Liliana Cavani
출생 : 1933-01-12, Carpi, Modena, Emilia-Romagna, Italy
약력
Liliana Cavani (born 12 January 1933, Carpi, Italy) is an Italian film director and screenwriter. She belongs to a generation of Italian filmmakers from Emilia-Romagna that came into prominence in the 1970s, including Bernardo Bertolucci, Pier Paolo Pasolini and Marco Bellocchio. Cavani became internationally known after the success of her 1974 feature film Il portiere di notte (The Night Porter). Her films have historical concerns. In addition to feature films and documentaries, she has also directed opera.
While attending film school, Cavani won a competition at RAI, Italy's national television network, and took a job there as a director of historical documentaries in 1961. Her professional career thus began making documentaries for RAI between 1961 and 1965, which included Storia del III Reich, (History of the Third Reich) (1962–1963), which chronicles the rise of the Nazi regime. It was the first historical investigation of German totalitarianism to appear on television. Other documentaries are: L'età di Stalin ("The Stalin Years"), an investigation into the Soviet leader's years; La donna nella Resistenza (1965); Philippe Pétain, processo a Vichy, winner of the Golden Lion at Venice film festival in 1965 in the documentary section. In this period she also made Il giorno della pace, a four-hour documentary on immigration south-to-north within Italy.
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. The film was a great success, but also triggered many negative reactions. It was called " heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reaction to Cavani's work.
Cavani was not well known beyond Italy until she made the 1974 film The Night Porter (Il portiere di notte), which remains the film for which she is best remembered. The plot, set in Vienna in 1957, follows an SS camp guard and a former concentration camp survivor engaging in a sadomasochistic relationship after meeting again by a chance encounter. A deeply controversial film, it starred Dirk Bogarde and Charlotte Rampling.
Cavani currently lives in Rome. Carpi, her hometown, has established the Associazione Fondo Liliana Cavani, where her films are preserved and made available for consultation.
Description above from the Wikipedia article Liliana Cavani, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Writer
It explores what happens to a group of long-term friends one night when, during their annual get-together to celebrate a birthday in a villa by the sea, they discover that the world might be ending within the space of a few hours. From that moment on, the time separating them from the possible end of their lives seems to flow differently, both speedily and never-endingly, over a summer’s night which will change their lives forever.
Director
It explores what happens to a group of long-term friends one night when, during their annual get-together to celebrate a birthday in a villa by the sea, they discover that the world might be ending within the space of a few hours. From that moment on, the time separating them from the possible end of their lives seems to flow differently, both speedily and never-endingly, over a summer’s night which will change their lives forever.
Self (archive footage)
Screen icon Charlotte Rampling has fascinated the world of cinema, fashion and photography with her mysterious and almost inaccessible beauty. A major figure in genre and auteur films, she is unclassifiable: between presence and absence, shyness and audacity, she's always hypnotic, magnetic and fascinating. From her film debut in the mid-1960s in England, to her unconventional career path, through the tragic loss suicide of her older sister that will irremediably mark her acting, this film is a dive into the existential quest of a complex actress, whose every facet is discovered through her roles. Through a conversation with the actress herself, along with personal archives and extracts from her films, this documentary raws a dazzling portrait of her life and career.
Self
<황야의 무법자>, <원스 어폰 어 타임 인 아메리카>, <미션>, <시네마 천국>, <헤이트풀8>…
전 세계가 사랑하는 거장 엔니오 모리꼬네
그가 직접 들려주는 명작 탄생 비하인드
그리고 세계적인 아티스트들이 이야기하는 그에 대한 모든 것
Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.
Self
Opera Prima is a tribute and a journey through the evolution that cinema has had in Italy. Tayu Vlietstra, a pupil of Bertolucci, carries out an investigation on the first work of six of the most authoritative and beloved Italian directors. The result is an unpublished and precious document that reveals the emotions and expectations of directors grappling with their cinematic debut. Mario Monicelli, Bernardo Bertolucci, Lina Wertmüller, Marco Bellocchio, Liliana Cavani and Francesca Archibugi offer a still current evolution on the needs and difficulties of making cinema in our country.
Liliana Cavani, before becoming an established filmmaker in Italy and in the world, was a young and brilliant documentary filmmaker in Ettore Bernabei's Rai. Just graduated from the Centro sperimentale di cinematografia, in just five years, from 1961 to 1966, Cavani produced over ten memorable programs, ranging from the editing documentary on the great history of the twentieth century to the investigation into the social, economic and cultural transformations of our country. A little-known image journey with a very high documentary and artistic value that reaches up to the TV film on Francesco d'Assisi, the first of his trilogy on the saint is the trait d'union between her documentary career and the debut of her cinematographic career.
