Alejandra Yañez

참여 작품

Thanks for Coming
Rosa
After the sudden death of his father and finding out he is going to lose the house where him and his family have vacationed at for over 25 years, Nancho and his family will seek for a way to sabotage the sale and will fight for the house that belongs to them, where they have grown up and formed many memories. But the attachment and disobedience of Nancho will lead to the family taking drastic decisions.
Mi amigo Alexis
Alexis' Mother
When a young soccer fan and his idol forge an unexpected friendship, the connection teaches them both lessons about life and their love of the game.
Little White Lie
Sarita
A small-town journalist in southern Chile realizes he just run out of good news so that he starts making gossips and fake stories in order to keep his job in the local newspaper he works for.
Family Life
Rosita
While house-sitting for a distant cousin, a lonely man fabricates the existence of a vindictive ex-wife withholding his daughter, in order to gain the sympathy of the single mother he has just met.
투 킬 어 맨
Marta
은 순간의 선택이 낳는 예기치 못한 파국에 대한 시적 고찰이다. 서사는 폭력적 상황에 내몰린 가족의 안위를 위해 일생일대의 결단을 내리는 노동계급 가장 호르헤를 따라간다. 생일파티용 케이크를 들고 귀가하던 호르헤는 슬럼가를 장악한 갱들의 시비 대상이 된다. 그 자신이 괴롭힘을 당하는 것을 넘어 아들이 총격을 받아 병원 신세를 지고, 취약한 딸이 능욕을 당하는 지경에 이르자 유순했던 아버지는 행동에 나선다. 때만 되면 인슐린 주사바늘을 꽂는 호르헤의 당뇨 증상처럼 무기력의 상태를 벗어나려는 가장의 안간힘은 안타까움을 자아낸다. 위협과 폭력이 점증하는 무드 속에서 계산된 긴장을 조직해내는 알레한드로 페르난데스 알멘드라스의 연출은 명불허전이다. 자동차 경보를 미끼로 갱들의 보스를 납치하는 장면에서 긴장은 절정을 이룬다. 세심한 시나리오는 착취와 복수의 서사를 다루는 통상적인 이야기들보다 한 차원 지적인 감흥을 준다. 캐릭터에 대한 강렬한 묘사가 뇌리에 남는 작품으로, 선댄스국제영화제 심사위원대상 수상작이다.
불가에 앉아
Alejandra
Daniel and Alejandra, a working class couple in their late 30s, move to the countryside near the Andes Mountains to begin the next chapter of their life together. Alejandra is ill, and Daniel looks after her, his soul mate. He scratches out a living doing farm work, while dreaming of buying his own plot of land. Over the course of a year, director Alejandro Fernández Almendras captures a life of love and frustration as Alejandra’s condition worsens, and Daniel can do nothing but keep on struggling.
후아초
Alejandra
A Chilean family deals with the new values in a quickly changing world.
We Don’t Wanna Leave
After his father’s death and learning that he will lose the family home, Nancho and his family will look for a way to sabotage the sale of the house and fight to keep the place that belongs to them.