Eva Testor

Christmas – usually not the favourite holiday of the atheist Wanda, a surgeon and feminist mother of teenage Nina. And most certainly not in times of a pandemic.

Johannes has a comfortable life and stands to inherit the family-run hotel. Unfortunately, however, he is an inveterate people-pleaser and avoids conflict at any cost. His father’s last will and testament sparks a tragi-comic journey to sunny Greece – and the realisation that it is time to take control of his own life.

빈에 사는 리자는 사라진 동생 마리와 그 친구 나탈리를 찾으러 폐쇄적인 고향 마을 이메르슈틸로 돌아온다. 여자 여럿이 실종되었는데도 주민들은 물론 경찰까지 이를 대수롭지 않게 여기자 리자는 직접 단서를 모으고 경찰관인 파트리크 역시 수사에 집중하면서 수색이 벌어진다. 익사한 나탈리의 시신이 발견되면서 마을 사람들도 마침내 사건의 심각성을 깨닫게 되는데...

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

VIVA LA VULVA is a documentary film that casts a glance right into the centre of female sexuality – historically, culturally, and politically. With a sense of humour, but earnestly and profoundly it examines this very symbol and indicator of women's self-determination, a mystic source of life and anarchic threat to patriarchal systems. Made a symbol of the forbidden, the vulva is attributed its due cultural significance only by being heavily negated, while its fictitious existence as a focus of male sexual phantasies and the pressure to adapt exerted on women make it a significant economic factor. From church to psychoanalysis: what women carry between their legs seems second-rate to the primacy of the penis. But VIVA LA VULVA can also give hope to those awaiting a turn towards a self-determined female sexuality and a new, confident self-definition of women. Not deadly serious, but with informative verve we tell the tale of the new self-awareness of the female sex.

Anne Marie Fuchs' ex-husband Konrad Gelden was shot dead in his villa. This shatters the private detective's hope of solving the riddle of the disappearance of her son Florian. Almost thirty years ago, he was kidnapped as a boy to punish Anne for leaving the Stasi. When Anne's business partner Youssef receives a new order, the tide turns.

A film about people who make a difference. They are committed to a lively political culture, to sustainable solutions in food and construction, to clarity in thinking about the economy, and to social justice.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

리아와 한나는 비엔나에 살고 있는 자유분방한 여대생. 용돈벌이를 하고자 서빙 알바를 하는 대신, 쉽게 더 많은 돈을 벌 수 있는 매춘 알선 업소를 찾는다. 처음에 호기심 반, 두려움 반으로 시작했고 원하면 언제든 그만둘 수 있다고 생각했지만 일이 능숙해질수록 도덕심과 수치심은 옅어진다. 리아는 국제법을 전공하는 클라우스의 구애를 받지만 복잡한 감정을 느끼고, 한나는 미술사 수업을 같이 듣는 하랄과 서로 호감을 느끼지만 쉽게 마음을 열지 못한다. 우연히 한나가 하는 일을 알게 된 하랄은 손님인척 호텔방으로 그녀를 불러내는데…

Reveals the history of camerawomen around the world, celebrating not only the survival of pioneer women in a male-dominated field, but a new generation of camerawomen's visions.

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

Reveals the courageous lives of pioneer camerawomen from Hollywood to Bollywood, from war zones to children’s laughter, in a way that has never been seen before. Based on a book by Alexis Krasilovsky, the film tells the stories of camerawomen surviving the odds in Afghanistan, Australia, Canada, China, France, Germany, India, Iran, Mexico, the U.S. and other countries, as well as exploring their individual visions.

A portrait of a dedicated filmmaker who is a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.

Nick, a jobless cook, falls in love with Anna, a film student. Some time after their adventurous first night she leaves him. Then time starts to run backwards - for everybody but Nick. He finds himself in a backwards world, everybody talks, runs, eats backwards. He accepts the situation, realizing that Anna is bound to return to him this way. He wants them to live together, him forwards, her backwards...

Young people on the telephone.