Self -Director
Feature length documentary on the cult sub-genre featuring interviews with Dyanne ‘Ilsa’ Thorne, Malissa ‘Elsa’ Longo, filmmakers Sergio Garrone, Mariano Caiano, Rino Di Silvestro, Liliana Cavani, Bruno Mattei, and many more.
Director
Based on the memoirs of author Curzio Malaparte, diplomatic liaison between the Allied and Italian forces after the defeat of the Nazi's in Italy, director Liliana Cavani's (The Night Porter) film is an unflinching look the collapse of Italian society under the US occupation and the desperate measures required for survival. An unforgettable and controversial film.
Screenplay
Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.
Story
Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.
Director
Depicts various periods in the life of Saint Francesco: Youth and the first conversion in 1206, the process that inflicts his father, the birth of the historical nucleus of Fraternitas and the departure for the Holy Land up to the writing of rules and death, addressing the problem of the legacy of his message in the different interpretation that Chiara and Elia will give it.
Producer
The story of a small community of cloistered nuns, devoted to Santa Chiara, in Urbino.
Director
The story of a small community of cloistered nuns, devoted to Santa Chiara, in Urbino.
Self
The Documentary Dante Ferretti – Production Designer retraces the life and the career of Dante Ferretti, the famous Italian Artist and Production Designer.
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Self
Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.
Director
The relationship between renowned scientist Albert Einstein and his first wife, Mileva Marić.
Director
Live from La Scala Saturday 07 July 2007. In this live performance of Giuseppe Verdi's opera, Violetta, a courtesan much wooed by Parisian society, organises a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man.
Director
Part of Tutto Verdi series - Macbeth (2006) Parma. Macbeth is one of the most multi-layered, profound and demanding roles that Verdi ever wrote for a baritone and the Italian singer Leo Nucci is arguably the most distinguished in his field. The role has repeatedly brought him lasting success and he enacts it with an intensity that only the very experienced stage personality can muster. French singer Sylvie Valayre is known for her versatile interpretations of spinto and dramatic coloratura soprano parts, especially for particularly gruelling roles like Lady Macbeth. Supported by Italian bass Enrico Iori as Banco and tenor Roberto Iuliano as Macduff, they make up a wonderful cast under the baton of Bruno Bartoletti, musical director of the Teatro Regio di Parma.
Self
After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.
Co-Writer
Director
Screenplay
천재적인 사기꾼 리플리는 결혼과 함께 프랑스의 아름다운 전원주택에서 평온한 나날을 보내고 있었다. 우연히 참석한 조나단 부부의 파티에서 그를 '돈은 많지만 예술은 모르는 미국인'이라고 비난하는 조나단의 발언은 리플리의 자존심에 금이 가게 만드는데.... 리플리의 옛 친구 리브스는 그에게 사업상 라이벌을 죽여달라는 부탁을 하지만 일언지하에 거절당한다. 그날 밤, 아내로부터 자신을 모욕한 조나단이 백혈병 말기라는 사실을 전해 듣게된 리플리의 머릿속에 재미있는 계획이 떠오른다. 바로 자신에게 들어온 살인청부를 조나단에게 넘기는 것. 거액을 돈을 제시하며 조나단에게 살인을 의뢰하는 리브스. 평범한 조나단에게 받아들이기 힘든 제안이었지만 그의 목숨은 이제 얼마 남지 않았고 아내와 아들은 남겨진다는 불안감에 조나단은 돈을 선택한다. 베를린에서 조나단의 첫 번째 살인이 무사히 끝나고 그는 양심의 가책 대신 묘한 흥분을 느낀다. 리플리는 그런 그의 변화를 즐거워하며 지켜본다. 하지만 리브스가 조나단에게 두 번째 살인을 제의하면서부터 모든 일은 리플리의 예상과는 다르게 흘러가기 시작하는데....
