Jadranka Đokić

A German soldier, after avoiding death in a Partisan raid, wanders through the unforgiving mountainous terrain of an unfamiliar country, helplessly seeking salvation.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Divorced father Marko is hardly ever alone: he is surrounded on all sides by family, friends, co-workers and neighborhood fixers. Yet he is driven to the brink by limited contact with the one person he loves more than anyone – his daughter, who lives with her mother. When he starts the legal proceedings to get more time with his child, he enters the Kafkaesque world of a social-services system in meltdown. His fierce, paternal love for his child is both the source of his misery and his greatest joy.

The thematic framework of the anthology feature film DEEP CUTS is violence in all of its forms: as a destruction of intimacy, family, integrity, trust.

Every person we know, love and live with carries a stranger in their head. And they know we do too.

One film made by 15 directors, Each one, after seeing the last minute of the previous one.

A persistent rain falls on Zagreb. That day Janko finally decides to take the threads of his life in his own hands. For him this means, before anything, an attempt to establish a relationship with Iva who he has wanted to approach for some time followed by dealing with his aging father Franjo, a miserable translator who needs an escort to an award ceremony where he will receive an award for lifetime achievement. Iva and Franjo have their own secrets that they don't want to keep to themselves and also ideas of how this rainy day should go. Someone should, in the end, walk the dog.

A sequel to omnibus "Zagreb Stories" tells about love and families in present-day Zagreb.

출생률 0%의 작은 섬에 부임한 보좌신부 파비앙에게 콘돔을 파는 매점 주인이 자신 때문에 생명이 죽어가는 것 같다고 고해성사를 해온다. 그렇게 시작된 두 사람의 비밀스러운 출산장려 프로젝트 덕에 섬의 출생률은 70%에 치닫는다. 하지만 예상치 못한 부작용이 찾아오고… 과연 파비앙 신부는 이 프로젝트를 무사히 끝마칠 수 있을까?

After finding out by chance that his ex-girlfriend Mina’s mother died, Simon decides to steal her body to provoke cathartic processes in Mina. Mina hasn’t been in contact with her mother for years because of some dark family secrets. Simon plans to keep the body hidden for a few days and then revive it. He possesses the powers needed to do this. However, the body is stolen from Simon and he has great difficulty retrieving it. Unaware of Simon’s problems, Mina confronts her past and the emotional baggage she’s been carrying for years.

Famous inspector Martin looses his secret package in a strange plane accident over a small meadow. In his quest, he encounters many colorful characters.

Seventy-year-old teenagers running away from home. They are not running away from their parents, they are running away from the inevitable.

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.

Through a period of five days, the story follows intertwined characters who live in false serenity and rather chaotic general order.

Mirjana is returning to Croatia from Germany where she spent some time as a refugee. She is pregnant. Now, when the war in Croatia is over and her visa expired, Mirjana is coming back to her family in a remote and devastated village. Her family is trying to move on with their lives after the war. They rebuild their house and they are trying to find a new husband for their pregnant daughter. Being patriarchal and devoted to their tradition they believe a woman needs to have a husband and a child has to have a father. Of course, the child and the father have to be of the same nationality. Problems start when Mirjana gives a birth to a boy with Asian features. The family and the neighbors are shocked. Mirjana¡¦s rigid father refuses to accept a grandchild of a different nationality, not to mention the one of a different race! Mirjana and her son are forced to leave. She returns only when her father falls seriously ill and requests to see his grandson before he dies.

Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .