Screenplay
Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.
Director
Three siblings comprise the latest generation in a family of puppeteers led with passion by their father. They are magicians of a kind, but can barely make ends meet, working mainly for the love of their craft. Their grandmother contributes too, not only as a seamstress but also as a repository of memories and wisdom. A tragic event will challenge the desire of each sibling to carry on.
Dialogue
목공 세공 학교의 입학시험을 치르기 위해 파리에 온 시골 청년 뤽의 여정을 좇는다. 뤽은 존경하는 목공 기사인 아버지의 시골집에서 합격 발표를 기다리면서, 파리에서 알게 된 한 소녀와 옛 여자친구 사이에서 망설인다. 누벨바그 로맨티즘 스타일을 고수하며, 가렐은 사랑에 빠진 소녀들의 초상을 섬세하게 그린다. 가렐의 걸작들에서 자주 다뤘던 젊은 남자의 ‘감정 교육’이라는 주제가 시대를 가늠할 수 없는 파리에서 다시 한번 전개된다.
Screenplay
목공 세공 학교의 입학시험을 치르기 위해 파리에 온 시골 청년 뤽의 여정을 좇는다. 뤽은 존경하는 목공 기사인 아버지의 시골집에서 합격 발표를 기다리면서, 파리에서 알게 된 한 소녀와 옛 여자친구 사이에서 망설인다. 누벨바그 로맨티즘 스타일을 고수하며, 가렐은 사랑에 빠진 소녀들의 초상을 섬세하게 그린다. 가렐의 걸작들에서 자주 다뤘던 젊은 남자의 ‘감정 교육’이라는 주제가 시대를 가늠할 수 없는 파리에서 다시 한번 전개된다.
Director
목공 세공 학교의 입학시험을 치르기 위해 파리에 온 시골 청년 뤽의 여정을 좇는다. 뤽은 존경하는 목공 기사인 아버지의 시골집에서 합격 발표를 기다리면서, 파리에서 알게 된 한 소녀와 옛 여자친구 사이에서 망설인다. 누벨바그 로맨티즘 스타일을 고수하며, 가렐은 사랑에 빠진 소녀들의 초상을 섬세하게 그린다. 가렐의 걸작들에서 자주 다뤘던 젊은 남자의 ‘감정 교육’이라는 주제가 시대를 가늠할 수 없는 파리에서 다시 한번 전개된다.
Writer
부인 마농과 함께 일하는 다큐멘터리 감독 피에르 더뎌가는 작업 속에 지친 피에르 앞에 나타난 새로운 여인, 엘리자베스 피에르는 부인을 사랑하고 있지만 젊고 지적인 엘리자베스에게 자연스럽게 빠져든다. 어느 날, 엘리자베스는 마농이 애인과 함께 있는 것을 발견하고, 그 사실을 피에르에게 말하게 된다. 결국 피에르는 마농과의 재결합을 선택하지만 서로의 불륜은 진실을 밝히는 기폭제 역할을 하게 되고, 둘의 관계는 되돌릴 수 없게 되는데...
Director
부인 마농과 함께 일하는 다큐멘터리 감독 피에르 더뎌가는 작업 속에 지친 피에르 앞에 나타난 새로운 여인, 엘리자베스 피에르는 부인을 사랑하고 있지만 젊고 지적인 엘리자베스에게 자연스럽게 빠져든다. 어느 날, 엘리자베스는 마농이 애인과 함께 있는 것을 발견하고, 그 사실을 피에르에게 말하게 된다. 결국 피에르는 마농과의 재결합을 선택하지만 서로의 불륜은 진실을 밝히는 기폭제 역할을 하게 되고, 둘의 관계는 되돌릴 수 없게 되는데...
Screenplay
낭만의 도시 파리. 가난한 연극배우 루이는 새로운 연인 클로디아와 뜨거운 연애를 시작한다. 아무 걱정도 의심도 없이, 사랑하던 순간도 잠시, 사랑하고 있는데 왜 외로울까? 영원한 사랑이란 가능할까? 그들의 머릿속을 맴도는 질문들. 현재를 살아가는 연인들의 감성 로맨스가 펼쳐진다.
Director
낭만의 도시 파리. 가난한 연극배우 루이는 새로운 연인 클로디아와 뜨거운 연애를 시작한다. 아무 걱정도 의심도 없이, 사랑하던 순간도 잠시, 사랑하고 있는데 왜 외로울까? 영원한 사랑이란 가능할까? 그들의 머릿속을 맴도는 질문들. 현재를 살아가는 연인들의 감성 로맨스가 펼쳐진다.
