Iraj Raminfar

보낸 이가 적혀 있지 않은 사진 한 장의 출처를 쫓아 20년 동안의 프랑스 생활을 접고 자신이 살던 마을로 돌아온 골리. 그런 그녀가 기억하지 못하는 수 많은 과거를 세세하게 기억하는 액자 장인 파하드를 만나 예상치 못한 순간들을 만나게 되는데… “꿈에서 항상 넌 떠나고 난 남겨지지” 오랜 시간 동안 첫사랑이었던 골리의 흘러간 시간과 사라진 기억을 그대로 붙잡고 간직하고 있는 파하드. 그런 그를 알아보지도 못하는 그녀에게 그만의 방식으로 그녀가 잃어버린 기억들을 하나씩 찾아준다.

Between years 1976-79 in Tehran, the story of Reza Sarcheshmeh, a man who does not want to compromise on his believes. He is imprisoned and then after 2 years released but involved in the Islamic Revolution.

Negar is a married woman who works at a musical company. When she is given an assignment to collaborate with an Iranian expat Orchestra leader, she...

Negar is a married woman who works at a musical company. When she is given an assignment to collaborate with an Iranian expat Orchestra leader, she...

Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.

Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.

"From Afar" traces the malaise of a young artist and intellectual in three episodes: Book Burning, Breathing and Dawn. The Young protagonist lives in contemporary Tehran and he appears as a film student, an asthmatic businessman and a successful architect. In each story, he journeys toward a spiritual insight or emotion.

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

"In her second narrative feature, Karimi presents a gorgeous minimalist portrait of a woman crushed by indecision. At first it seems that graphic designer Shahrzad (played by Karimi) goes about her daily life with placid ease, but her surface stillness masks a maelstrom of weighty decisions she desperately wishes to avoid making." - Persian Film Festival Australia

A scientist has to face many hurdles to be able to continue his work.

The manager of a successful travel agency, Arman, has just got away with committing huge financial fraud. Now he intends to flee the country before the authorities can catch up to him.

테헤란의 한 보석상에서 일어난 살인과 자살 사건에 관한 기사의 이면에는 부조리가 판치는 세상에 모욕감을 느끼는 한 절망적인 남자의 이야기가 있다. 피자 배달부로 버는 적은 수입에 의존해서 살아가는 후세인과 알리는 입담이 걸출한 직업 도둑으로부터 좀도둑으로 오해를 받는다. 하지만 부잣집들에 피자 배달을 다니면서 후세인의 수치심은 커져 가고 밤에만이라도 호사스러운 생활을 음미해보고 싶다는 결심을 하게 된다. 거장 압바스 키아로스타미 감독의 시나리오로 만들어진 영화.

Yalda is married to Rouzbeh who is an injure of war. Rouzbeh's health getting worse and they should hospitalize him. Although Yalda loves Rouzbeh very much but she begins to doubt her ...

Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.

An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.

During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Tehran, 1948. A young Jewish couple, Danial and his wife Munes, decide to immigrate to the recently founded state of Israel. But their application is rejected on the ground of the documents against Danial's uncle, Yaghub, how is suspected of betrayal. A Zionist agent, named Yezghel, finds out Yaghub's home and stabs him. One of Yaghub's neighbours who witnesses the crime is blamed for murder. Fearing for their lives, Munes and Danial escape to the north of Iran in order to leave the country. The Neighbour's brother, Nuri, a journalist, sets off on their heels to bring them to the court to give testimony on his brother's innocence.

Tehran, 1948. A young Jewish couple, Danial and his wife Munes, decide to immigrate to the recently founded state of Israel. But their application is rejected on the ground of the documents against Danial's uncle, Yaghub, how is suspected of betrayal. A Zionist agent, named Yezghel, finds out Yaghub's home and stabs him. One of Yaghub's neighbours who witnesses the crime is blamed for murder. Fearing for their lives, Munes and Danial escape to the north of Iran in order to leave the country. The Neighbour's brother, Nuri, a journalist, sets off on their heels to bring them to the court to give testimony on his brother's innocence.

The silence of this sleepy little town is soon disturbed when the residents begin to receive threatening phone calls. No one knows who is making them. The police fail to find any evidence leading to the anonymous offender. It seems the further they investigate, the less they know. Is it possible that the whole town is in danger? An intense and captivating horror that is filled with suspense.

The silence of this sleepy little town is soon disturbed when the residents begin to receive threatening phone calls. No one knows who is making them. The police fail to find any evidence leading to the anonymous offender. It seems the further they investigate, the less they know. Is it possible that the whole town is in danger? An intense and captivating horror that is filled with suspense.

One evening in a grand royal palace, a frivolous and grotesque sultan has a nightmare. The great diviner concludes that on a full moon evening arrows of doom will fall on his head. Frightened, the sultan feels discomfort and falls ill in bed...

Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.

A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.

A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.