Producer
Part thriller, part thoughtful domestic drama, Amy Redford’s new film looks at troubles that arise between a mother and her teen daughter after the latter is seduced online by a 28-year-old man.
Producer
In today's highly charged world of structure, stranger danger, and helicopter parenting, free play in childhood has disappeared, giving way to unprecedented anxiety and depression. This phenomenon impacts kids from a range of socioeconomic backgrounds. Children's lives are consumed with wall-to-wall activities and constant monitoring-the overprotected, over-directed, over-pressured childhood is the new normal. This film takes us to schools in affluent Wilton, CT; working class Patchogue, NY; and metropolitan Manhattan. Throughout these different stories, a central question emerges: How can we eschew harmful parenting strategies and empower our kids to become their most fully realized, authentic selves? The film offers possible solutions as journalist Lenore Skenazy, evolutionary psychologist Peter Gray, former dean of freshmen at Stanford University Julie Lythcott-Haims, and leaders of the "free play" movement fight to restore a less curated childhood.
Director
In today's highly charged world of structure, stranger danger, and helicopter parenting, free play in childhood has disappeared, giving way to unprecedented anxiety and depression. This phenomenon impacts kids from a range of socioeconomic backgrounds. Children's lives are consumed with wall-to-wall activities and constant monitoring-the overprotected, over-directed, over-pressured childhood is the new normal. This film takes us to schools in affluent Wilton, CT; working class Patchogue, NY; and metropolitan Manhattan. Throughout these different stories, a central question emerges: How can we eschew harmful parenting strategies and empower our kids to become their most fully realized, authentic selves? The film offers possible solutions as journalist Lenore Skenazy, evolutionary psychologist Peter Gray, former dean of freshmen at Stanford University Julie Lythcott-Haims, and leaders of the "free play" movement fight to restore a less curated childhood.
Producer
What do we talk about when we talk about socialism in the US? The Big Scary “S” Word explores the rich history of the American socialist movement and the people striving to build a socialist future today.
Producer
파국은 시작됐지만, 비관하기엔 이르다. 미국의 경제학자이자 전 노동부 장관인 로버트 라이시. 분노와 좌절이 만연한 불평등 사회에서 기어코 희망의 좌표를 발견한다.
Producer
Follow the Manhattan-based Beavan family as they abandon their high consumption 5th Avenue lifestyle and try to live a year while making no net environmental impact.
Producer
큰 성공을 거둔 작가가 펜트 하우스에 이사간 후 벌어지는 살인 사건에 관한 이야기
Producer
똑똑하고 돈 많은 남자를 만나야 한다는 엄마의 잔소리에 시달리며 보수적인 가정에서 자라온 제시카. 겉보기엔 뉴욕 트리뷴지에서 기자로 일하는 당당한 뉴요커지만, 서른을 바라보는 나이에도 아직 제짝을 못 만났다. 그래도 한 줌의 희망을 가지고 소개팅 자리에 나가보지만 잘생겼다 싶으면 느끼하고, 똑똑한가 싶으면 썰렁하고, 황당한데 쫀쫀하기까지 한 기막힌 사내들 뿐.그것도 모자라 가끔은 임자있는 줄도 모르고 소개팅을 주선한 친구 덕분에 망신살이 뻗쳐서 오는 날이 하루 이틀 사흘....그러던 어느 날, 동료 조앤은 ‘우정 이상의 만남’이라는 제목과 함께 다음의 문구가 실린 구인광고를 들려준다."새로울 것 없는 관계를 맺는 것은 타성 때문만은 아니다. 새로운 경험에 앞서오는 두려움과 수줍음 때문이다. 모든 걸 감수할 준비가 된 자만이 살아있는 관계를 지속할 수 있다"평소 가장 좋아하던 릴케의 글에 귀가 솔깃해지는 제시카. 그러나 구인광고를 낸 사람은 하필 여자?! 귀찮은 척 동료를 따돌린 후 그녀는 몰래 구인광고를 다시 보는데...
Producer
Jane, a formerly suicidal Los Angeles waitress, decides her life does have meaning after all when she finds a gun that was thrown away after a convenience store robbery, starting a life of crime.
Production Manager
실연의 상처를 극복하지 못하는 순수한 남자의 우스꽝스런 일상을 재치와 과장, 페이소스를 통해 표현하고 있는 작품.