Clotilde Fournier
As part of the fascination in post World War II France with American culture, a young French couple here travel to the US to see for themselves the prosperity they have heard about.
Hortense Schneider
A fictitious biography of Jacques Offenbach and Hortense Schneider.
Hélène Séverac, la femme de Jean et amoureuse du docteur Auburtin
After losing her only child and falling for another man, a wife no longer loves her husband, but he thinks if he takes her back to some of the places they enjoyed in earlier years, it might rekindle their doomed marriage.
Elisabeth Laferrière
A young woman has doubts about her husband's fidelity. She pretends a trip, but settles in a hotel where her husband must pass. He meets her and, disturbed by the one he believes to be his wife's double, becomes her lover. Little by little the truth breaks through. The husband takes leave of the mistress and returns to the wife whose return has been announced.
Thérèse Jaillon
A widow is loved by a doctor whose brother, an ecclesiastic unconsciously in love with the young woman, persuades her to enter a convent. Brought back on the straight and narrow by a missionary, the priest blesses his brother's marriage.
Fanny, Yvette et Irène Grandpré
"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.
Adrienne Lecouvreur is an acclaimed actress who falls in love with Polish prince Maurice de Saxe, only to be poisoned by a jealous rival while Maurice is away at war. The film was a co-production between the two countries, and was made at UFA's Berlin Studios. It was based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé about the life of the eighteenth century actress Adrienne Lecouvreur.
Marguerite Gauthier
Alexandre Dumas' romantic novel Lady of the Camelias (more popularly known as Camille) was filmed twice in 1953, first in Argentina, then in France. The Argentine film was heavily modernized, while the French version returns to Dumas' 19th-century milieu. Micheline Presle is excellent as Marguerite, the gorgeous courtesan who flits from man to man until she finds true love in the form of the much-younger Armand (Rolande Alexandre). Though he is willing to marry her despite her past, she is persuaded to forsake him, lest his reputation be ruined. The story then wends its way towards its famous tragic finale, as the consumptive Marguerite is permitted a few brief moments of happiness before her flame is permanently extinguished. Advertised as the seventh version of the Dumas classic, La Dame aux Camelias was certainly not the last.
Angèle Hemingway
A home movie version of the Dumas play. A young woman becomes a courtesan and tragedy befalls her. Appearances are made by many socialites of 1920s Paris and New York.
