Shira Geffen

Self Made tells the story of two women - one Israeli, the other Palestinian- who are trapped within their respective worlds. After a mix-up at a checkpoint, they find themselves living the life of the other on the opposite side of the border.

Self Made tells the story of two women - one Israeli, the other Palestinian- who are trapped within their respective worlds. After a mix-up at a checkpoint, they find themselves living the life of the other on the opposite side of the border.

세계인권선언 60주년을 맞아 유엔 인권고등판무관실(UNCHR)이 제안하고 ART for The World(NGO)가 제작한 인권에 관한 옴니버스 영화. 문화, 개발, 존엄과 정의, 환경, 젠더, 분배라는 6개의 테마로 한 22편의 단편으로 구성되어 있다. 세계적으로 유명한 영화감독, 예술가, 작가가 함께 작업한 대규모 프로젝트로 참여자들의 개성과 인권에 대한 시각을 엿볼 수 있다.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Aviv Geffen, the grandson of legendary Moshe Dayan and number one Israeli rock list, is rapidly becoming a mythic figure himself. He was the last person to embrace Rabin before that controversial politician was assassinated. The charismatic, bisexual singer-songwriter has rapidly become the Jim Morrison or Bob Dylan of his country, a voice that represents peace and integrity for a troubled young generation. Concert footage, kinetically edited and brilliantly shot, reveals the depth of feeling that many Israelis have for Aviv: hip, youthful women and men are clearly enamored of his presence. Directed by Tomer Heymann, this feature documentary follows the life of Aviv Geffen, a controversial Israeli singer whose liberal upbringing led him to refuse to serve in the Israeli military. Over the last six years, Geffen has become a spokesperson for the country's youth, and this film chronicles the rise of his career, his family roots, and how he finds the inspiration to write music.

Three friends concoct the ultimate love drug, TLV, and fall in love with the same woman, Renana. Years later, Renana's ex-lovers team up to rescue her from an Indian prison.

A soldier (Ami Smolartchik) is told by his girlfriend (Ravit Rozen) that he has impregnated her. She asks him to visit her. His commanders reject his request for an R&R vacation, so, he takes over a tank and threatens to launch a misslie straight into their office if his request is not granted.

Balding advertising executive Mr. Baum spends more time on a new ad campaign for purple sunglasses than he does with his own family. But suddenly he is forced to reexamine his life after a doctor tells him that he has an 'aggressive' brain tumor and will die in 90 minutes.