Tahmine Milani
출생 : 1960-09-06, Tabriz, Iran
약력
Tahmine Milani (تهمینه میلانی) is an Iranian film director, screenwriter, and producer. Milani was born in 1960 in Tabriz. She is the wife of the Iranian actor and producer Mohammad Nikbin. After gaining her degree in architecture she embarked on a career in filmmaking. In her films Tahmine Milani has addressed difficult subjects such as women's rights and the representations of the Iranian Revolution of 1979. Milani has even been sent to prison. The Iranian government raised objections to her film The Hidden Half (Nimeye Penha). She is also known for Nights of Tehran (Shabhaye Tehran), Children of Divorce (Bachehaye Talagh ), To Stay Alive (Bimani), What's Up? (Digeh Che Khabar?) and The Legend of a Sigh (Afsaneye Aaah).
Director
„Untaken Paths“ tells the story of a young woman in love, who marries against the wishes of her family. She is challenged when her nascent marriage is thrown into trouble because of the couple’s roots in different social strata.
Director
Writer
Sarah is an architect who tries to figure out the best way to treat her boss.
Director
Sarah is an architect who tries to figure out the best way to treat her boss.
Writer
Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.
Director
Ziba and three of her prison cohorts, recently released from a Tehran prison, settle in an out of town doctor's house posing as house sitters and embark on a get rich quick scheme. They plan to mug the lecherous men who give a ride to ladies waiting at street sides for a pickup, which was- and is, to some extent, now- how some prostitutes found work back in the time in Iran. The film portrays the characters as well as the social origins of these men, and as it progresses, explores the backgrounds of these women.
Screenplay
An arrogant movie star's life drastically changes when a teenage girl shows up.
Director
An arrogant movie star's life drastically changes when a teenage girl shows up.
Director
A couple (Golzar & Afshar) who have been bickering & fighting from day one, are contemplating divorce until by chance they both end up visiting a therapist (Pesiani) who dishes them the secrets of a good relationship. Various episodes from the couple's married life are represented as flashbacks in a lighthearted manner.
Writer
Director
Writer
Fereshteh loses her home and her two sons after her husband's accidental death when Hadj Safdar, her stubborn and powerful father-in-law, forces her to return to her parents. She is faced with the loss of her visitation rights when Hadj plans to send his grandchildren to live in a remote town. With the help of her circle of women friends she tries to take them beyond his reach, but in a patriarchal society it is hard to find a safe haven.
Director
Fereshteh loses her home and her two sons after her husband's accidental death when Hadj Safdar, her stubborn and powerful father-in-law, forces her to return to her parents. She is faced with the loss of her visitation rights when Hadj plans to send his grandchildren to live in a remote town. With the help of her circle of women friends she tries to take them beyond his reach, but in a patriarchal society it is hard to find a safe haven.
Writer
Bita Hokmi, the daughter of a conservative and deeply religious family, gets accepted as a graphic design major and leaves Isfahan, her hometown for Tehran and moves in with a relative of hers, a divorced woman named Sima. Bita meets Farhad, an architecture student, in the university and although Sima warns her not to date Farhad, she does so anyway ...
Writer
An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.
Producer
An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.
Director
An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.
Screenplay
Writer
A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.
Director
A sensation when released in 1999 in Iran, Two Women charts the lives of two promising architecture students over the course of the first turbulent years of the Islamic Republic. Tahimine Milani creates this scathing portrait of those traditions - aided by official indifference - which conspire to trap women and stop them from realizing their full potential; the inclusion of frank depictions of domestic violence was hailed by many as a breakthrough in dealing with a long taboo subject.
Producer
Directed by Tahmineh Milani.
Writer
Directed by Tahmineh Milani.
Director
Directed by Tahmineh Milani.
Director
The film is about an imaginative and lively student who transforms her immediate family and surroundings when she talks herself into writing a novel.
Producer
The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems
Writer
The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems
Director
The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems
Director
Tahmine Milani's first film.
