Paraskeva Djukelova

The members of a music band that separated 30 years ago are forced to reunite.

Based on the book: "Bobby The Blessed and the other American" (2015) by Emil Andreev. Pure love, priceless medicine and a accidental meeting with the future president of the USA - John Kennedy change the life of a man. Bombardment in Sofia during 1944 make him lose his mind, but he saves his innocent soul.

One of the most ambitious Bulgarian projects in recent years, Heights is an adaptation of Milen Ruskov's novel of the same name, published in 2011. The film explores the Bulgarian realities of the 1870s a few years before the war, that would liberate the country from the Ottoman occupation. Directed by Victor Bojinov and adapted by Neli Dimitrova, the story follows Gicho a young man in a revolutionary group led by Dimitar Obshti, a real-life revolutionary fighting against the Turks. After a successful train robbery Obshti entrust Gicho with a special mission: to deliver a letter to Vasil Levski, the country's most famous freedom fighter, now considered hero and dubbed The Apostle of Freedom.

This is the story of Mityo and his son Vasko, who live in a poor area, near to the Bulgarian-Turkish-Greek Border. Mityo had lost everything that has mattered to him – his wife, his work, the confidence of his son, Vasko. In order to get him back, Mityo has to find forgiveness and pay for his sin, done 25 years ago.

Three lonely women meet in Krapetz, a village on the Black Sea coast, trying to escape the arrogance and the triteness of "modern" post-communist society. The idyll continues for several days, but is soon destroyed. Crime, violence and corruption reach the three women even in this far, deserted place.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

러시아에서 태어났지만 출생 직후 미국으로 입양된 영화 프로듀서 메리는 자신의 친어머니가 의문의 죽음을 당한 고향 땅을 처음으로 방문한다. 어머니의 죽음에 대한 단서가 조금이라도 남아있는 곳은 그녀의 친부모가 살았다는 숲 속의 버려진 농장뿐이다. 메리는 농장주의 유일한 피붙이로서 저택을 상속받고 농장으로 가는 길을 안내해 줄 가이드를 찾지만 인근 주민들은 농장을 저주받은 집이라고 부르며 그녀의 방문을 만류한다. 마침내 메리의 가족들 얘기를 아는 한 사내가 가이드로 나서긴 하지만 집으로 가는 도중에 홀연히 사라져 버리고, 메리는 40년 이상 방치된 숲 속의 폐가에 혼자 들어가야 하는 상황에 부딪친다. 그리고 그 집에서 과거의 비밀을 파헤치러 온 니콜라이라는 남자를 만나게 되고 자신들과 똑같이 생긴 기괴한 형상과 마주치게 되면서 그 폐가에 갇혀 오도 가도 못 하는 처지가 되는데…

Two trains uncontrollably move towards each other within temporal boundaries of a human life. One of them is taking a genial young man to his unforeseen future; he would marry his beloved; have a son; become a brilliant doctor; do his duty and save the live of enemies of the communist regime; get a 20-years sentence for that. Prison would turn out to be an unbearable nightmare; his wife would eventually give in to the tortures of the authorities and seek divorce; this would mean no one to visit him in prison. 15 years without any news about his child, only a snapshot of his family on which the tree of them are smiling and happy.

어른들과 함께 불가리아의 강제노동수용소에 갇혀있던 어린 데이빗, 이 이야기는 어린 데이빗이 수용소를 탈출하는 이야기에서 시작된다. 어린 데이빗이 만난 강제수용소 밖의 세상. 요하네스가 알려준 지침서대로 그 무서운 세상을 거쳐서 엄마가 기다리는 고향으로 돌아가는 이야기.

Three friends, Maro, Shpera and Yuri are unemployed and hardly make ends meet. They have complicated and hysterical relationships with the people closest to them. They seem to have emigrated from their families and their country. Provoked by a mysterious telephone call, they set out on a journey, filled with the hope to change their lives.

In late summer 1991, three Italians reach a hunting reserve in Croatia with a station wagon. They go to deer, but, unaware of what's in store for months, they do not decipher the enigmatic signs that surround them. One of the three is suddendly wounded in the knee by a bullet of unknown provenance, and they end up in a hotel targeted by snipers night and day.

It's 1980. Malin is fatherless, angry, and in trouble. At 20, he's spent a year in jail for assaulting a lover of Lily, his mother. In her desk he finds a soldier's photograph and assumes he's found his father. He confronts the man, now a teacher, and gets nowhere. At home again, he mocks his mother. Finally, she tells him her grim story, from the year before his birth. We see a people's court, where Lily's parents seek justice for their grandchild to be. We follow Lily to a prison camp, to the city where she's told to inform on the only person who's been kind, to an asylum, and finally to her current poverty and loneliness. How will Malin respond to these revelations?