Karim Aïnouz
출생 : 1966-01-17, Fortaleza, Ceará, Brazil
약력
Karim Aïnouz was born in Fortaleza, Brazil. After studying Architecture at the University of Brasilia and Film Studies at New York University, Karim Aïnouz participated in the Independent Study Program of the Whitney Museum of American Art in 1993. From 1989 to 1992, he worked on various feature film projects as assistant to the director Todd Haynes, and from 1992 to 1996 he was an assistant editor in the production of more than 20 feature films. He is co-author of the film "Behind the Sun" (2001) by Walter Salles. In 1992, Aïnouz began to devote himself to his own film projects. He has received numerous promotional awards and fellowships, including from the highly-regarded Hubert Bals Fonds (Netherlands), the New York Foundation for the Arts (USA) and the Fundação Itaú Cultural (Brazil). His documentary film "Seams" (1993) received the Vito Russo Award of the New Festival in New York, his short film "Paixão Nacional" (1994) was shown at festivals including Oberhausen, Rotterdam, Vancouver, Porto and Montreal.
Director
In blood-soaked Tudor England, Catherine Parr attempts to navigate English politics when she becomes King Henry VIII’s sixth wife.
Director
Accompanying activist Nardjes with his camera, Karim Aïnouz documents the youth culture, which is confidently taking to the streets for a democratic future in Algeria, whose independence their parents and grandparents have already fought.
Writer
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
Director
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
Screenplay
The Earth post-pandemic.
Director
The Earth post-pandemic.
Director
Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.
Screenplay
1950년, 브라질 리우데자네이루, 구스망 집안의 두 딸, 에우리디스와 귀다는 보수적인 아버지 밑에서 자란다. 아버지 마누엘의 엄격함에 지친 언니 귀다는 잘생긴 항해사와 사랑에 빠져 몰래 그리스로 달아난다. 피아니스트가 꿈인 여동생 에우리디스는 언니를 그리워하며 기다린다. 한편, 임신한 채로 홀로 돌아온 귀다를 아버지는 매몰차게 쫓아내고, 에우리디스는 언니가 돌아온 사실도 모른 채, 귀다의 행방을 찾는데… 언젠가 다시 만날 거라는 희망을 놓지 못하는 자매 이야기, 운명에 맞선 여성 서사의 매혹적인 걸작!
Director
1950년, 브라질 리우데자네이루, 구스망 집안의 두 딸, 에우리디스와 귀다는 보수적인 아버지 밑에서 자란다. 아버지 마누엘의 엄격함에 지친 언니 귀다는 잘생긴 항해사와 사랑에 빠져 몰래 그리스로 달아난다. 피아니스트가 꿈인 여동생 에우리디스는 언니를 그리워하며 기다린다. 한편, 임신한 채로 홀로 돌아온 귀다를 아버지는 매몰차게 쫓아내고, 에우리디스는 언니가 돌아온 사실도 모른 채, 귀다의 행방을 찾는데… 언젠가 다시 만날 거라는 희망을 놓지 못하는 자매 이야기, 운명에 맞선 여성 서사의 매혹적인 걸작!
Director
A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.
Self
An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.
Writer
Director
Director
Football seen through the eyes of some of the best directors of the world.
Director
“건물들이 말을 할 수 있다면, 우리에게 무슨 말을 할까?” 건물들의 영혼에 관한 이 3D 프로젝트 은 이 질문에 대한 여섯 가지 다채로운 대답들을 보여준다. 영화 속에서 건물들은 인공 구조물의 관점에서 조망한 인간의 삶에 대한 이야기를 독백하듯 풀어놓는다. 빔 벤더스, 로버트 레드포드를 포함한 여섯 명의 감독들은 각각 상징적이고 특징적인 건축물을 택해 자기만의 스타일과 예술적 방식으로 접근했다. 그들이 우리에게 보여주는 건축물들은 인간의 사유와 행위의 물질적 현현이다. 모더니티의 상징인 베를린 필하모닉, 사상의 왕국 러시아국립도서관, 세상에서 가장 인도적인 할든교도소, 그리고 세상을 뒤흔든 과학 이론들의 탄생지인 소크연구소, 예술과 삶이 공존하는 미래적 공간 오슬로 오페라하우스, 그리고 현대문화기구 퐁피두센터. 은 이 랜드마크들이 우리 시대의 문화를 반영하고 우리의 집단적 기억을 보존하는 방식을 조명한다.