Director
천재적인 사기꾼 리플리는 결혼과 함께 프랑스의 아름다운 전원주택에서 평온한 나날을 보내고 있었다. 우연히 참석한 조나단 부부의 파티에서 그를 '돈은 많지만 예술은 모르는 미국인'이라고 비난하는 조나단의 발언은 리플리의 자존심에 금이 가게 만드는데.... 리플리의 옛 친구 리브스는 그에게 사업상 라이벌을 죽여달라는 부탁을 하지만 일언지하에 거절당한다. 그날 밤, 아내로부터 자신을 모욕한 조나단이 백혈병 말기라는 사실을 전해 듣게된 리플리의 머릿속에 재미있는 계획이 떠오른다. 바로 자신에게 들어온 살인청부를 조나단에게 넘기는 것. 거액을 돈을 제시하며 조나단에게 살인을 의뢰하는 리브스. 평범한 조나단에게 받아들이기 힘든 제안이었지만 그의 목숨은 이제 얼마 남지 않았고 아내와 아들은 남겨진다는 불안감에 조나단은 돈을 선택한다. 베를린에서 조나단의 첫 번째 살인이 무사히 끝나고 그는 양심의 가책 대신 묘한 흥분을 느낀다. 리플리는 그런 그의 변화를 즐거워하며 지켜본다. 하지만 리브스가 조나단에게 두 번째 살인을 제의하면서부터 모든 일은 리플리의 예상과는 다르게 흘러가기 시작하는데....
Director
Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.
Self
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
Director
TDK presents a recording of Puccini’s heart-breaking opera from one of the best opera houses of the world featuring star tenor José Cura and remarkable soprano Maria Guleghina as the two inseparable lovers. Riccardo Muti, music director of La Scala at the time of this performance, gives full weight to the alternation of social realism and private amatory psychology, of crowds and intimacy, body and spirit. And the director of this Milan production, the famous Italian film director Liliana Cavani, provides it with a realistic setting. Every scene looks like a genre painting, from which Puccini’s psychograms emerge musically. This forms the background for the two outstanding singer actors, who take the lead roles.
Director
A staging of the opera by Mascagni.
Writer
A deaf man rebels against his controlling mother by dating a high-school drop-out who shares his disability.
Director
A deaf man rebels against his controlling mother by dating a high-school drop-out who shares his disability.
Screenplay
프란체스코는 고향을 파탄에 빠뜨린 전쟁에서 고통과 비리를 느낀다. 감옥에 들어간 프란체스코는 영혼이 산산조각이 났다고 믿고 있던 중 출감시 한권의 책을 들고 나온다. 복음서였다. 그는 그 책속에서 영혼의 구원을 얻는다. 전 재산을 처분해 불쌍한 사람들에게 나눠주려는 프란체스코를 처음엔 경멸하던 사람들이 점점 호응을 하게 되고 특히 그의 어릴 적 여자친구 키아라는 그를 헌신적으로 도와준다. 교황을 알현키 위해 로마를 떠난 프란체스코를 따르는 신도들이 급증하고 그는 자기희생과 금욕적 생활의 화신이 된다. 마침내 그는 죽고 사도들은 성프란체스코가 생전에 남긴 업적과 행위를 기리며 회상에 잠긴다.
Story
프란체스코는 고향을 파탄에 빠뜨린 전쟁에서 고통과 비리를 느낀다. 감옥에 들어간 프란체스코는 영혼이 산산조각이 났다고 믿고 있던 중 출감시 한권의 책을 들고 나온다. 복음서였다. 그는 그 책속에서 영혼의 구원을 얻는다. 전 재산을 처분해 불쌍한 사람들에게 나눠주려는 프란체스코를 처음엔 경멸하던 사람들이 점점 호응을 하게 되고 특히 그의 어릴 적 여자친구 키아라는 그를 헌신적으로 도와준다. 교황을 알현키 위해 로마를 떠난 프란체스코를 따르는 신도들이 급증하고 그는 자기희생과 금욕적 생활의 화신이 된다. 마침내 그는 죽고 사도들은 성프란체스코가 생전에 남긴 업적과 행위를 기리며 회상에 잠긴다.
Director
프란체스코는 고향을 파탄에 빠뜨린 전쟁에서 고통과 비리를 느낀다. 감옥에 들어간 프란체스코는 영혼이 산산조각이 났다고 믿고 있던 중 출감시 한권의 책을 들고 나온다. 복음서였다. 그는 그 책속에서 영혼의 구원을 얻는다. 전 재산을 처분해 불쌍한 사람들에게 나눠주려는 프란체스코를 처음엔 경멸하던 사람들이 점점 호응을 하게 되고 특히 그의 어릴 적 여자친구 키아라는 그를 헌신적으로 도와준다. 교황을 알현키 위해 로마를 떠난 프란체스코를 따르는 신도들이 급증하고 그는 자기희생과 금욕적 생활의 화신이 된다. 마침내 그는 죽고 사도들은 성프란체스코가 생전에 남긴 업적과 행위를 기리며 회상에 잠긴다.
