Patrizia De Clara

The study of semantics has convinced Amedio (Jean Rochefort) that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife (Marie-Christine Barrault) should assume the role of his mother, and his daughter (Jacqueline Lustig), who has an infant son, should assume the role of his wife and lover. His real mother (Lila Kedrova), an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century,plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him...

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.

1차 대전이 일어나기 전인 1901년, 이탈리아의 작은 마을에서는 두 아이가 태어난다. 같은 날에 태어난 지주의 아들 알프레도와 소작농의 아들 올모는 서로 너무 다른 환경에 속하지만, 라이벌이자 가장 친한 친구로 함께 자란다. 하지만 알프레도의 아버지가 가업을 이어받으면서 지주와 소작농들 사이의 갈등은 심화되고, 알프레도와 올모도 점점 서로 대립하기 시작한다. 알프레도와 올모의 얽히고설킨 삶을 통해 이탈리아 현대사를 꿰뚫고 있는 베르나르도 베르톨루치의 대작으로, 사랑과 질투, 계급 갈등과 역사적 고난이 웅장한 화면에 펼쳐지는 감동적인 서사극이다. 러닝 타임이 5시간이 넘어 미국 개봉 당시 축약본으로 상영되는 수모를 겪기도 했다.

A fig tree located in the lands of a baron of the lower Padana has for many centuries been the subject of veneration. The baron, crippled and atheist, one day sees a girl lying on the fig tree in a benevolent attitude and exchanges for the holy venerated by her villagers. Immediately the aristocrat converts and decides to give his belongings to a religious institute. In fact, he was a victim of a cheating and the "santa" is a prostitute who has given up on rage.

Duke Philippe married Cristina, daughter of a fisherman. But his brothers, seeing that these after marriage they would miss out inheritance, decide to get rid of the woman by imprisoning her in a tower and making the duke believe she died.

Sister Germana, a beautiful woman who took the vows following the death of her fiancé Guido, is forced to return from Libya, and becomes the mother superior in a hospital in Lombardy. A young Communist, pretending to be sick, has established himself in the hospital where he has been for some time now, though he tries to make himself useful in whatever way he can. Realizing that the nun does not tolerate his presence, the young man leaves the hospital, and in order to make a living, busies himself as a ‘nurse’ in the town. During the course of a strike, he is wounded. He is brought to the hospital where he is reconciled with the mother superior...

파졸리니가 각본, 감독, 배우를 겸했으며 14세기 이탈리아의 작가 보카치오가 쓴 소설에 나오는 몇몇 이야기를 풍부하게 제작한 서사 영화이다. 파졸리니는 예술가, 성직자, 마법사들이 거주하는 중세 이탈리아의 이야기들을 하나의 음탕한 타피스트리로 엮는다. 전 르네상스의 위대한 화가 지오토의 역으로 나오는 파졸리니는 감각과 불경스러운 유머로 관객들을 원숙한 영화적 풍경으로 이끈다.

Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.