Claire Simon

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

Claire Simon goes to Lussas, in France’s Ardèche, home to a vibrant community of documentarians. She films the creation of Tënk, an online platform for auteur documentaries. The initiative is a labour of love for the passionate and optimistic people behind it, but the process is long and arduous, as cultural projects often are. The filmmaker followed them for months, capturing their doubts and dilemmas: how do you manage everyday conflicts? Be accepted by a rural population that you aren’t part of? By the general public? Reconcile private life and professional calling? Reassure the mayor? Secure funding without making ethical compromises? A fascinating, bittersweet and insightful behind-the-scenes film. (Apolline Caron-Ottavi)

Claire Simon goes to Lussas, in France’s Ardèche, home to a vibrant community of documentarians. She films the creation of Tënk, an online platform for auteur documentaries. The initiative is a labour of love for the passionate and optimistic people behind it, but the process is long and arduous, as cultural projects often are. The filmmaker followed them for months, capturing their doubts and dilemmas: how do you manage everyday conflicts? Be accepted by a rural population that you aren’t part of? By the general public? Reconcile private life and professional calling? Reassure the mayor? Secure funding without making ethical compromises? A fascinating, bittersweet and insightful behind-the-scenes film. (Apolline Caron-Ottavi)

A small picturesque Provençal village. Certainly, I grew up there, but today life seems to have somewhat deserted it. Except for the car and motorcycle repair garage where everyone, I mean the men, come to have their car serviced. What do they do ? What do they talk about ? A breakdown develops into a nail-biting suspense, the garage becomes the place of masculine transmission. Men are amongst themselves and repair metal bodies.

클레르 시몽은 이 작품에서 모든 이에게 중요한 16~18세 시기를 조명한다. 파리 교외의 고등학교를 다니는 운 좋은 십대 학생들은 방과 후 또는 수업 중에 복도나 바깥 벤치에 앉아서 또는 아래 도시를 내려다 보며 계속 이야기를 나눈다. 클레르 시몽은 십대 학생들의 영화적인 대화를 구축하여 그들의 개인사와 가족 관계뿐만 아니라 열정과 외로움에 대해서까지 이야기한다. (2018년 제15회 EBS 국제다큐영화제)

클레르 시몽은 이 작품에서 모든 이에게 중요한 16~18세 시기를 조명한다. 파리 교외의 고등학교를 다니는 운 좋은 십대 학생들은 방과 후 또는 수업 중에 복도나 바깥 벤치에 앉아서 또는 아래 도시를 내려다 보며 계속 이야기를 나눈다. 클레르 시몽은 십대 학생들의 영화적인 대화를 구축하여 그들의 개인사와 가족 관계뿐만 아니라 열정과 외로움에 대해서까지 이야기한다. (2018년 제15회 EBS 국제다큐영화제)

클레르 시몽은 이 작품에서 모든 이에게 중요한 16~18세 시기를 조명한다. 파리 교외의 고등학교를 다니는 운 좋은 십대 학생들은 방과 후 또는 수업 중에 복도나 바깥 벤치에 앉아서 또는 아래 도시를 내려다 보며 계속 이야기를 나눈다. 클레르 시몽은 십대 학생들의 영화적인 대화를 구축하여 그들의 개인사와 가족 관계뿐만 아니라 열정과 외로움에 대해서까지 이야기한다. (2018년 제15회 EBS 국제다큐영화제)

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.

Le Bois de Vincennes is a safe harbour for many Parisians. Migrants and natives, prostitutes and stalkers, rich and poor, old and young, downshifters and loners come to this forest in search of themselves and find there an escape from the metropolis. A delicate and profound portrait of a contemporary man and his desperate search for an 'unknown homeland'.

Le Bois de Vincennes is a safe harbour for many Parisians. Migrants and natives, prostitutes and stalkers, rich and poor, old and young, downshifters and loners come to this forest in search of themselves and find there an escape from the metropolis. A delicate and profound portrait of a contemporary man and his desperate search for an 'unknown homeland'.

Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...

Paris, North Station, anything comes by, even trains. One would like to stay, but they have to hurry up... Like other thousands lives crossing, Ismael, Mathilde, Sacha and Joan are going to meet here...

Gare du Nord in Paris is a transit station for all those coming from the suburbs, the provinces or abroad. Accompanied by Simon Mérabet, the son of Algerian immigrants from the Var, Human Geography offers a series of brief meetings with individuals who recount their lives in just a few words before disappearing to take their trains. The crowd of passengers is embodied in these stories, one life after another, and we see how globalization fashions individual destinies, subject to geographical and economic pressures.

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

A realist dramedy about dedicated social workers who devote their long shifts to helping pregnant women.

After falling off her horse, a teenage girl is rescued by a manly, older fireman with whom she falls in love with tragic consequences.

After falling off her horse, a teenage girl is rescued by a manly, older fireman with whom she falls in love with tragic consequences.

오하이오 교외의 학교를 다니며 처음 만나게 된 후 서로에게 없어서는 안될 존재가 된 두 소년 바비와 조나단의 이야기. 조나단에게 있어 자유분방한 바비는 더 넓은 세상으로의 연결고리이며, 바비에게 있어 조나단의 가족, 특히 조나단의 어머니 앨리스는 바비가 알지 못하는 안정감을 느끼게 해준다. 장성한 후 다시 뉴욕에서 만나게 된 두 사람은, 자유로운 영혼을 가진 클레어와 함께 새로운 형태의 가족을 만들어 낸다.

