Yosef Carmon

A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma

Hagar comes to visit her father who lives in a nursing home in Jerusalem. Unable to deal with his condition she looks at him and turns away, but a series of incidents forces her to spend the day in the building. First a mishap which makes her change her clothes, then an old woman stuck with her wheelchair in the hallway and then the head nurse that thinks Hagar is a Russian caretaker. She gets swallowed up in the work and slowly becomes part of the staff. The short visit turns into a journey between the narrow corridors of society.

Hayuta and Berl, an elderly couple, find it hard to adjust to today's Israel and to the social changes surrounding them. After years of struggle, the two refuse to let go of their communal dreams, and of their revolutionary plans to build a welfare state in Israel. During a night of painful disillusionment, the two decide to leave their apartment for a last journey.

Cracks are starting to burst in Marina's frozen life, leading towards finding refuge in dangerous places.

Segal’s life of confined existence is about to drastically change when unforeseen opportunity knocks.

The film depicts the day where Yosi (73), the father of the Korman family, redeems the family dog Shula from agonized dying of numerous diseases by putting her to sleep. Yosi decides to take Shula's inanimate body with him and bury it in the sands, nearby home. The participants in the film (the director himself, and the members of his family) play themselves in a cinematic story based on true event.

Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.

Organized crime boss Meyer Lansky remembers his life as he is moving about the world looking for some country that will take him in since the USA have put out an extradition order for him.

A father takes his two kids to visit their grandparents in the Moshav (village) and they learn how milk & honey are produced.

Balding advertising executive Mr. Baum spends more time on a new ad campaign for purple sunglasses than he does with his own family. But suddenly he is forced to reexamine his life after a doctor tells him that he has an 'aggressive' brain tumor and will die in 90 minutes.

Directed by Tzipi Trope.

Clara, a polish born Jew, living in Tel Aviv of the 1970's, has her ideas about how people should behave, and runs everybody's life accordingly: her husband, her sisters, their husbands, their children, her brother who lives in London (probably because it was the only way to get away from her...). Whenever something "improper" does happen, Clara's way of handling it is simply to shove it under the carpet and ignore it completely, as if it never happened. 3 basic rules, are, of course: 1. Never marry some one "under" your class (Or the class you think you are). 2. Never become pregnant out of wedlock and 3. No Abortions. As one may expect, everything crumbles when her niece gives her no option, but to break at least one of those rules

10 years after he left Israel and "played it big-time in America", Benny Shpitz returns for a visit, self-exploring his youth, friends, dreams, beliefs and idol, Daniel Wax, who symbolized the "beautiful Israeli". Shpitz finds out his friends are melancholic, unsatisfied with marriage life, hiding a vast hole in their sole. In a wider context, Israel post 67' will no longer be the society that it was meant to be.

A study of conscience set against the trial of Eichmann in Israel.

It's wartime 1942, and hapless entrepreneur Yaakov Gendelmayer has an idea for a morale-boosting publicity stunt: bring Jewish former heavyweight boxer Max Baer to Palestine to fight a German boxer, in an effort to recreate Baer's legendary bout against Hitler's darling, Max Schmeling. Sixty years later, Gendelmayer's son comes to Israel to meet old-timers and find out the truth about Max Baer's last right hook.