Animation
A three-minute fantasy of butterflies and dragonflies cavorting amongst the pussywillows, Japanese-inspired animation accompanied by two variations on keyboard works by the Baroque composer.
Director
A three-minute fantasy of butterflies and dragonflies cavorting amongst the pussywillows, Japanese-inspired animation accompanied by two variations on keyboard works by the Baroque composer.
Director
"Stapp was one of the greatest animators working in the 1950-1975 era, using stylized, often pointillist abstract imagery, in a floating world sometimes surrealist, at other times reminiscent of Japanese "ukiyo-e" illustration. His spectacular 'Symmetry' is his greatest film, a fantasy of dancing images breaking apart, spinning, and converging." -Academic Film Archive of North America
Writer
An animated short outlining the problems with alcohol consumption.
Director
An animated short outlining the problems with alcohol consumption.
Screenplay
늙은 돼지는 동물들을 학대하고 착췻하는 농장주들의 부당한 처우에 대항하기 위해 반란을 일으킬것을 선동한다. 울타리에 갇혀 압박과 설움에 신음하는 굴종의 시대는 끝났다! 격정적인 연설을 듣고 분기 탱천한 동물들은 급기야 고요했던 농장의 평지풍파를 일으킨다.
Writer
Sent by the U.S. government as a participant in the Marshall Plan with a specific mission to assist the French in re-gearing their animation studios, Stapp discovered a Europe much-decimated by war, but in further danger of annihilation by nuclear weapons. Returning to the U.S., he produced this alarming-yet-hopeful film, replete with its lonely, Tanguy-inspired landscapes peopled with static figures casting long shadows across charcoal-colored plains. While taking the risk of leaning a bit toward didacticism, Stapp managed to urgently convey the thought that world destruction was not necessarily inevitable, provided that people embrace, rather than reject their cultural and racial differences. ‘Picture’ is a unique document resulting from the sometimes dreamy, sometimes nightmarish vision of the artist in a war-torn land, with the spectre of death hovering ever-so-slightly ahead.
Director
Sent by the U.S. government as a participant in the Marshall Plan with a specific mission to assist the French in re-gearing their animation studios, Stapp discovered a Europe much-decimated by war, but in further danger of annihilation by nuclear weapons. Returning to the U.S., he produced this alarming-yet-hopeful film, replete with its lonely, Tanguy-inspired landscapes peopled with static figures casting long shadows across charcoal-colored plains. While taking the risk of leaning a bit toward didacticism, Stapp managed to urgently convey the thought that world destruction was not necessarily inevitable, provided that people embrace, rather than reject their cultural and racial differences. ‘Picture’ is a unique document resulting from the sometimes dreamy, sometimes nightmarish vision of the artist in a war-torn land, with the spectre of death hovering ever-so-slightly ahead.
Director
This outstanding cartoon successfully combines a social message with unique color animation, provocative commentary and a distinguished musical score.