(2014년 제6회 DMZ국제다큐영화제)
Writer
브라질의 인명 구조원 도나토는 물에 빠진 관광객을 구해내지 못한 후 현실도피에 빠지고, 그를 동경해온 남동생은 이에 절망한다.(넷플릭스)
Director
브라질의 인명 구조원 도나토는 물에 빠진 관광객을 구해내지 못한 후 현실도피에 빠지고, 그를 동경해온 남동생은 이에 절망한다.(넷플릭스)
Director
베니스영화제 70주년을 맞아 세계 각국의 감독들이 만든 2분 내외의 짧은 단편들로 구성한 옴니버스 영화. 한국에서는 김기덕, 홍상수 감독이 참여했으며 그 외에도 지아장커, 클레어 드니, 왕빙, 압바스 키아로스타미 등 70명의 감독들이 참여했다.
Director
Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.
Director
An experimental collective film lasting little more than an hour, compiled from 10 episodes by a total of 14 different young Brazilian filmmakers. The project was an initiative of the directing duo Felipe Bragança and Marina Meliande, who sent a ‘letter of concern’ to inspire the participants. In it, a 16-year-old girl wrote about her dreams, which have been translated by the directors into films about love, youth and the possibilities of cinema.
Director
Two years after her arrival in São Paulo, Alice continues her relationship with Nicholas and has begun to look for a place where they can live together. She has also launched a business that produces children's shows, and a stable life seems to be taking shape. But as she goes about the apartment search and shares in the loves and uncertainties of old and new friends, what she observes leaves her far less certain of her decisions and her future.
Associate Producer
Joy is a fable about courage and youth. It tells the story of Luiza, 16 year old girl, who can not stand to hear about the end of the world… On a Christmas night, his cousin John is mysteriously shot in a street in the Lowlands and disappears into the night. Weeks later, while Luiza spends days alone in the apartment where he lives with his mother in Rio de Janeiro, a mysterious visitor comes knocking on your door: John, as a ghost, asking to hide there.
Writer
José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.
Director
José Renato, a 35-year-old geologist, is sent out on a solitary expedition to the hinterlands of northeastern Brazil. The purpose of the trip is to assess possible routes for a canal that will connect the area with the only major river in the region. As the field trip progresses, it becomes clear that Renato shares with those places the same emptiness, sense of abandonment and isolation.
Himself
Cinema in 7 Colors traces an historical panorama of how the queer people were portrayed in the Brazilian silver screens, from its origin in the chanchadas of the 1950s up to the present day. The film investigates the origins of the prejudices, stereotypes, as well as the importance of the identification with constructive representations of these characters.
Self
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Executive Producer
Two twenty-something boys in a public restroom. They sniff coke, talk about sex, get dirty. But the film takes on another tone as they reveal what it is that they really want.
Writer
In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.
Director
In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.
Associate Producer
1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.
Writer
1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.
Screenplay
거부할 수 없는 매력의 섹시한 그녀, 까리나
섹시하고 아름다운 외모를 밑천 삼아 스트립쇼를 하며 생활을 이어나가던 까리나는 새로운 인생을 찾기 위해 정든 집과 친구 곁을 떠나기로 결심한다. 잠시 쉬며 차편을 알아볼 겸 들른 바에서 자신이 타야 할 차는 이미 떠나고 없다는 바텐더. 상심하던 까리나에게 날디노와 데코라는 청년이 나타나 자신의 보트를 함께 타고 가자는 제안을 한다. 물론 은밀한 거래와 함께.
