Hans Stiebner

A remake of the 1940 film of the same title. It was shot on location in Brazil with separate German and Italian versions.

Mr. Rossi and Mr. Capelli, co-owners of a successful traveling circus, have a rivalry over the affections of the lovely Dolores. That's all settled after Rossi is mauled to death by a lion. Years later a series of accidents, attacks and mysterious deaths plague the circus.

Karin Twerdy used to be an opera singer but now, in order to pay for her daughter Daniela's education in a religious school, she performs in a shady nightclub. Industrialist Dietrich Gontard, the father of Karin's school friend Christa, falls for her. But when he learns the truth about her he is outraged and rejects her. At a loss and not to stand in the way of Daniela's future, Karin chooses to disappear...

This is the directorial debut of Artur Pohl and tells the story of war refugees as they try to settle in a small town in Germany.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

Melodrama about an actress falling in love with a man who wants her to give up her job.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

Biopic about the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.

An exchanged suitcase and a burglary with an actress give occasions to whirl a family with daughters-in-law and brides hard in a mess. Old mistake comedy according to pattern.

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Heinz Rühmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.

Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.