Lev Kulidzhanov

Lev Kulidzhanov

출생 : 1924-03-19, Tiflis, Georgian SSR, TSFSR, USSR [now Tbilisi, Republic of Georgia]

사망 : 2002-02-18

프로필 사진

Lev Kulidzhanov

참여 작품

Forget-Me-Nots
Director
A story about the fate of several generations of an old Moscow family. The life of these people, full of drama, fatally intersects with the historical fate of Russia. The plot focuses on the love of a young officer and a girl against the background of Stalinist socialism.
Not Afraid to Die
Director
The tragic story of a Russian family forced to make life and death decisions during the Stalinist purges.
Risk
Writer
Documentary about the Cold War.
Motherland
Director
A decade after having been reported missing, war veteran Vladimir goes back to his village. Now back home, he finally realizes how much his family and country mean to him.
Starlit Minute
Screenplay
A film from which you can learn about the first progress of the USSR in space exploration, as well as about the achievements of Yuri Gagarin, the world famous first cosmonaut, who was the very first to conquer the depths of space. This is an educational documentary film for people of all ages. And for those who are nostalgic about the past, and for those who want to learn more about space and its conquest.
Starlit Minute
Director
A film from which you can learn about the first progress of the USSR in space exploration, as well as about the achievements of Yuri Gagarin, the world famous first cosmonaut, who was the very first to conquer the depths of space. This is an educational documentary film for people of all ages. And for those who are nostalgic about the past, and for those who want to learn more about space and its conquest.
Crime and Punishment
Screenplay
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention through normal procedures (he was the victim's client), but his outbursts make him the prime suspect of the clever Porfiry. Meanwhile, life swirls around Raskolnikov: his mother and sister come to the city followed by two older men seeking his sister's hand; he meets a drunken clerk who is then killed in a traffic accident, and he falls in love with the man's daughter, Sonia, a young prostitute. She urges him to confess, promising to follow him to Siberia. Will he accept responsibility?
Crime and Punishment
Director
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention through normal procedures (he was the victim's client), but his outbursts make him the prime suspect of the clever Porfiry. Meanwhile, life swirls around Raskolnikov: his mother and sister come to the city followed by two older men seeking his sister's hand; he meets a drunken clerk who is then killed in a traffic accident, and he falls in love with the man's daughter, Sonia, a young prostitute. She urges him to confess, promising to follow him to Siberia. Will he accept responsibility?
The Blue Notebook
Writer
In the summer of 1917, Vladimir Lenin leaves Petrograd and shelters in Razliv with fellow revolutionary Grigory Zinoviev. In the weeks that follow, Lenin writes his famous "Blue Notebook" advocating proletarian revolution.
The Blue Notebook
Director
In the summer of 1917, Vladimir Lenin leaves Petrograd and shelters in Razliv with fellow revolutionary Grigory Zinoviev. In the weeks that follow, Lenin writes his famous "Blue Notebook" advocating proletarian revolution.
When the Trees Were Tall
Director
The story of a man who routinely dodges all responsibility, bemoans fate, spends his days boozing, and refuses to work. The act of playing long-lost father to a pretty teenager spurs him to turn over a new leaf.
The Lost Photography
Director
A young boy from Prague is trying to find a Soviet soldier from the old 1945 picture.
A Home for Tanya
Director
The adopted daughter of Dr. Skvortsov, Tanya, having learned that her mother Natalya Avdeyevna is alive, who was considered dead during the bombing of World War II, decides to go to her in a distant village on vacation. She recognizes the woman who gave her life and lost her husband and sons due to the war, but cannot call her mother. Meetings on the collective farm with interesting people make Tanya think a lot and experience a lot. She discovers for herself a completely new, largely alien world to her. It does not immediately penetrate the sense of inner kinship with this world, its people, so unusual for her.
The House I Live In
Vadim Volynsky
1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.
The House I Live In
Director
1935. Two families — Davydov's with three children and the newlyweds Lida and Dmitri Kashirin's — enter the new house on the outskirts of Moscow into a common communal apartment. The children grow up, and they and the adults around them are looking for their place in life, looking for answers to the questions of who to be and what to be, quarreling, making peace, building relationships, destroying them. Six years later, the peaceful lives of characters, with their joys and misfortunes, quarrels and reconciliations, and complex personal relationships, are blown up by a war that connects everyone at once, forcing them to see the meaning of their days, their attitudes to each other and their life values in a different way. For some of them, war is a fatal trait.
It Began This Way...
Director
A Moscow group of Komsomol members arrives on the virgin lands, in the Kazakh steppes, and immediately faces bureaucracy and carelessness. Someone flees the state farm for more reliable earnings, and someone simply does not want to work. But a new energetic director appears — and real life begins...
It Began This Way...
Writer
A Moscow group of Komsomol members arrives on the virgin lands, in the Kazakh steppes, and immediately faces bureaucracy and carelessness. Someone flees the state farm for more reliable earnings, and someone simply does not want to work. But a new energetic director appears — and real life begins...