Patricia Rozema

카산드라 헤이워드는 모든 것이 완벽하다고 생각한다. 그녀는 강인한 여자로 독신이며 작가로 자신이 정한 방식대로 살고 있다. 그럼 도대체 무엇이 문제인가? 카산드라의 어머니 일레인의 갑작스러운 죽음 직후, 마우스피스가 열린다. 그리고 이를 통해 그녀 자신과 그녀의 ‘순종적인’ 어머니가 사실은 닮았다는 사실과 지난 세대 여성의 투쟁과 오늘날의 현실이 무서울 만큼 닮았다는 것을 알게 된다.

카산드라 헤이워드는 모든 것이 완벽하다고 생각한다. 그녀는 강인한 여자로 독신이며 작가로 자신이 정한 방식대로 살고 있다. 그럼 도대체 무엇이 문제인가? 카산드라의 어머니 일레인의 갑작스러운 죽음 직후, 마우스피스가 열린다. 그리고 이를 통해 그녀 자신과 그녀의 ‘순종적인’ 어머니가 사실은 닮았다는 사실과 지난 세대 여성의 투쟁과 오늘날의 현실이 무서울 만큼 닮았다는 것을 알게 된다.

카산드라 헤이워드는 모든 것이 완벽하다고 생각한다. 그녀는 강인한 여자로 독신이며 작가로 자신이 정한 방식대로 살고 있다. 그럼 도대체 무엇이 문제인가? 카산드라의 어머니 일레인의 갑작스러운 죽음 직후, 마우스피스가 열린다. 그리고 이를 통해 그녀 자신과 그녀의 ‘순종적인’ 어머니가 사실은 닮았다는 사실과 지난 세대 여성의 투쟁과 오늘날의 현실이 무서울 만큼 닮았다는 것을 알게 된다.

전기가 모든 생활의 에너지가 된 멀지 않은 미래, 넬과 에바는 아버지와 함께 숲 속에서 생활하며 안락한 시간을 보낸다. 하지만 어느 날 갑자기 전기 공급이 차단되자 두 자매와 아버지는 음식도 정보 공유도 불가능한 상황에 처하게 된다. 전기 부족으로 마을로 나가 구호물품조차 수급할 수 없는 자매들은 숲에서 필요한 자원을 구해 생활을 연명하지만, 사고로 아버지조차 사망하게 되면서 더 큰 위기에 빠지게 되고 마을 사람들마저 숲으로 들어오게 되면서 자매는 점점 더 큰 위협에 노출되는데...

전기가 모든 생활의 에너지가 된 멀지 않은 미래, 넬과 에바는 아버지와 함께 숲 속에서 생활하며 안락한 시간을 보낸다. 하지만 어느 날 갑자기 전기 공급이 차단되자 두 자매와 아버지는 음식도 정보 공유도 불가능한 상황에 처하게 된다. 전기 부족으로 마을로 나가 구호물품조차 수급할 수 없는 자매들은 숲에서 필요한 자원을 구해 생활을 연명하지만, 사고로 아버지조차 사망하게 되면서 더 큰 위기에 빠지게 되고 마을 사람들마저 숲으로 들어오게 되면서 자매는 점점 더 큰 위협에 노출되는데...

Women Who Act is a project that will take an in depth look at the careers of some of the biggest actresses in Canadian film and television. Patricia Rozema (Director, Screenwriter) will thoroughly explore the careers of some of Canada's most famous actresses, including Andrea Martin, Elliot Page, Sandra Oh, and Tatiana Maslany.

Women Who Act is a project that will take an in depth look at the careers of some of the biggest actresses in Canadian film and television. Patricia Rozema (Director, Screenwriter) will thoroughly explore the careers of some of Canada's most famous actresses, including Andrea Martin, Elliot Page, Sandra Oh, and Tatiana Maslany.

메이슬리스 형제가 감독한 유명한 다큐멘터리 가 발표된 지 35년 만에 제작된 동명의 영화 는 재클린 부비에 케네디 오나시스의 친척으로서 햄튼의 쓰러져가는 맨션에서 살았던 “빅 에디” 부비에 빌과 “리틀 에디” 부비에 빌이라는 두 명의 매력적인 괴짜들의 은밀한 삶을 풍자적으로 조명한다. 드류 베리모어와 제시카 랭은 은둔 생활을 하는 모녀로 분하는데, 이들 모녀는 색다른 취향의 소유자로서 사회에 반항하며 둘만의 독특하고 끈끈한 유대관계를 형성했던 인물이다. 약 40년 만에 부비에 빌 모녀의 삶을 재조명하는 이번 영화는 마이클 수시가 감독을, 패트리샤 로지마가 수시 감독과 함께 공동으로 대본 집필을 담당한 작품으로서, 다큐멘터리 제작 전 부비에 빌 모녀가 누렸던 화려하고 부유한 삶과 그들이 부자에서 무일푼이 된 배경에 초점을 맞춘다.

미국 대공황 시대의 신시내티를 배경으로, 아버지의 실직 후 하숙집을 운영하게 된 엄마를 도우며 살아가는 10살 소녀 킷 킷트리지의 이야기를 그린 작품.

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

Commissioned by the Toronto International Film Festival to mark the event's 25th anniversary in September 2000, the "Preludes" program consisted of ten short films by Canadian directors which were inspired in some way by the festival. Each film screened as a prelude to a feature film in the 2000 Toronto International Film Festival program. The full "Preludes" anthology was screened on the web in November 2000, and was given theatrical retrospectives at the TIFF Lightbox in the subsequent years.

