Lehrerin und Geliebte von Vikerl
베니스 영화제 심사위원 대상 수상. 비엔나 외곽의 한 시골마을을 무대삼아 스트레스에 가득 찬 세일즈맨, 자신을 학대하는 남자를 떨치지 못하는 노년의 여성, 반쯤 미친 히치하이커, 사실상 부부관계가 실종된 중년 부부 등 여러 인물들이 펼치는 일그러진 삶의 이어달리기. 보다 적나라하게 난교파티, 사도마조히스트적 성행위가 거침없이 등장하기도 한다.
Margret
Lily, a stunning photograph model, suddenly notices that hair is growing on her face and escalating to a real "man's beard". Her lover, Richard, who has just returned from a prolonged business trip cannot help her. On the contrary, she is so exasperated that she runs away into the night of the big city where she has her first experiences as a "man".
singer
Tommi Fischer, a newly divorced copywriter is looking for a replacement mother for his son. When he falls for the emancipated costume designer Evelyn he soon finds himself in the undesired role of a stay-at-home dad.
Judit is up to her neck in art studies and the elitist art community but chucks it all to pursue a successful career as a billiard professional -- not exactly a likely alternative in real life, but certainly more lucrative. Just as she is finally at the apex of her chosen second field, Judit encounters male jealously and/or aggression in the form of intentional snubs from this different class of snobs, or in the worse instances, rape. Director Kitty Kino portrays many of the male figures in this film as weak, or drunk, or simply offensive, and because of the emphasis on those traits, the film will raise objections from some viewers. On the other hand, many women might see this film and feel that at least it brings up the difficulties women can face in getting ahead in a male-dominated arena, instead of side-stepping or ignoring the role of male prejudice.
After the passing of her husband, the commissioned painter Anneliese Psiko decides to travel across the country. In the Austrian province of Styria, she discovers a strange work of art entitled "Weltmaschine" (World Machine). From now on, it will change her life significantly.
Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.
