dies in the convent that took him in.
Remember when Julie Andrews in The Sound of Music says "Every time God closes a door, He opens a window?" Well, this is basically the same philosophy followed by a sage authority named Professor Azais. Though he is never seen in the film, Azais's influences dictates every move made by Le Baron Wurtz (Max Dearly), a private tutor. Though he suffers quite a few setbacks, Wurtz presses on, armed by the Azaiz philosophy that every time something goes wrong in one part of the world, it is balanced by something going right elsewhere. This "law of compensations" pays off in big laughs for the audience, and in a happy-ever-after for Wurtz. Azais was based on a play by Georges Berr and Rene Verneuil.