Himself (voice)
Himself (voice)
Himself (voice)
Himself (voice)
Screenplay
프레데릭은 영화배우인 아내 앙젤과 로마에 살고 있는 프랑스 화가다. 레지스탕스에 관한 영화를 찍으러 로마에 왔던 단역 배우 폴은 연인 엘리자벳과 함께 그들의 아파트에서 지내게 된다. 어느새 더 가까워진 네 사람. 앙젤은 엘리자벳에게 자신의 옷을 선물하고, 프레데릭과 폴은 혁명에 관한 담론을 나누기도 한다. 그리고 드러나는 프레데릭과 앙젤의 갈등. 앙젤은 남편의 외도를 눈치채고 여러 남자들과 바람을 피운다. 이를 묵인하면서도 아내와 헤어지지도 못하는 프레데릭. 이 커플을 바라보는 폴과 엘리자벳의 갈등도 함께 깊어만 가는데...
Director
프레데릭은 영화배우인 아내 앙젤과 로마에 살고 있는 프랑스 화가다. 레지스탕스에 관한 영화를 찍으러 로마에 왔던 단역 배우 폴은 연인 엘리자벳과 함께 그들의 아파트에서 지내게 된다. 어느새 더 가까워진 네 사람. 앙젤은 엘리자벳에게 자신의 옷을 선물하고, 프레데릭과 폴은 혁명에 관한 담론을 나누기도 한다. 그리고 드러나는 프레데릭과 앙젤의 갈등. 앙젤은 남편의 외도를 눈치채고 여러 남자들과 바람을 피운다. 이를 묵인하면서도 아내와 헤어지지도 못하는 프레데릭. 이 커플을 바라보는 폴과 엘리자벳의 갈등도 함께 깊어만 가는데...
On the occasion of the 7th meetings of Digne, Pour un autre cinéma, organized by Pierre Queyrel and which presented a retrospective of Philippe Garrel's cinematographic work, this film is the sound recording of the discussion that the filmmaker made with the audience after the screening of his films Marie pour mémoire, Athanor, Voyage au jardin des morts and Le Bleu des origines.
Courant registered Garrel’s dialogues in order to produce his first urgent film, the first of his essays inquiring the state of current cinema. As a synthesis for the 20th century, Garrel invoked his relationship with Freud, Henri Langlois, Orson Welles, Marx, The Rolling Stones, Godard, Warhol, Picasso and Bergman and draw a territory in that different kind of cinema also inhabited by Courant’s art. Four years later –as a sequel, and a first example of Courant’s series– there was another meeting with Garrel, where again the filmmaker adds names related to his sensitivity, such as Murnau, Von Stroheim, the Lumière brothers, Abel Gance, Polanski, Rivette; the writers André Breton and Gabriele d’Annunzio; and the actresses Anna Karina, Nico, Zouzou and Maria Schneider –three stars of his films. (Diego Trerotola)
Himself
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
Screenplay
A celebrity is caught by her husband with a young lover.
Director
A celebrity is caught by her husband with a young lover.
Producer
소심하고 얌전한 성격 탓에 고아원에서 외톨이 신세를 면치 못하는 소년 팀. 밤을 무서워하고 내성적인 팀은 종종 다른 고아원 아이들에게 놀림감이 되기 일쑤다. 하지만 팀에게는 고독한 고아원 생활과 아이들의 따돌림을 견딜 수 있는 유일한 위안거 리가 있었으니, 바로 밤에만 볼 수 있는 아름다운 별 아드하라. 그러던 어느 날 친구들의 놀림을 피해 천장으로 달아난 팀은 밤 하늘에 반짝이던 자신의 별 아드하라가 더 이상 보이지 않는다는 걸 발견하고 의아하게 생각한다. 그리고 그 곳에서 만난 야옹치기와 함께 밤의 세계 녹터나에서 벌어지는 모든 일을 책임지고 있다는 모카 대장을 만나러 가게 된다. 밤 하늘의 별 아드하라를 구하기 위한 팀의 여정은 그렇게 시작된다.