Mimi isn't a star, she's just someone. A close-up of the singularity of a real life. An encounter of someone's particular story, romance, fantasy and territories.

Two lesbians are victims of a break-in. Together with their clan of friends, they undertake a wild investigation, with suspense and rigour, to arrive at the truth. Sensitivities are aroused around life choices, and political choices. Questions of morality comically embellished with words of abuse falling into drunkenness.

Manon, 15, meets Greg, 17, while on vacation. He lives in Claviers, a little village in France’s Haut-Var region, while she lives in Paris. Greg and Manon are in love. This is a portrait of a young man who comes alive when his girlfriend is with him, for it’s their story that counts. He must deal with the geography that separates them and come to terms with the past.

Manon, 15, meets Greg, 17, while on vacation. He lives in Claviers, a little village in France’s Haut-Var region, while she lives in Paris. Greg and Manon are in love. This is a portrait of a young man who comes alive when his girlfriend is with him, for it’s their story that counts. He must deal with the geography that separates them and come to terms with the past.

Manon, 15, meets Greg, 17, while on vacation. He lives in Claviers, a little village in France’s Haut-Var region, while she lives in Paris. Greg and Manon are in love. This is a portrait of a young man who comes alive when his girlfriend is with him, for it’s their story that counts. He must deal with the geography that separates them and come to terms with the past.

Manon, 15, meets Greg, 17, while on vacation. He lives in Claviers, a little village in France’s Haut-Var region, while she lives in Paris. Greg and Manon are in love. This is a portrait of a young man who comes alive when his girlfriend is with him, for it’s their story that counts. He must deal with the geography that separates them and come to terms with the past.

After studying political science in Paris, Antoine decides to go to Strasbourg to become a parliamentary assistant at the European Parliament. His motivation: to find his ex-girlfriend Cleo, who is a television editor. Half-documentary, half-fiction, with the students of the Théâtre National de Strasbourg.

Based on a true story this emotionally wrenching character study focuses upon a desperate young wife who feigns an entire pregnancy in hopes of convincing her dissatisfied husband to remain with her. Magali's problem comes from the fact that she is so bland and unassuming as to be nearly invisible. Her passivity and inability to form her own opinions grates on her husband Alain, a go-getter radio journalist, and he plans to take a year long assignment in Canada to get away from her. While preparing to leave, his boss, who has been inadvertently led to believe that Magli is pregnant, shows up and tells Alain. The husband's first response is to demand an abortion, but on second thought he decides he would like to become a father after all. Magli, fearing that he will leave, then devises her elaborate ruse.

Based on a true story this emotionally wrenching character study focuses upon a desperate young wife who feigns an entire pregnancy in hopes of convincing her dissatisfied husband to remain with her. Magali's problem comes from the fact that she is so bland and unassuming as to be nearly invisible. Her passivity and inability to form her own opinions grates on her husband Alain, a go-getter radio journalist, and he plans to take a year long assignment in Canada to get away from her. While preparing to leave, his boss, who has been inadvertently led to believe that Magli is pregnant, shows up and tells Alain. The husband's first response is to demand an abortion, but on second thought he decides he would like to become a father after all. Magli, fearing that he will leave, then devises her elaborate ruse.

A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.

A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.

As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.

As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.

A woman cleans her house, from time to time, when she can, like everyone else. When her hands are busy, she dreams, she makes a wish that she immediately grants in her mind.

The story of the last month of work of a popular generalist doctor of Reims. Just before his retirement. The film shows the doctor with his old patients, or alcoholics anonymous he had follow.

The story of the last month of work of a popular generalist doctor of Reims. Just before his retirement. The film shows the doctor with his old patients, or alcoholics anonymous he had follow.

Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.

A girl tries to help her babysitter out of trouble.

A girl tries to help her babysitter out of trouble.

Claire Simon films her ill father during his day: from breakfasting with his nurse to his evening phone calls, when it's time for his daughter to return to the city. An intimate, brave film conceived as a salutation.

After committing a hit and run, a man insinuates himself into the lives of the victim's family.

Simon is an Algerian man who has moved to the south of France. Simon roams from house to house in the town, considered by everyone to be the “idiot of the village”. Simon is in search of not only a job but also acceptance in the society where he finds himself. A small film in the form of a sincere and thoughtful portrait.

Portrait of a young woman through her relationship to money. The director films her friend for a whole month. The dynamic of the film is based on the bond between the director and Patricia, and on the reactions of this young woman to the financial difficulties, real or imaginary that she meets.

February 1980, Plogoff. A whole town refuses the installation of a nuclear power station close to the Pointe du Raz, overlooking Sein island in the bay of Audierne opening onto the Atlantic Ocean. Six weeks of daily struggle led by local women, children, fishermen and farmers, determined to preserve the soul of this Finisterian land. Six weeks of joys, tenderness and drama... This is the historic epic of the people of Cap Sizun face to face with the pressures of modern society.

Free adaptation of Faulkner's novel aroused by the Patrick Henry and Ranucci cases.

Free adaptation of Faulkner's novel aroused by the Patrick Henry and Ranucci cases.

Something extraordinary happened to Marie... and it wasn't what she thought. As she does every day, Marie went to the cellar to fetch the broom to sweep the passage. She doesn't like going down to the cellar, however. One day she saw squatters, one of them a bearded man, at the back of the cellar. She was terrified and shut the door at once and went to call the police.