Director
A trip, sort of a daydream in the Brazilian badlands. Remote places reveal traditions and customs of a landscape that is at once primitive and contemporary, regional and globalised.
Writer
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.
Director
A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.
Screenplay
Brazilian badlands, April 1910. Tonho is ordered by his father to avenge the death of his older brother. The young man knows that if he commits this crime, his life will be divided in two: the twenty years he has already lived and the few days he has left to live, before the other family avenges their son's death. He is torn between fulfilling his ancestral duty and rebelling against it, urged by his younger brother Pacu. That's when a tiny travelling circus passes through the vast badlands where Tonho's family lives.
Writer
Director
Director
A twenty-year-old Brazilian man flees his country by hiding in the luggage hold of a plane where he freezes to death. His last memory is interwoven with the diary notes of a traveller through Northern Brazil.
Assistant Editor
1969년, 뉴욕 브롱스에 살고 있는 안소니 커티스는 이제 막 소년티를 벗어나기 시작했다. 고교 졸업 후 바로 대학으로 진학하는 대신 안소니에게 여러가지 충고를 마다하지 않는 커비 아저씨, 여자 친구 쥬니타 벤슨, 절친한 친구 인 스킵, 호세를 남겨두고 해병대로 입대한다. 월남전에 투입되어 온갖 어려움과 죽을 고비들을 넘기면서 안소니는 인간의 본성에 대한 깊은 회의와 고뇌를 겪게된다. 1972년 크리스마스 시즌에 안소니는 재대와 함께 브롱스로 돌아온다. 하지만 기대와 달리 아무도 안소니를 목숨을 바친 전쟁터에서 돌아온 영웅으로 반겨 주지 않는다.그런 그에게 자신의 딸만이 큰 위로가 된다. 안소니가 월남으로 간 후 후니타가 안소니의 아이를 낳아 미혼모가 되었던 것이다. 안소니는 한동안 정육점에서 일하기도 하지만 곧 직장을 잃고, 세 식구의 살림살이는 궁핍하게 끼니를 이어간다. 이제 그의 생활은 완전히 변해 버렸다. 씩씩한 해병으로 사희에서 한 몫을 하던 그가 이제는 직장도 잃고 쓸모없는 인간이 되어버린 것이다. 돈을 벌어오라고 후니타의 잔소리가 늘어가자 안소니는 돈을 벌 수 있는 방법을 찾아나선다. 그리하여 단 한번의 성공적인 껀수를 치뤄 자기 가족과 가난한 이웃을 위해 '데드 프레지던트'(돈을 지칭하는 속어: 미국 지폐는 이미 세상을 떠난 역대 대통령들의 초상화로 장식돼 있으므로 붙여진 말)를 넉넉히 손에 넣코자 현금 수송차를 터는 일에 가담하는데..
Producer
A look at the attitudes toward women in Brazil as seen in interviews with the director's family.
Writer
A look at the attitudes toward women in Brazil as seen in interviews with the director's family.
Director
A look at the attitudes toward women in Brazil as seen in interviews with the director's family.
Casting
호러, 드라마, SF가 뒤섞인 기이한 잡종의 이 영화는 세 편의 이야기를 한데 엮은 전연 독창적이고 자극적인 영화이다. 첫 번째 이야기에서 의사는 인간의 성욕의 근원을 발견한 후 기이하게 변모된다. 다음 이야기에서 두 죄수는 강박적인 동성애적 관계에 휘말리게 된다. 마지막의 환상적인 이야기는 더욱 기이하다. 살인을 저지르고 가족과 마을을 떠난 일곱 살 짜리 소년의 이야기 속에서 가족의 세계로부터 해방된 어린 소년은 자신이 벌인 일들을 바라보는 세인의 시선을 의아해 한다. 음울하면서도 더없이 매혹적인 은 각각 서로 다른 영화적 양식을 경유하며 부조리한 상상력을 교직한다.
Director
According to Efthimis Filippou Agency. Plot kept under wraps.