Screenplay
1968년 5월혁명 이후, 크리스티앙과 친구들은 아편을 피워대며 하루하루를 보낸다. 혼란스러운 혁명을 겪었지만, 그들의 일상은 여느 때와 다를 바 없다. 어느 날 크리스티앙은 첫눈에 릴리에게 반하고 사랑에 빠지지만, 한순간 타올랐던 불같은 사랑의 결말은 비극적이다.
Editor
1968년 5월혁명 이후, 크리스티앙과 친구들은 아편을 피워대며 하루하루를 보낸다. 혼란스러운 혁명을 겪었지만, 그들의 일상은 여느 때와 다를 바 없다. 어느 날 크리스티앙은 첫눈에 릴리에게 반하고 사랑에 빠지지만, 한순간 타올랐던 불같은 사랑의 결말은 비극적이다.
Director
1968년 5월혁명 이후, 크리스티앙과 친구들은 아편을 피워대며 하루하루를 보낸다. 혼란스러운 혁명을 겪었지만, 그들의 일상은 여느 때와 다를 바 없다. 어느 날 크리스티앙은 첫눈에 릴리에게 반하고 사랑에 빠지지만, 한순간 타올랐던 불같은 사랑의 결말은 비극적이다.
Screenplay
A movie director does a new film against heroin consumption, and the producers are heroin dealers.
Director
A movie director does a new film against heroin consumption, and the producers are heroin dealers.
Himself
30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.
Philippe Garrel
Cited as “the best filmmaker of his generation” by directors ranging from Akerman to Benoît Jacquot, Philippe Garrel remains an alluring, somewhat enigmatic figure; this rare look at his world and his art was made right after the completion of his great “autobiographical tetralogy” that ended with The Phantom Heart.
Screenplay
A housewife's affair with a younger man goes nowhere.
Director
A housewife's affair with a younger man goes nowhere.
Writer
Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..
Director
Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..
Writer
The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young or successful anymore.
Director
The unhappy love lives of Paul and Marcus, two artists and friends who are neither particularly young or successful anymore.
Le Fiancé d'Opra
An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
Screenplay
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
Director
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
Writer
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
Mathieu
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
Director
The familiar conflicts of a film director planning to make a movie about his life and the confrontation he has with his wife, an actress who was turned down for such project in which she wanted to play herself.
Director
Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.
Director
"Clara, screenplay and dialogues of a Franco-Czechoslovak film, the co-director should have been the Czech filmmaker Kadar. Screenplay adaptated in 1989 by Philippe Garrel and students of the University of Paris X (Nanterre). The subject of the film - which is also a love story - is part of the political atmosphere, release the XXth Congress of the Soviet Communist Party has changed both individual for a certain way of seeing and understanding History: political trials, purges in Czechoslovakia, Hungary events of 1956, Algeria war, cold war." - KG
This thriller looks at the defection of a terrorist and focuses on frequent violence and repetitive sex scenes with full frontal nudity. Henri (Hubert Lucot) belongs to a terrorist gang that orders him to kill the sister of one of their members. The member himself died when he single-handedly carried out an attack on a carload of American military advisors in Paris. Henri balks at this assignment, since the gang only wants the sister assassinated because they believe that she would name them to the authorities. Instead of following through, Henri runs away, and the others soon follow in hot pursuit.
Editor
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
Producer
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
Screenplay
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
Director
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
Editor
A man caught in the midst of the events of Algeria is experiencing a new but fleeting happiness with a young Algerian.
Screenplay
A man caught in the midst of the events of Algeria is experiencing a new but fleeting happiness with a young Algerian.
Director
A man caught in the midst of the events of Algeria is experiencing a new but fleeting happiness with a young Algerian.
Louis (segment 3)
제작 20주년을 기념하여 기획된 프로젝트. 역시 프랑스를 대표하는 감독들이 대거 참여하여 파리를 배경으로 자신만의 색깔을 뽐낸다. 배고픔과 추위만 해결되면 웃을 수 있는 사랑스러운 소녀들의 이야기부터 사랑의 기쁨과 상실을 통해 살아가는 사람들, 과거에 얽매여 사는 연인들의 이야기까지 갖가지 삶이 교차하는 파리의 공간적 매력을 농밀하게 잡아낸 단편들로 구성되어 있다.
