Andrei Ujică

Documentary on the Romanian rock band Phoenix.

파솔리니는 팔레스타인의 사막에서 영화 "마태복음"(1964)의 촬영지를 물색하던 중에 어떤 환영을 본다.

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

In the immediate aftermath of the 11 September Paul Virilio suffered from a malaise found very seldom among philosophers, which was caused by an excessive degree of confirmation on the part of reality. He broke off work on his book "L'accident Intégral" to put together an exhibition that was designed to illustrate the concept of the global accident in all its topicality. The outcome was the much-vaunted Ce qui arrive, which was housed in the Fondation Cartier pour l'art contemporain in Paris from 29 November 2002 to 30 March 2003. The cinematic installation, Unknown Quantity, which was a key part of the exhibition, features the staging of a discussion between Paul Virilio and Svetlana Alexiyevich, the author of the book "Chernobyl. Chronicle of the Future", the essential witness's statement on the conversion of history in catastrophe.

In May 1991 Soviet cosmonauts Anatoly Artsebarksy and Sergey Krikalev visit space station Mir in space mission Ozon. Artsebarski, the commander, returns to Earth according to plan 5 months later. Krikalev has to stay in space for ten months because of the chaotic political situation in his home country. He left the USSR to return to Russia. The 1991 coup ends an important era.

In May 1991 Soviet cosmonauts Anatoly Artsebarksy and Sergey Krikalev visit space station Mir in space mission Ozon. Artsebarski, the commander, returns to Earth according to plan 5 months later. Krikalev has to stay in space for ten months because of the chaotic political situation in his home country. He left the USSR to return to Russia. The 1991 coup ends an important era.

In May 1991 Soviet cosmonauts Anatoly Artsebarksy and Sergey Krikalev visit space station Mir in space mission Ozon. Artsebarski, the commander, returns to Earth according to plan 5 months later. Krikalev has to stay in space for ten months because of the chaotic political situation in his home country. He left the USSR to return to Russia. The 1991 coup ends an important era.

시민들의 힘으로 차우세스쿠의 독재정부가 무너지고 정치적 전복이 일어났던 4일간, 역사는 책이 아닌 카메라로 기록 된다. 파로키 감독은 12월 21일부터 25일까지의 행적이 담긴 영상 기록을 재구성함으로써 역사와 영상의 관계, 이미지를 통한 이데올로기의 재생산 문제를 제기한다. (2007년 한국시네마테크협의회 - 하룬 파로키 특별전)

시민들의 힘으로 차우세스쿠의 독재정부가 무너지고 정치적 전복이 일어났던 4일간, 역사는 책이 아닌 카메라로 기록 된다. 파로키 감독은 12월 21일부터 25일까지의 행적이 담긴 영상 기록을 재구성함으로써 역사와 영상의 관계, 이미지를 통한 이데올로기의 재생산 문제를 제기한다. (2007년 한국시네마테크협의회 - 하룬 파로키 특별전)