Set Decoration
전 세계를 무대로 하는 고독한 암살자와 고달픈 생활을 하고 있는 세일즈맨이 멕시코시티에 있는 호텔에서 마주치게 된다. 운명은 그들이 전혀 상상하지 못했던 방향으로 둘을 하나로 묶고, 서로 화해할 수 없는 세계에 속한 두 사람은 기묘한 우정을 맺게 된다.
Production Design
When her brother disappears during a brief travel layover in Mexico, Mitch begins a desperate search that will eventually lead the young divorcee into the capital city's most notorious neighborhood. But even with the aid of the American Ambassador, her plight is only met with indifference and inaction from the authorities. As the story unfolds, Mitch is forced to look for help in the least likely places as she races against time in a dangerous quest to find answers and locate her brother.
Art Direction
In the colonial New Spain Ana is a missionary who decides to support the indigenous people.
Set Dresser
외계 생명체가 보낸 신호를 찾는 천문학자인 제인 지민스키는 어느날 전파 망원경으로 45초에 걸친 이상한 신호를 포착하고 외계인의 신호라고 보고하지만, 상부에서는 철저하게 무시한다. 지구에서 보낸듯한 또다른 신호를 따라 멕시코로 간 그는 지구 식민지를 세우려는 외계인들의 기지를 발견한다. 하지만 그는 혼자이며 주변의 어느 누구도 믿을수 없는 상황에 놓이고 마는데...
Set Decoration
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
Art Direction
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
Abel
The sequel to 'La muerte del chacal' finds the murderer from the first film still alive, and back to kill more unsuspecting victims. His brother is once again out to stop him.
