Cornelia Schmaus

A few weeks after the hot holiday flirtation with Spanish confectioner Juan, pretty marketing expert Billie decides she's pregnant, she chooses the kid and a life in Spain. But can Billies and Juan's love also survive in everyday life? Finally, there's Billie's former roommate Kurt, now the proud owner of a small chocolate factory in Barcelona. Billie has no idea that the faithful friend has fallen head over heels in love with her again.

For almost 30 years, bookseller Jordan has lived and worked in a neighborhood in Berlin that has become a social hotbed. As Jordan witnesses a teenager brutally beating up an older man, he intervenes and files a complaint - with unimaginable consequences ... Director Dror Zahavi ("Everything for my father", "My life - Marcel Reich-Ranicki") succeeded after a screenplay by Jürgen Werner ("Tatort - With a steady hand", "Schimanski - layer in the pit", also with Götz George) an atmospherically tightly staged and outstandingly played portrait of a so-called problem district. Here nothing is glossed over, but instead the reality shown and the powerlessness of our judicial system mercilessly layed bare. A highlight of 2010!

The incredible true story of Lufthansa Flight 181, which was hijacked by the Popular Front for the Liberation of Palestine in October of 1977, and the noble efforts of stewardess Gabriele Dillmann (Nadja Uhl) to ensure the safety of the terrified passengers throughout the harrowing ordeal. When terrorists sympathetic to the cause of the German Red Army Faction seize control of the flight, German chancellor Helmut Schmidt refuses to negotiate. Meanwhile, terrorist leader "Captain Martyr Mahmud" grows increasingly agitated, and the Yemeni government refuses to let the plane land on their soil. After Captain Schumann (Thomas Kretschmann) makes an emergency landing in the sand, he is brutally executed in front of the passengers by "Captain Martyr Mahmud" (Said Taghmaoui), who then forces the co-pilot to fly the plane to Somolia. Once there, counter terrorism measures quickly get underway as the passengers brace themselves for the worst.

Three friends find a treasure map from the mysterious 'White Falcons', a juvenile gang whose leader disappeared ten years before.

Jochen's life is going well. He has just moved into a new house with his wife and child when suddenly his widowed father accidentally runs into a car and begins to lose his mind. The family take the old man in but tensions arise when the family has to grapple with the old father's worsening Alzheimer's condition.

Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.

Elias, born at the end of the war, receives an anonymous phone call on his 47th birthday: his parents are dead. He is now a successful politician, but thirty years ago he had fled from his home and parents in the East to seek a new life in the West. The return to his parental home causes Elias a sense of unease and disturbs the rigid order and complacency of his life.

Film director Andreas Kleinert belongs to the last generation of filmmakers that emerged in the former German Democratic Republic (GDR). Born in 1962, Kleinert's attitudes were shaped by the late 1970s, and particularly by the 1980s—a period of increasing disillusionment. He wrote his thesis on “Levels of Consciousness in the Film Poetry of Andrei Tarkovsky,” the late Soviet film director who made a name for himself in the pre-perestroika years with bleak films. As Kleinert completed his film academy studies with his graduation film, Leb' wohl, Joseph ( Farewell, Joseph, 1989), the Berlin Wall fell, heralding the collapse of the GDR. Kleinert won the main prize for his diploma feature film, Leb' wohl, Joseph, at the Munich International Festival for Film Schools. The next year, this remarkable black-and-white Kafkaesque film of cryptic symbols and enigmatic metaphors was invited to compete at Locarno.

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.