Annekatrin Hendel

1957년 소련의 스푸트니크 2호에 실려 최초로 우주로 간 개, 라이카는 살아 돌아오지 못했다. 모스크바의 길거리를 떠돌다 우주선에 타게 된 라이카는 우주선이 지구 궤도로 진입하자 불에 타듯 사망했다. 영화는 당시 라이카의 유령이 혜성처럼 지구에 떨어져 여전히 모스크바를 떠돌고 있다는 ‘도시전설’로부터 시작된다. 시적이며, 에세이 스타일인 이 뛰어난 다큐멘터리는 라이카의 영혼이 깃든 두 마리 개를 중심으로 떠돌이 개들의 삶을 그들 눈높이에서 보여준다. 개들의 생생한 삶은 우주로 간 개들이 버텨낸 삶의 궤도와 묘하게 겹쳐 보인다. 또한 끝없이 부유하는 개들의 이미지는 결국 우리들 삶의 그림자이기도 하다.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

Director Annekatrin Hendel delivers a portrait of three generations of Brasches as a microcosm of societal tensions being carried out on a large scale — between East and West, art and politics, communism and religion, love and betrayal, utopia and self-destruction.

With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.

With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.

With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.

With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.

A film portrait of the influential Bavarian actor, director and screenwriter who publicly confessed his homosexuality.

A film portrait of the influential Bavarian actor, director and screenwriter who publicly confessed his homosexuality.

Documentary about poet Sascha Anderson.

Documentary about poet Sascha Anderson.

The story of the complex man and 75-year-old writer named Paul Gratzik, who worked as a Stasi informant in the GDR and was known as a “man of extremes”. However, after spying on friends and colleagues for more than 20 years, Gratzik decided to voluntarily expose himself in the 1980s.

The story of the complex man and 75-year-old writer named Paul Gratzik, who worked as a Stasi informant in the GDR and was known as a “man of extremes”. However, after spying on friends and colleagues for more than 20 years, Gratzik decided to voluntarily expose himself in the 1980s.