Bad planning and shortages prevail on an East German construction site. Foreman Hannes Balla uses unconventional methods to overcome the problems. New Socialist Unity Party secretary Werner Horrath is charged with bringing the rough-and-ready builder crew into line. The task seems doomed to fail as the two men compete for the affections of young engineer Kati Klee. But when she gets pregnant by married man Horrath, he is in danger of being expelled from the party, and Balla takes his side...
In this German drama, Brock, a railroad inspector, witnesses a robbery at a train depot. He recognizes the thief, but turning the man in would mean acknowledging he knows him, thus revealing his own complicity with the Nazi war machine. When Brock’s daughter and her boyfriend begin to question him about the incident, will the secret he’s kept for nearly 20 years finally be exposed?
A Saturday evening dance in the village pub is interrupted when the barn of local farmer Paul Gäbler catches on fire. The farmer himself is soon found – hanged. Sawmill owner Züllich claims that Gäbler committed suicide because he was forced to join an agricultural production cooperative, but others are convinced Gäbler was murdered. Officers Schneider and Anders must navigate their way through a complex maze of personal and political motivations in order to reconstruct the crime.
Considering Germany's own treatment of Poland in 1939, it is ironic in the extreme that the 1938 German film Um Freiheit und Liebe (For Freedom and Love) is a celebration of Poland's declaration of independence from Russia. Werner Hinz plays Konrad, an idealistic Polish student who courts disaster for his loved ones through his constant harrangues against Russian impression. When his mother promises the authorities that Konrad will cease his protests, he is honor bound to obey her, no matter what the provocation. Drowning his disappointment in liquor, Konrad falls in love with nightclub singer Anna Sasotska (Viktoria von Ballasko). While he never achieves his political goals, Konrad at least finds happiness romantically. The climax of the film is particularly exciting, even though it is motivated by anti-Russian (and implicitly pro-Nazi) propaganda.