Writer
In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki.
Director
In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki.
Screenplay
Tom Berenger stars in this Italian film featuring legendary Italian star Marcello Mastroianni. Berenger is Matthew, an American engineer who falls in love with Nina (Eleanora Giorgi), a woman who holds many disturbing secrets.
Director
Tom Berenger stars in this Italian film featuring legendary Italian star Marcello Mastroianni. Berenger is Matthew, an American engineer who falls in love with Nina (Eleanora Giorgi), a woman who holds many disturbing secrets.
Screenplay
After the Allies liberate Naples in 1943, life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive.
Director
After the Allies liberate Naples in 1943, life for the locals is not much easier, especially for women. Many sacrifice their dignity and morale to survive.
Screenplay
The life and ideas of the German philosopher Friedrich Nietzsche. A love triangle unfolds as Nietzsche and his best friend decides to live with a Jewish woman. According to Nietzsche's philosophy, that is beyond all morality. Depicting Nietzsche's opium addiction and madness meritorious.
Director
The life and ideas of the German philosopher Friedrich Nietzsche. A love triangle unfolds as Nietzsche and his best friend decides to live with a Jewish woman. According to Nietzsche's philosophy, that is beyond all morality. Depicting Nietzsche's opium addiction and madness meritorious.
Screenplay
A story inspired by a classic text of Tibetan literature, Milarepa moves back and forth in time between the story of the title character, a mystic of the eleventh century and a young westerner whose travails are not very different, both being torn between the search for knowledge and a quest for power.
Director
A story inspired by a classic text of Tibetan literature, Milarepa moves back and forth in time between the story of the title character, a mystic of the eleventh century and a young westerner whose travails are not very different, both being torn between the search for knowledge and a quest for power.
A filmed record of a bizarre garden party organized to pay a fine incurred by singer Ulla for "liberating a chandelier from Harrods."
Screenplay
1957년의 비엔나. 비엔나에 모여 사는 나치 친위대 출신 장교들은 자신들의 죄상이 탄로나지 않도록 하기위해 나치 전범 기록문서나 증인을 찾아내 증거 인멸 작전을 펴고 있다. 유태인 수용소 의무관 출신으로 죄의식 때문에 햇빛을 볼 수 없어 야간 근무만 하는 맥스는 어느날 호텔에 투숙한 여자 손님을 보고 깜짝 놀란다. 그녀는 바로 수용소에서 자신이 그토록 사랑하고 보호했던 루치아였다. 지휘자인 남편의 연주여행에 따라온 루치아도 역시 맥스를 보자 심장이 멎는듯하다. 지옥과 같았던 수용소에서 자기를 보호하고 사랑해준 맥스는 곧 그녀에겐 구세주였다. 남편을 먼저 떠나보내고 뒤에 남은 루치아는 맥스의 아파트로 가서 수십년만에 감격의 재회를 하다. 수용소의 여자 증인인 하나가 비엔나에 나타났다는 소문은 이미 퍼지고 있었다. 루치아를 알아본 증인은 수용소에서 주방일을 하던 마리오. 맥스는 친위대 그룹이 루치아의 존재를 알게 되면 당장에 해칠것 같아 마리오를 낚시터로 데리고 가서 물에 빠뜨려 죽게 한다. 과거의 친위대원들은 맥스에게 증인을 내놓으라고 위협을 한다. 그러나 맥스는 젊은 시절에 자신이 천사처럼 아꼈던 루치아를 목숨을 걸고 지키려 한다. 맥스는 호텔도 그만두고 루치아와 함께 아파트에 숨어산다. 하지만 친위대원들의 공작으로 먹을것은 물론 전기와 수도도 모두 끊겨버린다. 결국 은둔 생활에 한계를 느낀 맥스는 나치 장교복으로 갈아입고 루치아에게는 유태인 신부옷을 입혀 합께 다뉴브강 다리로 간다. 차에서 내려 다리를 건너던 이들에게 몇발의 총성이 울리고 두 사람은 동시에 쓰러지고 만다.
