Art Direction
Kuwahata Chokichi used to be a famous actor, but now he's suspected to be suffering from dementia. He is betrayed by his older daughter, Yukiko, her husband-cum-his-former-disciple, Ikuo, and Yukiko's lover, a mysterious driver, and gets sent to a high-class old folks' home. One day, Choukichi runs away from the home and wanders to the beach where he meets his younger daughter, Nobuko, who he had with his lover. Although he had thrown Nobuko out in the past, he begins to imagine seeing her as the image of Cordelia, who is the beloved daughter of King Lear, after talking to her. Gradually, his past memories start to come back to him, and Choukichi heads towards the world of insanity.
CGI Supervisor
In a futuristic world where militaristic robots known as the “Media Police” have outlawed entertainment and banned outdated media formats, a young woman and her robotic companion aim to recover vintage content stored on video cassettes and battle their evil robot overlords to protect “obsolete” media from being lost forever.
Assistant Director
Between go-signals and stop-signals, Saburo's expectations of love grow. Rika toys with him, wondering how far he is conscious of her. Emi, who knowingly or unknowingly says nothing. By depicting the tension in the less-than-triangular relationship in a leisurely and fluffy manner, the film succeeds in summing up the game played by the three in a classy manner. The happy ending is convincing.
The ultimate weapon, Koro, has escaped, take him alive! Our heroes, the four Voice Rangers, rise up to the occasion in this near-future science fiction action romp that is sure to be a favorite among boys. The four heroes, the Voice Rangers, rise to the occasion. The four men shoot guns, chase and confront Kolo (the dog) in the high school and the surrounding residential area. Their exploits are portrayed in a dynamic and ridiculous way, with parodies of TV shows, clones of famous scenes from American films and MTV flicks. This is a film that is 10 years ahead of its time.
Script
The ultimate weapon, Koro, has escaped, take him alive! Our heroes, the four Voice Rangers, rise up to the occasion in this near-future science fiction action romp that is sure to be a favorite among boys. The four heroes, the Voice Rangers, rise to the occasion. The four men shoot guns, chase and confront Kolo (the dog) in the high school and the surrounding residential area. Their exploits are portrayed in a dynamic and ridiculous way, with parodies of TV shows, clones of famous scenes from American films and MTV flicks. This is a film that is 10 years ahead of its time.
Director of Photography
The ultimate weapon, Koro, has escaped, take him alive! Our heroes, the four Voice Rangers, rise up to the occasion in this near-future science fiction action romp that is sure to be a favorite among boys. The four heroes, the Voice Rangers, rise to the occasion. The four men shoot guns, chase and confront Kolo (the dog) in the high school and the surrounding residential area. Their exploits are portrayed in a dynamic and ridiculous way, with parodies of TV shows, clones of famous scenes from American films and MTV flicks. This is a film that is 10 years ahead of its time.
Director
The ultimate weapon, Koro, has escaped, take him alive! Our heroes, the four Voice Rangers, rise up to the occasion in this near-future science fiction action romp that is sure to be a favorite among boys. The four heroes, the Voice Rangers, rise to the occasion. The four men shoot guns, chase and confront Kolo (the dog) in the high school and the surrounding residential area. Their exploits are portrayed in a dynamic and ridiculous way, with parodies of TV shows, clones of famous scenes from American films and MTV flicks. This is a film that is 10 years ahead of its time.
Novel
1935년, 고등학생 기로쿠는 가톨릭계인 하숙집의 딸 미치코에게 푹 빠져있다. 그는 사내다움에 대한 콤플렉스를 극복하려고 동네건달에게 싸움을 배우고, 학내의 폭력서클에 가입하여 싸움연습에 전념한다. 태평양전쟁 직전의 일본사회를 사로잡은 파시즘의 문제를 코믹하게 다루는 작품.
Camera Operator
Director of Photography
Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.