A festival is a concentration of hope. Audiences hungering for something startingly new, famously familiar or just plain "good". Actors hoping their well-conceived sincerity and ritual entrances have that special glow. Press and critics poised to love or hate lucidly. And proud, desperate filmmakers looking for that little blessing on their latest self-projection. All squeezing together for a few days, in a few rooms wondering whether this will truly be the perfect place at the perfect time. Of course, it rarely is. Mostly it's just a collection of almosts. Delicious, shared almosts.

A festival is a concentration of hope. Audiences hungering for something startingly new, famously familiar or just plain "good". Actors hoping their well-conceived sincerity and ritual entrances have that special glow. Press and critics poised to love or hate lucidly. And proud, desperate filmmakers looking for that little blessing on their latest self-projection. All squeezing together for a few days, in a few rooms wondering whether this will truly be the perfect place at the perfect time. Of course, it rarely is. Mostly it's just a collection of almosts. Delicious, shared almosts.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

An adaptation of Samuel Beckett's absurdist drama. An ordinary woman lives her humdrum life half-buried in a pile of dirt; her husband is partially visible behind her. She goes through her daily routines, ever hopeful that this is going to be a happy day.

패니는 10살이 되던 해, 포스머스에 있는 가난하고 불행한 집을 떠나 맨스필드 파크에 있는 부유한 친척인 버트램 가로 보내진다. 이 집에서 그녀는 '가난한 친척' 의 신분으로 훌륭한 귀족 가문과 결혼할 가능성이 많은 사촌들에 비교되며 살아간다. 이런 편견속에서도 패니에게 한가닥 빛과 같은 사람이 에드먼드이다. 에드먼드는 패니에게 꿈과 열정, 보기 드문 감수성을 이야기하며 그녀의 마음을 두드린다. 패니가 처음 맨스필드 파크에 도착했을 때 그녀는 억눌린 감정과 예리한 지성을 비밀편지와 일기 등의 글속에 쏟아 붓는다. 그리고 이것들을 유일하게 에드먼드와 공유한다. 패니는 점점 매혹적이며 생기가 넘치고 예리한 독설을 퍼붓는 여성으로 자라난다.

패니는 10살이 되던 해, 포스머스에 있는 가난하고 불행한 집을 떠나 맨스필드 파크에 있는 부유한 친척인 버트램 가로 보내진다. 이 집에서 그녀는 '가난한 친척' 의 신분으로 훌륭한 귀족 가문과 결혼할 가능성이 많은 사촌들에 비교되며 살아간다. 이런 편견속에서도 패니에게 한가닥 빛과 같은 사람이 에드먼드이다. 에드먼드는 패니에게 꿈과 열정, 보기 드문 감수성을 이야기하며 그녀의 마음을 두드린다. 패니가 처음 맨스필드 파크에 도착했을 때 그녀는 억눌린 감정과 예리한 지성을 비밀편지와 일기 등의 글속에 쏟아 붓는다. 그리고 이것들을 유일하게 에드먼드와 공유한다. 패니는 점점 매혹적이며 생기가 넘치고 예리한 독설을 퍼붓는 여성으로 자라난다.

A post-modern documentary about the meaning and nature of love from a gay perspective.

A prudish woman working on tenure as a literacy professor at a large urban university finds herself attracted to a free-spirited, liberal woman who works at a local carnival.

A prudish woman working on tenure as a literacy professor at a large urban university finds herself attracted to a free-spirited, liberal woman who works at a local carnival.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

Norm, a confused young man, lives two lives, one in and one out of reality. One night, he witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black. Norm then gets a job at a news stand through a Cindy Lauper like girl called Zelda. They discuss the mystery around Madelaine’s death.

Norm, a confused young man, lives two lives, one in and one out of reality. One night, he witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black. Norm then gets a job at a news stand through a Cindy Lauper like girl called Zelda. They discuss the mystery around Madelaine’s death.

Norm, a confused young man, lives two lives, one in and one out of reality. One night, he witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black. Norm then gets a job at a news stand through a Cindy Lauper like girl called Zelda. They discuss the mystery around Madelaine’s death.

Norm, a confused young man, lives two lives, one in and one out of reality. One night, he witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black. Norm then gets a job at a news stand through a Cindy Lauper like girl called Zelda. They discuss the mystery around Madelaine’s death.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

Awkward, shy and delightfully funny, Polly Vandersma is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.

The film takes the form of an extremely intimate Letter in 16mm from Anna, normally a documentary filmmaker, to her unidentified lover. From the first 'exquisite ache' of romantic passion to her final drunken and solitary dance with success, Anna struggles with an all-too-prevalent problem in this achievement-oriented age: Is it possible to balance a passion for excellence with a passion for intimacy?Are obsessions mutually exclusive?

The film takes the form of an extremely intimate Letter in 16mm from Anna, normally a documentary filmmaker, to her unidentified lover. From the first 'exquisite ache' of romantic passion to her final drunken and solitary dance with success, Anna struggles with an all-too-prevalent problem in this achievement-oriented age: Is it possible to balance a passion for excellence with a passion for intimacy?Are obsessions mutually exclusive?

The film takes the form of an extremely intimate Letter in 16mm from Anna, normally a documentary filmmaker, to her unidentified lover. From the first 'exquisite ache' of romantic passion to her final drunken and solitary dance with success, Anna struggles with an all-too-prevalent problem in this achievement-oriented age: Is it possible to balance a passion for excellence with a passion for intimacy?Are obsessions mutually exclusive?

The film takes the form of an extremely intimate Letter in 16mm from Anna, normally a documentary filmmaker, to her unidentified lover. From the first 'exquisite ache' of romantic passion to her final drunken and solitary dance with success, Anna struggles with an all-too-prevalent problem in this achievement-oriented age: Is it possible to balance a passion for excellence with a passion for intimacy?Are obsessions mutually exclusive?