Pierre Perrault

추방당한 자의 후손이 복수를 위해 돌아온다! 1692년, 미국 매사추세츠 지역의 입스위치 마을에 신비한 힘을 타고난 다섯 가족이 있었다. 이들은 침묵의 서약을 하지만, 이들 가족 중 욕망을 이기지 못한 한 가족이 추방당하고 이후 이들 가족 모두의 혈통은 자취를 감춘다. 시간은 흘러 현재, 엘리트를 위한 스펜서 기숙 학교의 새학기가 시작된다. 입스위치 마을에서 침묵의 서약을 했던 가족들의 후손인 케일럽은 신비한 초능력의 소유자로 입스위치의 아들들이라 불리우는 다른 친구들과 함께 개강파티에 참석하고, 그 곳에서 사라를 만나 첫눈에 반한다. 그리고, 이 파티에서 약물과다 복용으로 숨진 것으로 추정되는 학생의 사체가 발견되면서 케일럽과 친구들이 용의자로 지목된다. 이후 케일럽과 친구들은 자신들이 아닌 다른 누군가가 초능력을 쓰고 있다는 것을 알게 되고, 사라에게도 어둠의 그림자가 드리운다. 이 모든 사건의 배후에는 전학생 체이스 콜린스가 있는데, 그는 바로 입스위치 마을에서 추방당했던 가족의 후예로서 선조들의 복수를 위해 돌아온 것이다. 이제 케일럽과 체이스는 목숨을 건 대결을 펼치는데...

Not far from the North Pole on Ellesmere Island, for one hundred and twenty days, a watchful camera stalks a beast of fleece and hoof, the ancient musk-ox, in anticipation of the great bull's duel for dominance. By the light of late summer, in the hush of expectation of mating behaviour, battle is joined between the furry combatants.

From the bottom of the Baie aux Feuilles, itself in the hollow of Ungava bay, at the summer solstice, a filmmaker is on the lookout. His camera scans the tundra, looking for a herd of muskox stubbornly refusing to be targeted - even by a documentary. A film which illustrates the thoughts of a humanist who is insatiably curious.

From the gardens of Versailles to the Île-aux-Coudres, this documentary feature tells the story of Pierre Perrault's exceptional cinematic adventure. While simultaneously painting a portrait of the poet-filmmaker, the film contains a critical analysis of his work. To allow us to reflect on cinema and on man even further, an image hunter is himself hunted down to reveal his certainties and questions.

This documentary produced for TV follows a project consisting in remaking the journey of discoveries in the footsteps of Cartier's book. Sailors, some from Saint-Malo, others from the river, were entrusted with the care of navigation.

Pierre Perrault takes Stéphane-Albert Boulais (from 'The Bright Beast', one of his films) to discover Saint-Malo and Jacques Cartier, in preparation for the 450th anniversary of the discovery of Canada (1534-1984). City tour with guide. Examination of Cartier's "Relations" and testimonies from the life of Falklands sailors, in an attempt to reconstruct his journey, his life, his time. Dialogue across the Atlantic between Saint-Malo and Île-aux-Coudres, the discoverer's mooring place. Who was Cartier? Who does it belong to? The discussion is open.

A documentary film about a group of hunters who gather annually to hunt moose near Maniwaki, Quebec.

It is a documentary joining 3 periods of filming in the Mouchouanipi, which is a faraway land in the North of eastern Canada.

After 'A kingdom awaits you' and 'The return to the earth', the filmmaker Pierre Perrault concludes, with this documentary feature, his plea for the Abitibi region. The film gives the floor to Hauris Lalancette, farmer, colorful character, who has been fighting for almost half a century to save his kingdom in the Abitibi.

This documentary is about the Montagnais from Saint-Augustin et de La Romaine Indian reserve, in the region of the Côte-Nord in Quebec. Perrault approach those First Nations Citizens in order to discover that even if in our traditional occidental thinking and culture we consider ourselves superior to them, we still have a lot to learn from their traditions and ancestral way of living. Through a warm, human and respectful gaze, Perrault looks at the repercussions of European civilization's influence on Aboriginal culture, exploring the imagination and the codes of Native from Canada. The result, contradictory yet profound, was especially striking thanks to the sublime images captured by Gosselin within close relations with the Cinéma-Direct tradition in witch Perraut is one if not the greatest ambassador in the world.

Feature-length documentary on Hauris Lalancette, a Quebecer from Abitibi, who travels and draws surprising parallels between two corners of the country that are considered destitute and left behind. It is also about the search for ancestors and the nostalgia for old jobs that were better, both on the human level and on the technical level.

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

Feature documentary on the agricultural Abitibi. This film is a real plea for the earth and for a more human kind of life in the face of a society that has become cold and insensitive.

An incident from the early days of Québec's quiet revolution, tailor-made for the cartoonist. It is the story of a Montréal commuter train, a unilingual ticket collector and a bilingual passenger. The passenger appears on screen himself to describe his bid to have tickets requested in French as well as in English. What ensued, and how even the railway president became involved, is illustrated with wit and humor.

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?

The people of Ile-aux-Coudres talk of their fading tradition of constructing boats to ride the seas.

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.

At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.

At the instigation of the filmmakers, the young men of the Ile-aux-Coudres in the middle of the St-Lawrence River try as a memorial to their ancestors to revive the fishing of the belugas interrupted in 1924.

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Did Cartier dream of making a country from this land of a million birds? In his records of his exploration he certainly marvelled at seeing the great auks that have since disappeared from Isle aux Ouaiseaulx, the razor-bills and gannets that are gone from Blanc-Sablon, and the kittiwakes from Anticosti, all the winged creatures of all the islands which he described as being "as full of birds as a meadow is of grass". And that's not even counting the countless snow geese.

Life in a north-shore village where everybody's name is Robertson and where everyone hunts for seal. In December the seals come in great herds from Greenland, and for two weeks in this peaceful village it's all hands to the lines.

Did Cartier dream of making a country from this land of a million birds? In his records of his exploration he certainly marvelled at seeing the great auks that have since disappeared from Isle aux Ouaiseaulx, the razor-bills and gannets that are gone from Blanc-Sablon, and the kittiwakes from Anticosti, all the winged creatures of all the islands which he described as being "as full of birds as a meadow is of grass". And that's not even counting the countless snow geese.

Shows Tête-à-la-Baleine, Québec, a village with a double life--one on the North Shore mainland during winter months, the other on mossy islands of the Gulf to which the entire population moves for summer fishing.

Man's need to create beauty, to interpret the world around him in image and color, has found expression in many forms, from the days of primitive culture to the present. This film surveys the work of Canadian craftsmen in many fields, showing how the changing Canadian scene has been their constant inspiration and how business enterprise today is increasingly using the skills of the artisan to enhance the decor of building interiors.