Josef Polášek

Five married couples travel to a luxury resort to rekindle their relationships but quickly find themselves tangled up in a possible police investigation.

Happiness is often found unexpectedly, so what? A lesbian couple raise their two children in perfect harmony when a man from the past intervenes. Violent psychopath demands the custody of his daughter, while his ex-wife suffers his terror. Two teenagers simply run away and a devout man does not have the strength to protect his love.

The devil's magic quill keeps a tight record of sins. But when this precious artifact is stolen, a demon must find a way to make things right again.

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

Frantisek Soukenický is a psychiatrist with an apparent life in order ... until the appearance of a former lover scorned. She ends her career and Frantisek ends without a job, his wife (who left him for another man) and homeless. He doesn´t have choice but to start from scratch, and know that everything that happened was his fault. Abandonment, reunions, commitment and the suffering caused certain relationships when they reach their final part of this film that combines drama with dry humor.

어머니의 장례식장에서 돌아오는 길에 후작의 초대를 받아 그의 성에 머물던 장 베를로트는 우연히 신성모독적인 의식과 난교 장면을 목격한다. 후작은 충격과 혐오감으로 성을 떠나려는 베를로트에게 그가 앓고 있는 공포를 치유하자고 권유하며 뮐로프 박사가 운영하는 정신병원으로 데려간다. 그 곳에서 그는 간호사 샤를로트를 만나고, 과거에 병원에서 일어났던 사건들을 알게 된다.

Over the course of a year, in a small town scarred and beaten down by industrialization, Tonda and Monika, friends since childhood, come to experience what life might be like if they could be with one another – which they seemingly can't. Or can they?

Fairytale. A good king rules this land, but still things are going from bad to worse. The point is that the greedy Minister of State has an interesting pact with the devil - for bringing the kingdom into a state of dire poverty and the king to hell, he himself would sit on the throne. And he would have been well nigh successful, were it not for Princess Annie, Filip and magic Apolena - because true love cannot be quelled even by the devil's machinations.

A portrait of a small Moravian village and its quirky inhabitants.

Philosophical movie, staged at the least philosophical environment imaginable: A closed scenery of a nudist spot, where some hired Czech stuff is making a plain erotic movie for a rich Russian producer. Nothing in this movie is what it seems to be at the first superficial glance.

It is April 1945, spring begins and ends the war. German transport heading away from Bohemia.

What is the meaning of life? What is love, humor, fear and death? Is it all just a dream? Who are we? Will we wake up, will we remember? Do beings from other dimensions help us? Can we finally understand the purpose of the Game? Who is the Creator? Where is the Kingdom of God? The new feature movie called The Meaning and Mystery of Life is looking for answers to these questions and many others as well. Question for Petr Vachler, the author of the story and screenplay, and the movie director: Why did you decide to make such an author-pronounced movie? “As a small kid I used to hide behind the house and cry because there was an end to everything, and there would be NOTHING afterwards. But what was that big NOTHING? This question accompanied me all my life, probably just like it has to the majority of us all.