Fabrizia Sacchi

June 1982, Sicily. While Italians dream of winning the World Cup, two adolescents dream of living their love story without fear. Gianni, 17, is bullied because of his homosexuality but his life changes when he meets by accident Nino, 16, a captivating and innocent boy. The profound friendship they develop will without embarrassment turn into love, as they start working together for Nino’s father, shooting fireworks. When their bond is discovered by their families, the consequences are as violent as the times and mores are conservative. The two teenagers are separated by force but ready to challenge everything and everyone, convinced their love can defeat death.

A family fights.

무책임한 부모 아래서 자라고 있는 셜리는 이사를 간다. 그곳에서 사사건건 자신에게 시비를 거는 새로운 친구를 만나 부딪히게 된다.

뉴욕에 거주하는 이탈리아계 미국인 작가 프란체스카는 그녀의 노모를 찾아 로마로 되돌아가야한다.

When theatre actor Giuliano receives an unexpected visit from his childhood friend Tommasso, the encounter is bittersweet. This reunion is their first meeting in many years, triggered by Giuliano’s failing health and his decision to forgo treatment. Instead he is focussed on putting his affairs in order: distributing possessions, reconciling past disputes, and, most importantly, finding a home for his beloved canine, Pato. Over four days, the two men walk the streets of Rome, visiting bookshops, restaurants, veterinarians and friends, examining their lives and speculating on what the future holds.

아이스하키팀의 유일한 여성 팀원인 젠은 보이시한 외형으로 인해 남자 팀원들로부터 온갖 조롱을 받는다. 모두가 젠을 반쪽자리 여자, 레즈비언이라며 배척하는 등 그녀는 팀 내에서 철저하게 혼자다. 그러나 외로운 젠에게 하키팀 주장의 여자친구가 다가온다.

1977년, 통일 이전의 베를린. 정신과 의사 클램페러를 찾아온 패트리샤는 무용 아카데미에 마녀들이 산다는 이야기를 늘어놓는다. 의사는 진료 노트에 자신이 만든 괴담을 사실로 믿고 있다며 패트리샤의 이야기를 망상이라 기록한다. 한편 블랑 선생의 지도를 받기 위해 미국에서 베를린으로 건너온 무용수 수지는 무용 아카데미에 입단해 블랑의 마음을 사로잡는다. 선생들은 수지를 패트리샤, 올가에 이어 마녀 마르코스에게 바칠 제물로 여기지만 블랑은 수지가 범상치 않은 존재라는 걸 직감한다. 수지 역시 블랑에게 춤을 배우며 잠재된 내면의 능력을 일깨운다.

A son loves his mother, because her hands were the first to welcome him. At her funeral, he steals the hearse and drives away. During the journey, the boy reminds the last weekend they spent together. Agnese takes care but doesn’t love, she’s lost in her thoughts and doesn’t let anyone get closer, not even Giulio. Two days to understand each other, two days to love each other, and to leave in the end.

Alberto (Riccardo Rossi) is a local doctor, neat freak, separated by ten years and totally dedicated - emotionally and emotionally - to old daughter, Bianca (Benedetta Gargari). A day like all the others of his life completely organized, methodical and tidy, comes a bolt from the blue: the law of the hidden diary of Bianca that his little girl is going to make love for the first time! Alberto is in a panic, had not imagined it could get that day for her daughter: the angel of his life ...

Jacopo has a serious problem. He may be a brilliant marriage guidance counsellor, but he can never manage to have a steady relationship for more than two weeks. And for good reason: since he was very young, Jacopo has been cursed and brought bad luck to every woman who has fallen in love with him. Really bad luck. Because of this, he has vowed to stay away from women, for their own good. But the moment he lays eyes on Sara at a friend’s birthday party, he is smitten. Despite his resistance, the two fall head over heels leading to back-to-back, laugh-out-loud moments of disaster! Sara will quickly learn the consequences of her choice as the limits of her love are put to the test.

