Guará Rodrigues

A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

Slowly we recognize traces of a couple's history. Joana, living isolated in an apartment between books and mysteries searching for an "ideal world" and Jota living on the streets searching for a confrontation with the real and trying to give back the final word to the "other"..

In search of a powerful hallucinogenic, five friends embark on a dangerous journey deep into the Amazon. But a bad trip isn't the only threat as they discover when they stumble across the hidden camp of the crazed Dr. Moreau and his murderous animal-human hybrid creations.

A customs agent, Dr. Amnésio, examines some reels of film, a documentary Orson Welles made about Brazil, and tries to confiscate the material. Then, a party in which repression agents celebrate their victory against freedom and creativity.

Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.

At same time as it dives into excess and violence of Brazilian reality, Curra Urbana tri to insert itself in anti ilusionist modern aesthetic reinstarting a dialogue from Jean Luc Godard and some of later Brazilian apropriators especially those of Cinema Marginal.

Neusa Suely, a prostitute, is accused by her pimp Vado of stealing his money. To get rid of the accusations, she blames her neighbour, Veludo. The three characters then start to live a small tragedy set in the underground Rio de Janeiro scene.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

Movie director gets crazy while shooting a film, and goes to a mental institution. There, he leads a revolt, kidnapping a group of Human Rights activists and demanding a camera as ransom.

In a Rio de Janeiro after the catastrophe, only the hills were immune to a flood that left the asphalt submerged. While the Navy is rationing provisions and some are sacrificing themselves to avoid starvation, a diver goes to the bottom of the sea and finds a submerged civilization there.

Driver who was left by his wife, who wanted to try a career in the movies, has to deal with their son's revolt when the latter finds his mother, whom he thought dead, singing in a nightclub.

Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler

Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

뉴욕에서 활동하는 영화 배우 잭 노아는 스타덤에 오르고 싶은 욕망을 갖고 있는 평범한 사람이다. 그는 어느날 중남미 카리브해 연안의 파라도로 촬영을 떠나게 되는데, 이 영화 촬영을 이 나라의 대통령이 시찰하게 된다. 잭은 본의 아니게 그의 모습을 그대로 흉내내게 되어 대통령을 비롯 많은 사람들의 감탄을 자아낸다. 그러던 중, 이 독재자가 심작발작으로 갑자기 죽자 그 뒤에서 실제 권력을 행사하던 로버타는 잭 노아를 변장시켜 독재자를 시키게 하는 것이었다. 물론 불응시에는 생명이 위험하게 되자 잭은 어떨 수 없이 관중 앞에서 첫 연설을 하게 되는데, 결과는 그야말로 그 이상이었다. 그러던 어느날 하류층 출신의 독재자의 정부였던 마돈나는 그의 편에 서서 그가 가야할 길을 제시해주고 어느덧 두사람은 사랑에 빠진다. 그렇지만 독재자에 대한 불만이 커진 공산 게릴라들은 급기야 폭발 테러를 일으켜 큰 위험도 겪는다. 이것에 자극을 받은 잭은 로버토로부터의 위험을 무릅쓰고 급개혁을 단행하게 되고 자신을 노렸던 게릴라들과도 협상을 제시하는 등 그의 인기는 날로 치솟는다. 하지만 잭은 연기자의 생활로 되돌아가 뉴욕으로 가고 싶어한다. 그러던 중 꼭 1년이 되어 자신과 똑같이 파라도로 로케를 온 영화촬영팀에서 특수효과 전문가를 만난다. 그리고 그와 함께 연설 중 자신이 총에 받아 암살되는 계획을 세운다. 그것은 완벽하게 성공하여 그는 죽기전 로버타를 살인자로 지목하고 죽는다. 로버타는 성난 군중에 쉽사여 죽게 되고, 깨어난 잭은 마돈나와 아쉬운 이별후 파라도를 탈출한다. 뉴욕에 돌아온 잭은 파라도가 혼란이 끝나고 마돈나의 주도하에 자신이 못다한 대대적인 개혁 작업이 단행되고 있음을 보면서 흐뭇해하는데...

Dede (Guilherne Fontes) is a Brazilian teen who lives with his middle-class grandparents who are members of the local communist party. When his grandmother dies, his grandfather's health soon fades to the point where he can't speak or walk. The local party officials ask Dede to continue to family tradition and take over his grandfather's position of social authority, but when Dede is introduced to cocaine by his best friend Alpino (Marcos Palmeira), the attraction to drugs is more appealing to him than political activism.

Orson Welles goes to Brazil to shoot his documentary It's All True.

In the near future, in the country of Kali, a group of young terrorists carry out robberies, kidnappings and murders under the orders of a mysterious big boss known as "Entity" and are pursued by the pompous and inefficient Special Police.

Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.

French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Young guy from the poor Northeast region of Brazil comes to Rio de Janeiro to try his luck. Naturally, he is faced with many adversities along the way.

The picture brings interviews with the participants of the 1st São Paulo Jazz Festival that occurred in Anhembi Conventions Palace in September 1978 and reunited musicians, composers and singers from all around the world.

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their three elder daughters. The youngest one, virginal Silene, is unexpectedly sent back home. Noronha discovers she has been expelled from boarding school for having killed a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

The idiosyncratic adventures of a group of individuals who share the same house.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Life and death of the jesuit who fought for the peaceful relationship between colonists and the indigenous peoples of Brazil.

Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.

In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).

Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

A dysfunctional family, composed of a prostitute and two gays, one strong and the other fragile and stupid, lives a routine life in Rio de Janeiro. When the slut threatens the other two to stop supporting them, they decide to find an odalisque as an alternative to keep their easy life.

Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.

Spider, a banker, lives with three women. This tycoon is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.

Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.

Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.

Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival

Two maids decide to rebel against the society that oppresses them and start murdering their own mistresses. “???????????? ???????????????????? ???????? ???????????? ???????????????????????? ???????? ???????????? ????????????????????????, ???????????? ???????????????????????????????????? ???????????? ???????????????????????????? ???????????????? ???????????????? ???????? ???????????? ???????????? ???????????????????????? ???????? ???????????????? ???????????? ???????? ???????????????????????? ???????????????? ???????????????? ???????? ????????????????????????????????. ???????? ???????????????? ???????????????? ???????????????????? ????????????????????????????. ???????????????? ???????????????? ???????????????????????????????????? ????????????, ???????????? ???????????????? ???????????????????? ???????? ????????????????????????????, ???????????????? ???????? ???????? ???????????????? ???????????????????? ???? ????????????????, ???????????? ???????????????? ???????? ???????? ????????????????????????????????.”

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.