Director
제작 20주년을 기념하여 기획된 프로젝트. 역시 프랑스를 대표하는 감독들이 대거 참여하여 파리를 배경으로 자신만의 색깔을 뽐낸다. 배고픔과 추위만 해결되면 웃을 수 있는 사랑스러운 소녀들의 이야기부터 사랑의 기쁨과 상실을 통해 살아가는 사람들, 과거에 얽매여 사는 연인들의 이야기까지 갖가지 삶이 교차하는 파리의 공간적 매력을 농밀하게 잡아낸 단편들로 구성되어 있다.
Psychiatric patient
영화감독 장 밥티스트와 배우 엘리의 사랑과 파국을 그린 영화. 니코와의 사랑, 예술과 가족의 화해불가능성의 문제를 자전적으로 표현한 영화로 안느 비아젬스키가 엘리 역을 맡았다. (2003년 한국시네마테크협의회 - 장 으스타슈, 필립 가렐 특별전)
Editor
영화감독 장 밥티스트와 배우 엘리의 사랑과 파국을 그린 영화. 니코와의 사랑, 예술과 가족의 화해불가능성의 문제를 자전적으로 표현한 영화로 안느 비아젬스키가 엘리 역을 맡았다. (2003년 한국시네마테크협의회 - 장 으스타슈, 필립 가렐 특별전)
Producer
영화감독 장 밥티스트와 배우 엘리의 사랑과 파국을 그린 영화. 니코와의 사랑, 예술과 가족의 화해불가능성의 문제를 자전적으로 표현한 영화로 안느 비아젬스키가 엘리 역을 맡았다. (2003년 한국시네마테크협의회 - 장 으스타슈, 필립 가렐 특별전)
Writer
영화감독 장 밥티스트와 배우 엘리의 사랑과 파국을 그린 영화. 니코와의 사랑, 예술과 가족의 화해불가능성의 문제를 자전적으로 표현한 영화로 안느 비아젬스키가 엘리 역을 맡았다. (2003년 한국시네마테크협의회 - 장 으스타슈, 필립 가렐 특별전)
Director
영화감독 장 밥티스트와 배우 엘리의 사랑과 파국을 그린 영화. 니코와의 사랑, 예술과 가족의 화해불가능성의 문제를 자전적으로 표현한 영화로 안느 비아젬스키가 엘리 역을 맡았다. (2003년 한국시네마테크협의회 - 장 으스타슈, 필립 가렐 특별전)
Himself
Jean Seberg, Philippe Garrel et Les Hautes solitudes is composed of excerpts from four of my films about Philippe Garrel which concern his silent masterpiece Les Hautes solitudes (1974) and its protagonist, the icon of the New Wave, Jean Seberg.
N°193
Reel 20 of Gérard Courant's on-going Cinematon series.
"This is the story of a search, that of a woman in pursuit of her own identity. This woman, Marie-Noëlle Kauffmann, ventures into the world of representation, meets four characters who, each in their own way, give her a key to cross the five sequences/initiations of the film which are all benchmarks that she must absolutely cross to have an answer to the question: Can cinema help find a lost balance?" -Gerard Courant
Director of Photography
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
Writer
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
Editor
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
Producer
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
Director
A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.
N°193
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Director of Photography
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Sound
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Editor
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Producer
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Writer
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Director
Love between Georges and Hypolyte has faded. George confides in Catherine that he is still obsessed with Hypolyte. He wishes that she was a virgin but since she is not, he wishes that she was dead.
Editor
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
Cinematography
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
Writer
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
Producer
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
Director
An androgynous poet/dreamer sits and writes and meditates on the aching void that is her life.
Editor
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Cinematography
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Producer
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Writer
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Director
Nico is an ethereal poet haunting the gaps between scenes of Jean-Pierre Kalfon, Bulle Ogier, Laurent Terzieff, and Garrel’s father, Maurice, discussing the filmmaker’s staple topics: love, psychoanalysis, and the failures of May ’68.
Director of Photography
A personal portrait of the American actress Jean Seberg.
Scenario Writer
A personal portrait of the American actress Jean Seberg.
Editor
A personal portrait of the American actress Jean Seberg.
Producer
A personal portrait of the American actress Jean Seberg.
Director
A personal portrait of the American actress Jean Seberg.
Editor
Athanor (Nico) is searching for fire. A flame is always at the foreground. Nico naked in tombs, looking at herself in circular mirrors, Nico in castles, keeper of the fire. Nico and Musky as medieval princesses. Athanor is a film about fire.
