Michael Fukushima

Meneath: The Hidden Island of Ethics dives deeply into the innate contrast between the Seven Deadly Sins (Lust, Gluttony, Greed, Sloth, Wrath, Pride and Envy) and the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s darkly beautiful stop-motion animation, her inner turmoil of abuse is laid bare with unflinching honesty. Convinced she’s soiled and destined for Hell, Baby Girl receives teachings that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths a hauntingly familiar yet hopeful world that illuminates the bias of colonial systems.

Look out: Beryl's back. With Affairs of the Art, British animator Joanna Quinn recounts another gloriously unhinged chapter in the adventures of Beryl, the comic everywoman she unleashed upon the world with her debut film, Girls' Night Out, which took home three major awards from Annecy in 1987.

Layering real-life details with an otherworldly magic, Thanadoula recounts the story of an end-of-life doula brought to her calling through the loss of her beloved sister.

Based on the shamanic rituals in Mongolia and Siberia, this is a testament to the need to reclaim the ideas of animism for planetary health and non-human materialities.

Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.

Centered on a confrontation between the last monster bear and an Inuit hunter, Giant Bear is a chilling short that brings an ancient story out of the North.

Meet Annie, a woman who, despite being caught up in the circus of everyday life, finds her balance. Using live-action footage and traditional animation, filmmaker Anita Lebeau takes us on a whirlwind tour through Annie’s busy world and shows us the power that lies in the small choices we make every day.

Manivald is a fox in his early 30s. He is still living at home with his mother. One day a young hot wolf called Toomas comes to fix the washing machine. A love triangle develops between the three of them. Things get out of hand and Manivald realizes that it is time to move out.

Following the end of a stormy love affair, Expressionist artist Oskar Kokoschka enlists in the First World War. After suffering serious injuries in battle, he experiences a series of memories and visions as medics transport him through the forests of the Russian front. Playful and imaginative, I'm OK explores the wounds of heartbreak and trauma. Inspired by the life and art of Oskar Kokoschka (1886-1980).

내면의 소리에 귀 기울이는 것은 쉽지 않은데, 동물에게는 더욱 그렇다. 아카데미상을 수상한 바 있는 앨리슨 스노든과 데이비드 파인의 동물 심리상담소 속 다섯 마리의 동물들은 자신들의 내면의 분노를 심리상담으로 풀어가기 위해 정신과 의사 개 클레망 박사가 주관하는 상담에서 정기적으로 만난다.

Many cultures have viewed the lunar eclipse as a powerful reminder of the Day of Judgment. People chant prayers, sing songs and recite poetry, all in an effort to communicate with nature and the cosmic forces in the sky. They ask for forgiveness or understanding, as they yearn for what they fear is lost. “Deyzangeroo” is one such ritual, performed in the Iranian port city of Bushehr, on the shores of the Persian Gulf. The distinctive percussive music, rhythmic chants and tribal dances—an echo of the city’s colonial rule by the British and Portuguese, and the African slaves that followed—are performed with reverence, fear and magic. The ritual is believed to ward off evil spirits and take back the moon. And it works every time…

The Mountain of SGaana spins a magical tale of a young man who is stolen away to the spirit world, and the young woman who rescues him. Haida filmmaker Christopher Auchter’s dream-like gem brilliantly entwines traditional animation with formal elements of Haida art, which are brought to life by a rich, evocative palette and stylized effects. As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a sGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?

Director Theodore Ushev uses his own blood to animate struggles with injustice in the world.

While dissecting a frog in Biology class, a 12-year-old boy speculates about what he would do if he were God.

Fed up with her roommate’s incessant shopping and hoarding, a girl takes matters into her own hands in this comical take on vlogging and the art of co-habitation. Inspired by found sound of a shopper’s vlog, nourished with Saturday morning cartoons, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Claire Blanchet directs this visually stunning stereoscopic animation, adapted from Heather O’Neills eponymous slice of Montreal noir.

Director Bruce Alcock takes his inspiration from Chopin’s eponymous composition in this wonderful 3D animation, which pays tribute to the moments of beautiful chaos that can spring suddenly from the mundane.

The tale of a tragic love story set in Newfoundland. When illness takes the woman he loves, a simple man raises his voice in melancholy song as a last farewell. The film, based on a song by local musician Emile Benoit, is anchored in a beautiful, remote corner of the province, and pays homage to its land, sea and the harsh lives of the local fishermen.

Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.

Little bald Léon loves his grandfather. He loves the old man's bushy black beard, which seems endowed with magic powers.

