Lone Lindorff

안톤은 자폐증에 걸린 형 불러 대신 아이들의 놀림으로부터 자신을 보호해줄 수 있는 강하고 든든한 형을 갈구한다. 어느 날, 집 근처에 우주선이 착륙하고, 불러는 갑자기 안톤이 그렇게도 꿈꾸던 이상적인 형으로 변한다. (2010년 14회 부천국제판타스틱영화제)

In search of a new lifestyle, Johannes and his wife Pernille leave the city and move with their two children to Johannes’ childhood town in the country. When Johannes’ drunken brother Lars accidently runs over Anna, a local, and plants false evidence pointing at the emigrant Alain, Johannes stands up to defend Alain. But it comes with a price.

To the mentally ill Kriss, the world is divided up into 'good and evil', just like in the old B&W melodrama, 'Pure Hearts', which Kriss and his fellow patient, Willy, spend their days repeatedly watching at the psychiatric ward. To Kriss this film is the bible. One day after a serious conflict with one of the hospital's other patients their viewing rights are retracted. Kriss is deeply frustrated by this, until he realises that Linda, the young girl in the film, actually exists in the shape of the film's star, the actress Ulla Vilstrup. Setting fire to the hospital, Kriss and Willy escape into the night, determined to find her, because life is what you make of it.

Jens Christian er en strømlinet karrieredreng og nyudnævnt formand for Flygtningenævnet. Arbejdet er livets omdrejningspunkt og alt er godt, indtil en bortadopteret søn melder sin ankomst, og en usædvanlig vanskelig asylsag lander på skrivebordet. Pludselig er det ikke rigtige valg ikke soleklart for Jens Christian, der står splittet mellem forpligtelser og følelser.

스토퍼(젠스 알비누스)와 그의 친구들은 삼촌의 저택에 모여 백치 행위에 몰두하며 살게 된다. 아들을 잃어 마음 속에 상처를 입은 카렌(보딜 조르겐센)은 아이의 장례식 전날 우연히 한 레스토랑에서 이들을 만나게 된다. 처음에 백치들의 행동에 불쌍함을 느끼고 합류한 카렌은 이들의 백치 행동이 약속된 게임임을 알고 흥분한다. 멤버들은 분열되기 시작하고 스토퍼는 마지막으로 한 가지 제안을 하게 된다. 자신들의 백치 행위가 진실한 것임을 증명하기 위해 이들을 가장 아끼고 사랑하는 가족들 앞에서 백치 행위를 하는 것이다. 모두의 동의하에 시도하지만 멤버들의 대부분이 실패하고 그룹은 와해된다. 이를 안타깝게 지켜보던 카렌은 멤버 중 한 명을 데리고 자신의 집으로 간다. 굳은 결심을 하고 집으로 돌아온 카렌에게 가족들은 냉담하게 대하지만 결국 카렌은 자신의 진실을 표현한다.

Honey, it's your turn

Danish teens come of age in 1963. Bjorn and Erik are close friends. Bjorn is pursued by Kirsten, a future Stepford wife, but he falls for Anna, who initiates him into love and sex. Erik is somber, caring for his home-bound mentally-ill mother while his strict father rules his life. He desires Kirsten, but she's unattainable. Pregnancy, a horrific abortion, an engagement party, and a revelation about the rectitude of Erik's father lead to a climax: Bjorn and Erik must stand up to controlling adults.

Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.

Alice does not live at home but with friends in an abandoned factory. She sells drugs to enable them to fulfill their dream of a tavern. When the police are after her, she seeks Hour switch. Here she meets Berit and helps Berit mother south on vacation. But simultaneously pursues Alice of a drug kingpin but cheating him.

A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."

The last movie in the Thralls-trilogy.

A story about the thrall boy Halte who is being sacrificed to the Gods after he tries to kill a rich man.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.

A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.

TV reporter Mille wants to be liberated from matrimonial restraints and have more than one man in her life. She spends time with her friends, bisexual intellectual Suzanne and prostitute Lise. They mostly talk about men and women's lib.

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.

Stine is now eleven and her life and world in a Copenhagen suburb's modern social housing is portrayed in episodes around her family, friends and school.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

In the not too distant future, an overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules.

Two men disappear at the same time, with one of them committing suicide using dynamite. The police try to figure out which one died and what happened to the other.

The Key to Paradise

She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...

Ebbe Langberg er journalisten Claudius, der mister sit job, og er forelsket i Dorte. Hendes far nægter at give sit samtykke, før Claudius igen har fundet et passende job med en god løn. Og så sker der en masse! I forrygende tempo og med afsindige forhindringer - hvor bl.a. den dansk-amerikanske Miss Thomson - med afrikanske masker og tomatcocktails som speciale - spiller en afgørende rolle. Selvfølgelig vender alt sig til det bedste - og Claudius får sin Dorte.