Director
1957년의 비엔나. 비엔나에 모여 사는 나치 친위대 출신 장교들은 자신들의 죄상이 탄로나지 않도록 하기위해 나치 전범 기록문서나 증인을 찾아내 증거 인멸 작전을 펴고 있다. 유태인 수용소 의무관 출신으로 죄의식 때문에 햇빛을 볼 수 없어 야간 근무만 하는 맥스는 어느날 호텔에 투숙한 여자 손님을 보고 깜짝 놀란다. 그녀는 바로 수용소에서 자신이 그토록 사랑하고 보호했던 루치아였다. 지휘자인 남편의 연주여행에 따라온 루치아도 역시 맥스를 보자 심장이 멎는듯하다. 지옥과 같았던 수용소에서 자기를 보호하고 사랑해준 맥스는 곧 그녀에겐 구세주였다. 남편을 먼저 떠나보내고 뒤에 남은 루치아는 맥스의 아파트로 가서 수십년만에 감격의 재회를 하다. 수용소의 여자 증인인 하나가 비엔나에 나타났다는 소문은 이미 퍼지고 있었다. 루치아를 알아본 증인은 수용소에서 주방일을 하던 마리오. 맥스는 친위대 그룹이 루치아의 존재를 알게 되면 당장에 해칠것 같아 마리오를 낚시터로 데리고 가서 물에 빠뜨려 죽게 한다. 과거의 친위대원들은 맥스에게 증인을 내놓으라고 위협을 한다. 그러나 맥스는 젊은 시절에 자신이 천사처럼 아꼈던 루치아를 목숨을 걸고 지키려 한다. 맥스는 호텔도 그만두고 루치아와 함께 아파트에 숨어산다. 하지만 친위대원들의 공작으로 먹을것은 물론 전기와 수도도 모두 끊겨버린다. 결국 은둔 생활에 한계를 느낀 맥스는 나치 장교복으로 갈아입고 루치아에게는 유태인 신부옷을 입혀 합께 다뉴브강 다리로 간다. 차에서 내려 다리를 건너던 이들에게 몇발의 총성이 울리고 두 사람은 동시에 쓰러지고 만다.
Writer
A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.
Director
A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.
Writer
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Director
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Writer
With a screenplay by Liliana Cavani, this film is based on a true story, events that happened in Alabama in 1965. A daughter of Italian immigrants, Liuzzo participated in the march led by Martin Luther King. As she returned home, she was accosted and murdered by four members of the Ku Klux Klan.
Screenplay
A humble scientist from Padua proves that the Earth revolves and that it is not the center of the universe.
Story
A humble scientist from Padua proves that the Earth revolves and that it is not the center of the universe.
Director
A humble scientist from Padua proves that the Earth revolves and that it is not the center of the universe.
Screenplay
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. Starring Lou Castel, it portrays Francis of Assisi as a slightly depressed protestor and an avid, albeit mad, supporter of armed brotherhood. The ideal defender of the 1968 student movement. The film was a great success, but also triggered many negative reactions. It was called "heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reactions to Cavani's work.
Director
Cavani made her first full-length feature film in 1966 with Francis of Assisi (Francesco d'Assisi). Made for television and aired in two parts, it was deeply influenced by the style of Rossellini and the atmosphere typical of the films of Pasolini. Made in a period of political unrest, it was to become a kind of manifesto of dissenting Catholicism. Starring Lou Castel, it portrays Francis of Assisi as a slightly depressed protestor and an avid, albeit mad, supporter of armed brotherhood. The ideal defender of the 1968 student movement. The film was a great success, but also triggered many negative reactions. It was called "heretical, blasphemous and offensive for the faith of the Italian people". It was the first of many polemical reactions to Cavani's work.
Director
A documentary film: two generations reflect on World War II, twenty years after peace was declared in Europe.
Director
Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.
Director
A documentary about the life and spirituality of Charles de Foucauld, a French priest who lived in the Sahara and was assassinated in 1916.
Director
A documentary about the trial of Philippe Pétain.
Director
A documentary about the urban housing crisis in three Italian cities, Turin, Naples, and Rome, during the 1960s.
Director
A documentary about Josef Stalin.
Writer
An early short film by Liliana Cavani that confronts the theme of discrimination.
Director
An early short film by Liliana Cavani that confronts the theme of discrimination.
Director
A documentary about the Third Reich.
Director
A documentary short.
Director
A documentary short.
Director
A documentary short.
Director
A documentary short.
Writer
An early short film by Liliana Cavani that confronts the theme of discrimination.
Director
An early short film by Liliana Cavani that confronts the theme of discrimination.