Two little men float into the deep blue sky, tied to balloons. But then each decides the sky belongs to him. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A prairie landscape undergoes a metamorphosis: rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A little creature watches the transformation of a feather and follows a whale to where icebergs melt, leaving birds with nowhere to land. The materials used include old gloves, costume jewellery and Plasticine. Technique: puppet and object animation with drawn animation. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A figure floats in landscapes and spaces without a ground plane. There is only water. The reflected skies are endless and mirrored interiors are doubled in height. This film explores experiences within environments that are recognizable but surreal. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A robot rambles about frenetically, receiving countless electronic messages through his antenna every second. Despite his fatigue and stress, he never slows down. The only thing that might bring his frantic journey to an end is a traffic accident. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this short animation, a young boy takes a flying leap away from normal, waves goodbye to his classmates, and disappears into the cityscape and beyond. At the same time, a young girl is inspired to reinvent her space with art.

In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this whimsical animated short, filmmaker Rachel Peters asks: "what if the laws of physics suddenly ceased to apply?" Peters explores this question through the tale of a man and his two goldfish as they prepare for the end of the world. Technique: drawn animation, digitally coloured and composited. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this animated short, filmmaker Chris Hinton and composer Michael Oesterle leap back and forth between picture and sound. The dynamic movement of Hinton's visual art dances in syncopation with the bold musical strokes of an original modern classical composition. Without words.

Roots is a one-of-kind produce's-eye journey through a supermarket-and through the highly sensitive issue of adoption disclosure. As a series of fruit and vegetables each drop into a shopping cart, they quickly get caught up in a conversation about origins.

When an advanced race of giant lobsters from outer space land on Earth, no one can figure out why they've come. A complete failure to communicate on both ends leads to panic and pandemonium. Why are they here? What do they want? In this clever throwback to the ‘50s B-movie, a small neighbourhood learns the value of clear communication.

A woman must find paperclips for a report to be presented in the morning.

Marielle Guyot uses her computer skills with great artistic sensibility to bring the sea to life, death, and hopefully, life again. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A tale of Victorian-era folly ends in tragedy. Kevin Langdale's graphic style brims with the majesty of human ambition and the indomitable and sometimes destructive power of the natural world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

An “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Megann Reid evokes the solitude and warmth of a bath. Drawn with water colour pencil crayons on frosted acetate, the animation was done under a digital camera. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Thea Pratt explores the exhilarating moment of a poetic dive. The movement of the puppet diver is influenced by Norman McLaren, Leni Riefenstahl and Busby Berkeley. Dancing light, frothing oceans, rolling rivers and calm lakes describe in photographic images the diver’s own stream of consciousness. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A gentle tale of love told in halting words. A film about healing after profound loss. John and Michael pays homage to two men with Down's syndrome who shared an intimate and profoundly loving relationship that deeply affected the filmmaker. Animated with clay backlit on glass, the film shimmers like stained glass in motion. Narrator Brian Davis, also intellectually challenged, brings the men alive with great sensitivity. The audience shares in the various emotions that infuse their everyday living. John and Michael, by its artistry, rises above society's traditional ideas around disability, sexuality and death. When the heart is touched, differences melt. Love is what defines humanity.

This short animation is bleak and apparently grim, but it is an assertive statement on self-determination and the fundamental need for both dark and light. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

This experimental animation film examines society's deification of architecture and urbanization in the modern world and the impact on our relationship to nature. This film was made with the NFB Hothouse program for emerging filmmakers.

This is a combination of stop-motion puppet and drawn animation. We observe a forlorn woman on a Halifax dock, whose loneliness is lifted by the passing of a fishing trawler. A metaphor on the connectiveness of water and water's capacity as a medium of freedom. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

A pithy critique of society's commercialization of water, abetted by an utter disregard for the future. The film is a mixed media whirlwind of hyperactive animated collage. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

A “water poem,” set in a Japanese ofuro hot bath. It explores water as a medium and repository for collective stories and was created in a hybrid new media form using animation, video and split screens. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

A marvellous example of extreme animation. Jacob Bauming shows us a whirling dervish of sensory overload, with a tenuous connection to snazzy “aquatics,” using them as a trigger for his wild and manic imagination. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.

This short animation tells the story of Saoussan, a young girl struggling to adjust to life in Canada after being uprooted from her wartorn homeland. She has come to seek a quieter and safer life, although memories of war and death linger, memories that are awakened when the children at her new school prepare for a scary Halloween. From Far Away speaks to the power within us all to adapt like Saoussan and to welcome a newcomer.

The bombing of the American naval base at Pearl Harbor, by a nation he knew only by name, thrust nine-year-old Minoru Fukushima into a world of racism so malevolent he would be forced to leave Canada, the land of his birth. Like thousands of other Japanese Canadians, Minoru and his family were branded as an enemy of Canada, dispatched to internment camps in the interior of British Columbia, and finally deported to Japan. Directed by Michael Fukushima, Minoru's son, the film artfully combines classical animation with archival material. The memories of the father are interspersed with the voice of the son, weaving a tale of suffering and survival, of a birthright lost and recovered.