Andrew Mottl

Filmmaker Erec Brehmer's world collapses when his longtime partner Angelina Zeidler dies in a car accident. Using personal videos, photos, voice messages, diary entries and music they shared, he creates ways of meeting and loving her again despite her absence. "We don't talk about the dead, even though that's the only thing we can still do" once someone is gone. And so, Who We Will Have Been is less a documentary and more a mode of communication with the deceased, where slow motion, reverse and soundbites taken in a totally different context suddenly give profound meaning and subtext. When Angi asks in a saved video "Am I still in time?" it resonates with deep, universal, spooky-action-at-a-distance significance. Do we still exist in time without a body and out of mind? Brehmer's powerfully emotional and absorbing meditation on living with loss recognizes that grief changes, but never really ends, like love.

Although he already has searched Iraq unsuccessfully for weapons of mass destruction as a member of a UN mission, German bio-weapons expert Arndt Wolf is still obsessed with the idea that Saddam Hussein is hiding something. Nobody around him is interested in this topic any more. This changes abruptly when an Iraqi asylum seeker claims to have been involved in the manufacture of chemical weapons. The German Federal Intelligence Service summons Dr. Wolf to ascertain the legitimacy of the claims made by the informant, who has been given the code name “Curveball”.

A small town in Western Germany is the last stop for 26,000 pigs per day and a brief home for masses of Eastern European temporary workers. The workers of the largest slaughterhouse in the country are fighting for survival, while German activists who stand up for their rights are fighting against the local authorities. At the same time, Munich high school students are working on the play "Saint Joan of the Stockyards" and trying to grasp the old text and German capitalism of our days. Interwoven with the young people's examination of the text in the rehearsals, the film deals in various fragments with conditions and facets of temporary work and labour migration in Germany.

외딴 섬, 통신두절. 이웃도 구조도 없다 그리고 한 남자가 다가와 우리를 가뒀다! 외부출입이 없는 평화로운 섬, 외딴 별장을 찾은 ‘마틴’(킬리언 머피 분) 과 ‘케이트’(탠디 뉴튼 분) 부부. 고요한 휴가도 잠시, 별장에는 전기가 나가고 무전 역시 불통되며 외부와 차단되고. 그때, 피를 흘리며 섬으로 들어온 정체불명의 한 남자, ‘잭’(제이미 벨). 부부는 의식을 잃고 쓰러진 잭을 별장으로 옮기고 정신을 차린 그로부터 이 섬을 제외한 세상에는 전염병이 창궐했다는 무서운 소식을 듣는다. 잭은 곧 이 섬에서, 아니 이 별장에서 한 발짝도 나가서는 안 된다는 말과 함께 별장을 봉쇄해 버린다. 셋은 점차 그들이 아는 세상과의 단절, 바깥세상엔 진짜 전염병이 돌고 있는지 알 길이 없는 채 의문은 더해가고… 정체불명의 이 남자를 믿어야 하는가. 바이러스가 퍼지고 있을지도 모를 바깥으로 목숨을 걸고 문을 열어야 하는가 갇힌 공간, 그리고 끝없는 미스터리 속 밝혀지는 충격적 반전!

220 million years ago dinosaurs were beginning their domination of Earth. But another group of reptiles was about to make an extraordinary leap: pterosaurs were taking control of the skies. The story of how and why these mysterious creatures took to the air is more fantastical than any fiction. In Flying Monsters 3D, Sir David Attenborough the world’s leading naturalist, sets out to uncover the truth about the enigmatic pterosaurs, whose wingspans of up to 40 feet were equal to that of a modern day jet plane.

A profile of John Lennon in the late 1960s as the Beatles are set to fall apart.