Paul Koestner

Colin Quinn and his friends haven't performed comedy in months thanks to the pandemic. So they got together and performed in a parking lot. What could go wrong?

Louis C.K. muses on religion, terrorism, small towns, Florida, disabilities, dogs, Auschwitz, marriage, sex, vegans, and his personal sexual controversy, in a live performance from Washington, D.C.

헐리우드의 유명 작가인 '글렌 토퍼'는 이혼한 아내와 플로리다에서 살던 딸 '차이나'와 뉴욕에서 함께 살게 된다. 글렌은 이제 곧 성인이 될 딸이 미래에 대한 고민과 설계를 했으면 하는 바램이지만, 정작 차이나는 졸업반이라는 핑계로 학교도 빠지며 아빠의 돈과 제트기, 유명인들과의 인맥을 즐기느라 여념이 없다. 그것도 모자라, 딸이 68세에 아동성애자란 소문이 도는 유명 작가인 '레슬리 굿윈'과 사랑에 빠지게 되자 글렌은 머리가 터질 지경이다. 좋은 아빠가 되려면 대체 어떻게 해야하는 것일까?

"Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual storytelling. Each year the one day summit brings together a collection of diverse and intriguing high-profile speaker series to discuss the evolving world of post-production.

A talentless teen will do anything to get on TV's "The Voice." Meanwhile, her father, a municipal worker, creates an uproar when a video of his rants at City Hall goes viral.

Recorded November 10th, 2011 as part of the New York Comedy Festival, and only available for purchase online, Louis C.K. follows up his 2010 concert film Hilarious with a new hour’s worth of shrewdly observed and periodically profane material. He starts with making his own kind of please-turn-off-your-cell-phone announcement, as well as a warning not to text or tweet during the show: “Just live your life,” he asks. Whether he’s talking about a unique way to drop a rental car off at an airport or describing why a man in his 40s should not smoke dope, it’s terrific, humane, carried-to-crazed-extremes stuff.

A documentary look at the confluence of the Red scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.

The short called “Caesar’s Salad” that won at the Chicago Film Festival and the New Orleans Film and Video Festival. C.K.’s mother helped him to pay for “Caesar’s Salad,” the production of which required him to close down a street and use a cop car. In the Louis C.K. episode of Marc Maron’s podcast, Maron mentions that he was cut out of “Caesar’s Salad” but some of his guitar playing remains on the soundtrack.