Tatti Sanguineti

Love Among the Ruins is a spoof about the miraculous discovery and restoration of a long lost Italian silent film. The film connects a contemporary filmmaker with the genius of the Lumini brothers, two cinematic icons who have been almost overlooked in the history of cinema.

This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.

A passionate cavalcade through decades of "coming attractions"

A ne'er-do-well who's married to a millionnaire realizes his financial trouble might be solved if his wife was dead - and sets out a plot to achieve just that. A remake of Dino Risi's "il vedovo".

Piero Tortolina has been a point of reference for a whole generation of film lovers. Pioneer of cinema-clubs and great film collector, he has been an invisible protagonist in the history of italian cinema.

Just before sleeping, a small boy finds a crate of ancient toys: a little circus, lead soldiers and a book about circus legend Antonio Franconi - whose dream was creating a great show mixing all possible forms of art.

68혁명 시기를 전후한 이탈리아. 영화배우가 되고 싶어하는 경찰인 니콜라는 사복을 입고 나갔다가 기성세대와 베트남전에 대한 반대, 성의 자유를 부르짖는 학생들 틈에서 라우라를 만난다. 어느 날 니콜라의 신분이 탄로나고 그녀는 그를 떠난다.

The story of La Rabbia by Pier Paolo Pasolini and Giovanni Guareschi, a movie lost in the archives of a laboratory in Rome, and recently re-discovered.

A sanitary battalion of Italian Army is sent to Sorman oasis in Lybia during the Africa campaign in 1940. Soon an Italian missionary, living nearby, succeed to transform the occupation by Italian Army in a kind of humanitarian mission. In fact all the battalion is involved to help the local population. The war anyway goes on with no regards to human feelings. The "glorious" Fascist campaign is going to became a fast retreat.

B급 영화의 프로듀서인 브루노 보노모는 차기작의 제작비를 마련하는 데 어려움을 겪고 있다. 경제적인 파산과 가정문제로 곤경에 처해있던 브루노는 한 젊은 감독이 쓴 시나리오를 읽고, 거기에 빠져든다. 처음에 브루노는 평범한 스릴러라고 생각했지만, 곧 거기에 베르루스코니 정부에 대한 비평적인 폭로가 내재되어 있음을 알게 된다.

Immediately preceding INTERVISTA, director Federico Fellini made GINGER AND FRED (1986). For that film, Fellini created a number of comically exaggerated television advertisements, but most ultimately went unused and unseen until they were presented in this 2003 collection for Italian television.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

A group of Italian people go to Cuba, for various different reasons. One of them would like to remake Vittorio De Sica' Ladri di bicicletta. But it won't be easy.

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.