Producer
Athanor (Nico) is searching for fire. A flame is always at the foreground. Nico naked in tombs, looking at herself in circular mirrors, Nico in castles, keeper of the fire. Nico and Musky as medieval princesses. Athanor is a film about fire.
Writer
Athanor (Nico) is searching for fire. A flame is always at the foreground. Nico naked in tombs, looking at herself in circular mirrors, Nico in castles, keeper of the fire. Nico and Musky as medieval princesses. Athanor is a film about fire.
Director
Athanor (Nico) is searching for fire. A flame is always at the foreground. Nico naked in tombs, looking at herself in circular mirrors, Nico in castles, keeper of the fire. Nico and Musky as medieval princesses. Athanor is a film about fire.
Editor
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Producer
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Writer
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Man / Devil
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Director
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Sound
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Editor
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Producer
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Apostle
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Writer
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Director
성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
Himself
An experimental and poetic portrait of a woman.
Art Direction
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Editor
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Producer
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Writer
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Director
La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.
Editor
필립 가렐의 초기 무성 실험영화. 4살 난 남자아이와 부모가 심각한 위협에 처해 도망친다. 그러나 정작 그들을 위협하는 존재의 정체는 알려지지 않는다.
Producer
필립 가렐의 초기 무성 실험영화. 4살 난 남자아이와 부모가 심각한 위협에 처해 도망친다. 그러나 정작 그들을 위협하는 존재의 정체는 알려지지 않는다.
Writer
필립 가렐의 초기 무성 실험영화. 4살 난 남자아이와 부모가 심각한 위협에 처해 도망친다. 그러나 정작 그들을 위협하는 존재의 정체는 알려지지 않는다.
Director
A film considered almost lost even by Garrel, who recently found his negatives. Shot during the events of the May 68, it was made collectively; the film is a merge of Garrel’s and his partners’ points of view, all of them students and filmmakers that participated in the revolt.
Director
필립 가렐의 초기 무성 실험영화. 4살 난 남자아이와 부모가 심각한 위협에 처해 도망친다. 그러나 정작 그들을 위협하는 존재의 정체는 알려지지 않는다.
Director
A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
Werther was one of the last feature films that Jean-Pierre Lajournade made for television. The Lajournade's version of Werther makes a critical rereading of Goethe's work through a challenge to bourgeois society.
The Son
The Father's Murder tells the day in the life of a young man who wants to kill his father at all costs.
Editor
Parallel lives of two couples destined to suicide, one, and unhappiness, the other.
Producer
Parallel lives of two couples destined to suicide, one, and unhappiness, the other.
Writer
Parallel lives of two couples destined to suicide, one, and unhappiness, the other.
Director
Parallel lives of two couples destined to suicide, one, and unhappiness, the other.
Writer
The portrait of a young girl from the Parisian bourgeoisie. As a brief shot indicates us, it could have been called "Portrait of the artist as a young girl." though probably "young girl" is just a previous title, but the style and the presence of the Father leaves no doubt about who paints and who's hiding behind the young girl.
Philippe, le réalisateur
The portrait of a young girl from the Parisian bourgeoisie. As a brief shot indicates us, it could have been called "Portrait of the artist as a young girl." though probably "young girl" is just a previous title, but the style and the presence of the Father leaves no doubt about who paints and who's hiding behind the young girl.
Director
The portrait of a young girl from the Parisian bourgeoisie. As a brief shot indicates us, it could have been called "Portrait of the artist as a young girl." though probably "young girl" is just a previous title, but the style and the presence of the Father leaves no doubt about who paints and who's hiding behind the young girl.
Director
Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60's.
Director
TV short for the ORTF.
Director
Short Philippe Garrel portrait of a young woman, Handa, who loves that which is decadent, complicated, precious, cannot stand simplicity, and detests people who watch television.
Director
Philippe Garrel interviews young people who have become rich on their thoughts about money and capitalism.
Director
TV short for the series Bouton Rouge.
Director
Pop films by Garrel.
Director
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.
Producer
A 17 year old boy goes on a trip with his father and his father's girlfriend.
Writer
A 17 year old boy goes on a trip with his father and his father's girlfriend.
Director
A 17 year old boy goes on a trip with his father and his father's girlfriend.
Writer
A young couple skip school to spend time together in a mansion.
Producer
A young couple skip school to spend time together in a mansion.
Editor
A young couple skip school to spend time together in a mansion.
Director
A young couple skip school to spend time together in a mansion.
From Gérard Courant's Cinématon series.
