Tom Fitzpatrick

10년 전, 유체이탈을 통해 기이한 사건을 겪은 '조쉬'와 '달튼' 부자는 그날의 기억을 모두 지운다. 10년 후,'조쉬'는 수상한 존재가 주변을 맴돌고 있음을 느끼고, 집을 떠나 대학에 입학한 ‘달튼'은 봉인된 기억 속 빨간 문에 대한 의문을 품게 된다. 램버트 가족에게 연달아 기괴한 사건들이 일어나고 과거의 비밀이 끔찍한 악몽으로 되살아나는데…

When a trio of lovely young ladies get their car stuck in a snowstorm, they take shelter in a looming Gothic manor, lorded over by a sinister old man. As their host sits them down for a lavish Holiday feast, ghastly gifts and terrifying tales are unleashed and soon the women wonder if they'll live to see another Christmas.

Embark on a journey through celluloid from 1985 to present day in these freshly digitized cinematic pearls from around the world that explore an array of gay encounters from years gone by. The 7 short films are: Just Out of Reach (1998); Toto Forever (2010); Men Don't Cry [Οι άντρες δεν κλαίνε] (2001); Alger la blanche (1986); Unconfessions [Inconfissões] (2018); Same Difference (2002); Boychick (2001).

`집 뒷마당에서 시체가 든 상자를 발견했다.` 정화조 설치에 열중하던 `데이비드`는 자신의 뒷마당에서 의문의 상자를 발견한다. 그 속에는 금액을 유추할 수 없을 정도의 현금다발과 시체 한 구가 있었는데... 홀린 듯이 돈다발을 챙겨서 집으로 들어온 `데이비드`. 그리고 그날 이후, 밤마다 깨어나는 시체로 인해 예상치 못한 사건에 휩싸이게 된다.

A radical Christian terrorist in the United States claims to hear the voice of God commanding her to attack federal buildings.

At a residence, Amy cares for numerous sick and ailing guests, including the young Mary. Delivering refreshments to relieve her guests during the Summer heat, Amy warns Mary not to venture from her room at night, lest she disturb the other guests. Wracked with pain, Mary ignores the warning and leaves her room - discovering that her host has been keeping a dark, deadly secret from her guests.

In a desperate search to create a follow-up to Joe Swanberg's 2011 film Uncle Kent, Kent Osborne travels to a comic book convention in San Diego where he loses his mind and confronts the end of the world.

The impact of wunderkind theatre director Reza Abdoh's explosive work is finally brought to light twenty years after his death of AIDS, with live performance footage and interviews with those closest to him.

죽은 엄마를 그리워하던 소녀 ‘퀸’은 특별한 능력을 감춘 채 살아가는 영매사 ‘앨리스’를 찾아가 엄마를 불러내는 의식을 부탁한다. 그 후 ‘퀸’은 알 수 없는 존재들로부터 쫓기게 되고, 급기야 설명할 수 없는 기이한 행동까지 보이며 목숨을 위협받는다. ‘퀸’으로부터 인간이 아닌 또 다른 존재를 느낀 ‘앨리스’는 삶과 죽음의 경계인 ‘먼 그곳(the further)’으로 가 공포의 정체를 밝히려 하는데… 인시디어스, 최강 공포 시리즈의 시작과 끝을 확인하라!

오랜 시간 아들 달튼이 잠에서 깨어나지 못하자 아빠 조쉬는 과거 자신의 꿈 속에 들어갔던 경험을 살려 유체이탈을 시도해 영혼의 세계에 들어간다. 무사히 아들을 데리고 집으로 돌아왔지만 그 후 기이한 현상들이 연달아 일어난다. 밤마다 막내인 갓난아기 주위를 맴도는 수상한 기운과 아무도 없는 거실에서 혼자서 연주되는 피아노 소리, 그리고 엄마 르네를 공격하는 보이지 않는 손길. 이윽고 르네는 남편 조쉬에게서 이상한 기운을 느끼고, 과거와 맞닿아 있는 지점에 숨겨져 있던 엄청난 비밀이 서서히 수면위로 드러나는데… 가족들의 집에 다른 누군가 있다!