Single and middle-aged, beautiful Irene (Margarita Buy) is wholly devoted to her job as an inspector of luxury hotels. Constantly on the road, she indulges in expensive pleasures at impeccable resorts, but always incognito and alone, soon escaping to the next exotic destination with her checklist and laptop in tow. When her best friend and ex, Andrea (Stefano Accorsi), who has always been a source of emotional support, suddenly becomes unavailable, Irene is thrown into a deep existential crisis. "Luxury is a form of deceit," she is told by a fellow traveller in the fog of a steam room, and thus begins Irene's quest to bring more meaning into her life.

The film tells the story of the Michelucci family, from the nineteen-seventies to the present day: the central character is the stunningly beautiful Anna, the lively, frivolous and sometimes embarrassing mother of Bruno and Valeria. Everything begins in the Summer of 1971, at the annual Summer beauty pageant held at Livorno’s most popular bathing establishment. Anna is unexpectedly crowned “Most Beautiful Mother”, unwittingly stirring the violent jealousy of her husband. From then on, chaos strikes the family and for Anna, Bruno and his sister Valeria, it is the start of an adventure that will only end thirty years later.

Paola began an affair with a surgeon who is irresistibly drawn. But her husband is police and is investigating the death of this man's last lover.

An adolescent girl, living with her mother and her grandmother, will have her first sexual experiences in a heavy and excessive way.

Francesca, Morgana, Edo and Antonio. Four of today’s youngsters. Four inadvertent representatives of today’s generation of 20-year-olds who “do whatever I want”.By chance they find that they’re spending a week in Catania together, the Baroque city perched on the slopes of a volcano, the continual rumbling of which seems to reflect their restlessness…

Based on the case of the serial killer Donato Bilancia, who murdered 17 people between 1998 and 2000 in Genova.

Inspired by the work of Italian underground comic book prodigy Andrea Pazienza, Paz! is a 24-hour slice of life of a bunch of students living in a flat in Bologna during the 70's, divided between marjuana, university, girls and political activism.

Four middle-aged friends leave for a summer weekend in Rimini, hoping to restart where they left off twenty years before.

From a poem of Gabriele Frasca

남부 이탈리아 해안 지방인 고향 류린을 여행하던 성공한 사업가 루이지는 먼 친척 로자리오에게 덮친 비극에 마음이 아파 온다. 십대인 로자리오의 어머니는 살행당했고 아버지는 현재 감옥에 수감되어 있다. 그는 도우려는 마음에 루이지는 카리스마적인 존재인 돈 로렌조 신부가 북쪽 지방에서 운영하는 불우한 십대들을 위한 보호시설로 로자리오를 보내게 된다. 루이지는 음울한 분위기를 가진 아들 마테오에게 로자리오와 친하게 지내도록 강요하고, 이 두 소년 사이에는 서서히, 그러나 강렬한 우정이 싹트게 된다. 로자리오는 혼라스러운 마에토에게 영향을 주게 되면서 마테오는 아버지의 권위에 저항하기 시작하고, 루이지의 마음 속 깊이 자리잡고 있던 자기 출신에 대한 콤플렉스가 표출되기 시작한다. 문화, 계급 그리고 세대 간의 감정적 장벽이 더욱더 확연해지면서 이들 사이의 미야간 믿음은 위협받기 시작한다.

An Italian movie crew goes to London to make a documentary about a murder case that took place a few years before.

The movie is based on the autobiography of Horst Fantazzini. Son of an anarchist, he was known in Northern Italy as “the gentleman bandit” because he robbed banks without violence, with only a toy gun. After many convictions and jailbreaks, in the summer of 1973 he's being held in Fossano, Piedmont when he tries to escape again. This time things get messy and he has to use a real gun and take two prison guards as hostages.

A police officer records an unusual deposition from a young woman: all her dreams have been stolen.

Four homosexual men in their 40s have issues and no small degree of self hatred. Yet, can laugh at themselves and their comrades and often do.

In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.

What is love? In how many forms can it manifest itself? 14 short episodes about love, spanning generations of lovers...to answer.