Núria Gago

가족-연대-질서-소유-일-진보-헌신. 흔히 긍정적인 가치로 여겨지는 7가지 주제에 대한 무정부주의적인 블랙코미디. 같은 제목의 연극을 기반으로 하여 원작자를 포함한 3명의 감독이 의기투합해 사회와 지배질서에 대해 세게 한 방 먹인다.

애인의 배신에 충격을 받고 직장까지 그만두게 된 여성이 고향에 돌아와 가족과 머물면서 새로운 사랑을 만나게 되는 이야기

일식이 일어나는 어느 날 베로니카는 친구들과 함께 죽은 아버지의 영혼을 불러내기 위해 위자보드 게임을 하게 된다. 일식이 최고조일 때 유리가 산산조각이 나고 잠들어 있던 악령이 깨어난다. 베로니카의 집까지 들어온 악령으로부터 동생들을 지키기 위해 그녀는 다시 한번 위자보드 게임을 하게 되는데…

A woman tormented by her past meets an old man with whom she immediately connects.

David is a boy who sends signals into space and has contact with an extraterrestrial. Twenty years later, his rocket is finally ready to see him again.

The last train travel of the year from Barcelona to Madrid, suddenly stops by a voltage drop in the middle of nowhere during a fierce snowstorm. Because of the peculiarity of its passengers, will begin to emerge hilarious conflicts between them.

Maria is 30 years old, she is a peculiar person and has one goal: become a normal person. But first of all she must discover what is exactly this. Which kind of person is she? Is she a normal person? What does exactly means? That question goes deeper into her mind. After she lists every requirements, she proposes to reach them. In that journey she will find her brother's help, Alex, a 25 years old boy who is mentally challenged and achieves every list requirements. She meets Borja as well, a boy obsessed with diets and lose weight. They will make a curious pact: she helps him to live an active and healthy live, and he helps her to meet her goal: become a normal person.

A month's vacation with the family can mean a lot, which is what Lily realizes when she returns home after several years living abroad. Her mother, a character with an exceptional simplicity, forces her to visit their relatives, giving her a family tour through the abandoned landscape of her childhood making her explore her own frustrations, limitations and faults we all inherit.

Silvia is a young girl marked by a dark childhood. When she is barely twenty-five, she decides to start over and to face the people, feelings and emotions that keep her bound to the past. In her fight against adversity and against herself, she will learn to control her fears and become an adult, responsible for her own actions.

Three cousins travel to the village where they spent summer vacations as kids.

"Serrallonga" is the story of a bandit who becomes a legend, in a hard time when the struggle to survive was the main concern of a people enslaved by hunger and with banditry as one of the few exits from misery. Joan Sala, alias Serrallonga, is above all a rebel. Robberies and assaults make him admired by the people and his legend grows unstoppably until the end of his days.

When a man of identical appearance to him is killed in the street, scientist Diego Durand realises that the flashes of déjà vu that torment him are part of a sinister secret past that he must uncover.

A 40-year-old woman feels that people do not value her as a person, so she decides to woo a colleague with the help of an actress and a table-tennis coach.

A group of friends in their 30's meet at a bar in Buenos Aires everyday. They used to hang here as students, laughing at the world, and now they still dream of changing the world from the cafe's table. Unable discuss politics or football, the only thing they can talk about is women. When one of their friends commits suicide, a female from his past shows up to confront old feelings.

A Sunday, three young friends read the obituary of a schoolmate with whom long ago they lost contact. They go to the morgue and realize that they are wrong: that burial is not that of their fellow student. From this, the confusion and random weave a story of friendship, love and death.

Adolescent Hector faces a major lifestyle change after moving into his aunt's flat in a blue-collar suburb of Madrid.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.