In the future, an Ex-Soldier is placed in virtual exercises to cure his Post Traumatic Stress Disorder. In the simulations, he sees glimpses of a mysterious girl, presumably someone from his past. When a Stranger appears in his facility offering answers, the Soldier finds himself once again asked to kill, this time for her...

A young brother and sister are abandoned in the vast and lonely landscape of the 19th century American West. Each day, they struggle to keep up the family farm, anxiously waiting for their parents to return. With nowhere to escape, the two siblings are about to discover that they are not entirely alone. As much as they try to deny the truth, something behind the attic door has awakened and they must now face their greatest fear. THE ATTIC DOOR is the story of love, loss, loneliness, and the truth behind childhood fears.

뚱뚱하고 볼품없는 외모의 줄리아는 그녀의 아버지가 운영하는 식당에서 일하며 하루하루 무료한 삶을 산다. 그러던 중 이상형의 남자 그랜트를 만나 사랑에 빠지게 되고 줄리아와 그랜트는 양가 상견례까지 하며 결혼을 약속하지만, 그랜트의 옛 약혼녀인 앤디가 나타나면서 둘의 사랑은 위기에 빠지게 된다.

트럼펫 주자 톰은 1년쯤 전, '솔튼 시'에서 괴한에게 사랑하는 아내를 잃는다. 두 괴한이 부패한 경찰 모건과 가체티라는 것을 알아낸 톰은, 대니 파커라는 이름으로 마약 중독자 행세를 하며 그들의 정보원 노릇을 하면서 복수를 위해 접근한다. 확실한 단서를 잡은 톰은 FBI를 따돌리고 마약 거래 현장에 혼자 나선다. 예상대로 모건과 가체티는 습격해오고, 죽은 척 하고 있던 톰은 돈을 챙기고 있던 모건과 가체티를 총으로 쏴 죽인다.

A four-part anthology film dealing with homosexuality from the young to the old. Crush, detailing the budding friendship of a 12-year old girl and a 16-year old boy, who bond over their favorite TV program and musical tastes. The Mountain King, details a young street hustler who makes a play for a straight man on a deserted beach one afternoon. . Lost is a look at a day in the life of a young man who is first seen engaging in unsafe sex with a random partner,. The Confession, a dying Catholic asks his partner of 35 years to send for a priest, even though the partner is greatly opposed to such a request. ~ Jason Clark, Rovi

When an aged man feels the need to confess to the new catholic priest, his gay lover of many years is hurt and upset.

Set in contemporary Los Angeles, this fast-paced indie flick stars Mexican wrestler Atomic Blue as a man trying to put his past behind him. Young Nick Rodriguez, devastated by his brother's death and worried about a land developer who wants to destroy his neighborhood, is looking for a knight in shining armor – and thinks he's found one in former wrestling champ Atomic Blue. Trouble is, the aging athlete isn't anxious to be a hero anymore.

As the sun rises, we witness two male bodies emerge from the darkness. The younger of the two attempts to sneak out on the older man he just slept with.

WEST AFRICA 1869 - Slave trade is illegal. There is a revolt on a slave ship - twenty four men fight for their lives. Out-gunned, the revolt fails but a second uprising is planned.

The world premiere in 1990 of an avant-garde, queer retelling of the myth of Orpheus (Tommy) and Eurydice (Dora Lee), focusing on an antagonistic couple who find themselves exploited by Orpheus's overbearing and sexually-predatory boss.

In 1992, Reza Abdoh wrote and directed a movie called The Blind Owl. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

A woman embarks on a lone pursuit of three teenaged hoods in the Los Angeles barrio after becoming incensed at their malicious tire-slashing on parked cars including hers.