Director of Photography
Despite his fame, Taillandier has suddenly stopped painting. Deeply depressed, the sixty-year-old decides to go away. He has no clear goal and explains nothing to his close friends. During his travels, he has a strange encounter with Marylou, a wild teenager who was rejected by her mother. The lost girl and the man at the end of his tether will travel together awhile. Finally living like a father and daughter, at peace.
Cinematography
An illiterate and lonely man bonds with an older and well-read woman.
Director of Photography
Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.
Camera Operator
Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci. If looks could kill, they'd look like Traci: young, innocent, appealing, deadly. Traci clings like ivy to her devoted mother and strikes with a vengeance at any man who intrudes on their relationship. Traci's mother is an attractive woman with a healthy sexual appetite, and the attention she pays to the men in her life, whether for business or pleasure, sends Traci into a frenzy of jealousy and rage. Now Traci, using her budding sexuality, will do anything... seduce anyone... murder everyone who threatens to come between them.
First Assistant Camera
1920년대 파리, 바이올리니스트 마르셀은 오랜 친구의 집에 초청받는다. 친구의 젊은 아내 로멘느는 마르셀에게 추파를 던지고, 세 사람은 복잡한 관계가 되고 만다. 앙리 번스타인의 1920년대 희곡을 영화화한 작품으로, 연극적인 무대장치와 화면구성만으로도 '멜로드라마'의 본질에 접근하는 알랭 레네의 연출력이 경탄을 자아낸다. (2015 영화의 전당 - 알랭 레네 특별전)
First Assistant Camera
Pauline intends to end her days and meticulously prepares her suicide, but she meets Peppo, an Italian immigrant, who will change her mind.
