Michel Schønnemann

참여 작품

도미노
Producer
사건을 해결해야 하는 경찰 ‘크리스티안’ 지옥을 벗어나기 위해 ‘그 놈’을 잡아야 한다. 연인을 잃은 수사관 ‘알렉스’ 오직 복수를 위해 ‘그 놈’을 찾아야 한다. 테러범에게 동료를 잃은 CIA 요원 ‘조’ 목적을 달성하기 위해 ‘그 놈’이 필요하다. 한 통의 전화, 작은 아파트 소동이 쏘아 올린 살인사건. 결국 각자의 목표를 위해 ‘하나의 타겟’을 쫓게 된 세 사람. 그리고 테러범들을 향한 복수를 계속하는 목표물 ‘에즈라’. 그 끝은 거대한 하나의 사건을 향해 달려가기 시작하는데……
브리지엔드
Producer
Over a 5-year period in Bridgend in Wales, 79 people, many of them teenagers, committed suicide without leaving any clue as to why. This is the starting point for this mysterious social drama.
Player
Producer
Player follows a righteous, self-controlled and rather boring lawyer (Bjerg), who is sent to Nice on a divorce case. As he arrives, everything starts go wrong – he is cheated out of $2 million company money and the future looks bleak, when he meets his old buddy, a gambler of easy virtue (Christensen).
2 Girls 1 Cake
Executive Producer
Two girls reunite after a traumatic near-death experience, which occurs in 10 central minutes of 24-year-old Julie's life. She stands face to face with unbearable injustice.
D.A.D.: True Believer
Producer
Rockumentary chronicling the first 25 years of Danish rock band D-A-D, based on private footage shot by the director, who is also known as the unofficial fifth member of the band.
올드 맨 인 뉴 카
Producer
The last wish of the dying "Monk" is for his foster child, Harald, to find his real son, Ludvig. But the latter is currently in a Swedish prison cell...
Café Hector
Production Design
Café Hector is the new in-place for the chic, high-flying, articulate jet-set, where steaming cups of cappuccino accompany their trendy chit-chat. Uffe is definitely not "in." He can't get a cappuccino, but he is given permission, just this once, to use the toilet. But Uffe is prepared for the situation. He can't take any more humiliation and he is armed!
Ernst & the Light
Line Producer
The businessman Ernst has just landed in the airport and is on his way home to his wife. Its raining heavy outside and therefore he takes a hitchhiker with him. They start a conversation about the value of life and soon it becomes evident to the spectators that the hitchhiker is Jesus Christ, but Ernst is in too much of a rush to go back to his wife to notice.